Les Miserables Redemption Essay

Soon after the main character Jean Valjean is released from prison, he steals silver candlesticks. He is caught, but the Bishop makes the selfless decision to forgive Valjean. He gives the candlesticks to him, and wants him to live a better life. “The bishop approached him and said, in a low voice, 'Do not forget, ever, that you have promised me to use this silver to become an honest man.' Jean Valjean, who had no recollection of any such promise, stood dumbfounded.” The bishop then stated, “Jean Valjean, my brother: you belong no longer to evil, but to good. It is your soul that I am buying for you. I withdraw it from dark thoughts and from the spirit of perdition, and I give it to God!” In Les Miserables, we see the results of the Bishop choosing to be selfless, and forgiving Jean

Dante's use of allegory in the Inferno greatly varies from Plato's "Allegory of the Cave" in purpose, symbolism, characters and mentors, and in attitude toward the world. An analysis of each of these elements in both allegories will provide an interesting comparison. Dante uses allegory to relate the sinner's punishment to his sin, while Plato uses allegory to discuss ignorance and knowledge. Dante's Inferno describes the descent through Hell from the upper level of the opportunists to the most evil, the treacherous, on the lowest level. His allegorical poem describes a hierarchy of evil.

Throughout history, symbols have had an overwhelming presence among citizens. The French Revolution had many symbols that represented power. Did the events leading up to the storming of the Bastille persuade the French citizens to believe that it was a symbol of power? There are many reasons why the French citizens would believe the Bastille to be a symbol of power. It was a very overwhelming stone structure, which stood robust, surrounded by small villages along with farmland. The architecture and placement of this fortress gave itself a reputation of strength and impregnation. It stood by itself, being the most intimidating structure of its time.

In “The Stranger” by Albert Camus, the juxtaposition between Chaplain’s morals and the Meursault's are symbolic of the acceptance and rejection of social constructs like religion, showing how adhering to one’s own values are ultimately more rewarding. Throughout the novel, Meursault is defined his actions driven from prioritizing his physical needs first. This mentality lands Meursault in jail for killing an Arab because he was distracted by the sun. As he is about to approach his death sentence, the Chaplain attempts to get him to convert to religion and become a believer in his final moments, as “he was expressing his certainty that my appeal would be granted, but I was carrying the burden of sin from which I had to free myself. According

Sacrifice is a prominent part of human living. In order to get what is needed or wanted, sacrifice is necessary, whether it is small or great. In the novel, Les Miserables by Victor Hugo, he shows that in society, those with less must often sacrifice more. Hugo conveys sacrifice through the characters Fantine and Jean Valjean, by showing how they sacrifice in order to gain and also how their poverty makes their sacrifice even greater.

The world is full of hypocrites and in the story “The Pardoner’s Tale”, Chaucer writes about a man who is living a life of sin. The Pardoner’s tale is an epologia of a pardoner who has the power from the church to forgive others for their sins but makes a living out of lying and tricking his audience. Throughout the Pardoner’s Tale he preaches about greed, drinking, blasphemy, and gambling but in the Pardoner’s Prologue he admits to committing these sins himself. The pardoner is really just a 14th century con artist who makes a living by his own hypocrisy.

The protagonist’s transformation begins when the bishop recognizes Jean Valjean’s human soul that is capable of goodness. When he is put out into the streets, Valjean goes from place to place being rejected for being a convict until he meets the bishop who sees him as a common person, “That men saw his mask, but the bishop saw his face”(75). Even though people might be good, they don’t always see someone’s true soul. The bishop’s simple act of kindness and deeper understanding

Both Dade and Julian where fixated on proving themselves right and defending their beliefs about

In the novel, The Stranger by Albert Camus, Meursault the protagonist, becomes drawn into a “senseless” murder that has to face the absurdity of life and because of his actions, Meursault is presented as a danger due to his lack of “morality” to society. Meursault who is not able to take control of his life but respond to what life offers him believes in the simplicity of life. He tries to understand the living through logic and objectivity, which ultimately turns futile, as he himself cannot maintain proper control over his thoughts and emotions. From the interactions between Marie, to the murder of the Arab, and the meeting with the Chaplain, Meursault overcomes his indifferent views to form an opinion about what life really means. The central theme presented by Camus is how the threat of mortality becomes a catalyst for understanding the significance of life.

In many, a tragedy do the tragic heroes have flaws that lead themselves to their own demise. The main character always acts exactly on his or her own emotions; thus aiding their tragic flaw and leading to their own demise without giving them the time to stop the repercussions of their emotion driven actions. In the play “Antigone” by Sophocles many of the characters are simply too headstrong and passionate about their beliefs to realize that they would greatly regret the decisions they are making. All of the characters share this characteristic; it is alluded to in the play that this is caused by their blood relation to Oedipus and how they are too cursed.

In The Stranger by Albert Camus, the main character, Meursault, is an absurdist who lives in the moment and refuses to be distracted by societal norms. He views the world as random and is indifferent to it. But to many French people living in Algeria, religion, social order and character are intertwined and are imperative to human life. Camus uses the crucifix and the courtroom to convey the idea that religion is man’s desperate attempt to create meaning in life where there is none.

Similarly, another critic believes that the morals and peer pressure of a dauntless society are what causes Man to become evil. This evil slowly forces them to progress into “hardened ruffians” that are forced to resort to a pis aller in order to regain some hope for themselves. Thus, society cannot evolve (Lewes 245). Contrary to what Reeves believes, Critic Moss believes that misfortune is the sole cause of one’s faults and that the main theme of the novel is the barrier between “those who choose degradation and those who are driven to it” (228). Furthermore, the critic Napierkowski believes that the meaning of life is love and that through the love that all people receive, any number of traits can be changed. She explicates that change is extremely relevant in the case of Jean Valjean who is a convict turned upstanding citizen. She also recalls that in the novel Valjean is only transformed due to the love he receives from the Bishop of Digne, who gave Valjean everything that he had (Novels for Students). Reeves, again, also explores the concept that Hugo is trying to prove that humans need to love each other for the world to be a happier place (Masterplots). Thus, through evidence in Les Misérables, the aforementioned themes can easily be proven.

Jean Valjean sacrificed much as he sought redemption. One of the first sacrifices that Jean Valjean makes is that of his identity, during the Champmathieu affair. As Monsieur Madeleine, Jean Valjean was a trusted official in a high position. He struggled with himself when he heard that the ‘real’ Jean Valjean had been caught: should he stay in M—sur m—where he was comfortable and popular, or do the right thing, remove a man from an undeserved galley life, and become a convict once more. When Madeleine revealed himself as Jean Valjean, he forever gave up that comfortable position of authority. He became a convict again – a wanted convict. He would now live out the rest of his life hiding, of not running, from the police. Jean sacrificed his safety. Saving Marius’ life by carrying him through the sewers also proved to be a sacrifice. Jean’s entire existence revolved around Cosette. She was what kept him on the track the bishop set him on. He adored her. He was devastated to learn that she was in love with Marius, yet he saved

Generally, authors compose books that go along with the morals of the audience. So many stories are written today with the typical love story, girl falls in love with guy or vice versa. Others are action packed with a climax and a predictable ending. Victor Hugo took a different stance while writing his book Les Miserables. Hugo's idea of action is presented through Jean Valjean who is held in prison for four years because he stole a loaf of bread. He includes unique love stories unlike the typical ones that we read about. Hugo's main purpose is to challenge people to consider their morals on forgiveness and love.

In “The Scarlet Letter,” Hawthorne presents the consequences of sin as an important aspect in the lives of Hester Prynne, Roger Chillingsworth, and Arthur Dimmesdale. The sin committed, adultery, between Hester Prynne and Arthur Dimmesdale had resulted in the birth of their innocent little girl, Pearl. This sin ruined the three main characters’ lives completely in different ways. With the sin committed, there were different ways the characters reacted to it: embracing the sin, concealing the sin, and becoming obsessed and consumed with it. With each reaction to the sin there were also different actions of redemption.