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Light And Dark Themes In The Scarlet Letter By Nathaniel Hawthorne

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The Scarlet Letter is a mysterious tale of intrigue, guilt, and revenge. Nathaniel Hawthorne weaves a story based on Puritan values and the consequences surrounding them if they are broken. The story’s focal point is that of the sin of Hester Prynne, accused of adultery, thrown into jail, and placed high on a scaffold for others to look upon her in contempt and disgust. The main plot behind the novel is that of the secret inner turmoil of the pious Reverend Arthur Dimmesdale, Hester's secret lover, who must come to certain realizations about himself. Other supporting cast members include Roger Chillingworth, Hester’s former lover, and Pearl Prynne, the child of Hester’s adulterous relationship. Throughout the novel, Hawthorne uses …show more content…

Hawthorne again uses symbolism of light, and this time darkness as well, to expose the reader to the gloominess of Pearl’s life until this revelation on the scaffold. Pearl has only seen the inside of the jail for her entire life, so this revelation of light is incredibly perplexing and scary for her. In the same way, the Puritan people have been theoretically living in the shadows until Hester brings her great sin to light. The Puritans are, just as Pearl is with the light, confused and scared of this ungodly knowledge of adultery among one of them. There is also dark imagery used throughout the novel. Dark imagery surrounds the second scaffold scene, playing to the aura of the revealing of Dimmesdale’s sin. He does not want to cast his sin into the light just yet, so he reveals his sin in the dark. However, two kinds of light penetrate the dark night. As Waggoner explains, First there is the gleam of the lantern of the saintly Mr. Wilson, who appeared in his illuminate circle to be radiant with the ‘distant shine of the celestial city’; but Mr. Wilson’s light does not reach Dimmesdale, who is thus ‘saved’ by a narrow margin from disclosure. After Mr. Wilson’s light recedes in the darkness, a meteor flames in the sky, making all visible, but in a ‘false’ light, so that what Chillingworth sees by its aid is not true. (164) The light of the

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