Literary Analysis Of A Good Man Is Hard To Find

Two more pertinent points are made by the author, in regards to the grandmother, follow in quick succession; both allude to further yet-to-be seen gloom within the story. O’Connor writes of the grandmother “[s]he didn’t intend for the cat to be left alone in the house for three days because he would miss her too much and she was afraid he might brush against one of the gas burners and accidentally asphyxiate himself” (1043) and of the way she is dressed “[i]n case of an accident, anyone seeing her dead on the highway would know at once that she was a lady” (1043). These two observations are innocent enough on the surface but provide true intent on the foreshadowing that O’Connor uses throughout the story. It is these two devices, irony and foreshadowing, that I feel are prominent and important aspects of the story and are evidenced in my quest to decipher this story.

In" A Good Man is Hard to Find" there are a variety of themes. The themes in this short story are: the grace of the grandmother and The Misfit, the vague definition of a “good man”, and the class of the grandmother. All of these themes are apparent to any reader, but it does not quite seem to match O’Connor’s depth style way of writing. The two characters, the Grandmother and the Misfit change from beginning to end. Even though they are both different as night and day, they both have principles and stand by their principles no matter what the circumstance.

Another virtue the grandmother lacks is courage. Courage is “The state or quality of mind or spirit that enables one to face danger with self-possession, confidence and resolution” (Courage). When The Misfit arrives, the grandmother is nothing but a coward. She exhibits no self-possession, “Alone with The Misfit, the grandmother found that she had lost her voice” (O’ Connor 1116), displayed here when she can’t even speak. She also has no resolution to the situation but to give The Misfit her money, “‘I’ll give you all the money I’ve got!’” (O’ Connor

Flannery O' Connor, a native of Georgia was one of the most prolific writers of the twentieth century. As a strict Catholic, O' Connor often displayed a sense of spiritual corruption within the characters in most of her stories. One of O' Connor's famous stories, "A Good Man Is Hard to Find," reveals the image of spiritual deficiency inherent in the characters which foreshadowed a bloody end.

Taking place during a family road trip to Florida, Flannery O’Connor’s short story “A Good Man Is Hard to Find” illustrates how an individual's morals may change when they are put into a life-altering situation. The incorporation of imagery and tone proves vital as it depicts the characters and the environment as a metaphorical vehicle to help the reader understand how characters in the story develop their personalities and outlooks on life. With the use of allusions and symbolism, the reader becomes aware of how the grandmother and Misfit’s experiences with religion allow their morals to develop and dictate how an individual's life should be lived. O'Connor's incorporation of irony allows the reader to analyze the grandmother's actions and

When an author writes a story, he or she will generally use different writing techniques to create the piece. These techniques have the ability to turn a story into something truly unique, as they allow the story to unfold in it’s own way. In the short story “A Good Man is Hard to Find”, author Flannery O’Connor used the techniques of symbolism and foreshadowing throughout the entire piece to create a deeply captivating story, as so many of the details mentioned in the beginning of the story are glimpses of the end.

Flannery O’Connor’s “A Good Man is Hard to Find” is the story of a family’s vacation tragically ended by The Misfit and his gang. On the way to their vacation spot in Florida, the Grandmother remembers a plantation in Georgia she used to visit when she was a young lady and desperately wants to see it. She tells her son, Bailey, what road it is on and everyone is excited to see it. After a while, the grandmother realizes that she was wrong about where the plantation was and becomes so upset at herself that she knocks things over in the car which causes a car accident. A passing car stops to help the family but the Grandmother realizes that one of the men is a murderer, nicknamed, The Misfit. While one of

For example, the first time death is symbolized in this story is when the family passes a graveyard. “They passed a large cotton field with five or six graves fenced in the middle of it, like a small island. ‘Look at the graveyard!’ the grandmother said, pointing it out. ‘That was the old FAMILY burying grounds.’” (99). O’Connor purposely mentions the specific number of graves, one grave for each person in the car. She also mentions that it was a “family” burying ground. This symbolism foreshadows that the family will soon face death. When the family is driving through the town, the grandmother remembers the old plantation is called “Toombsboro”. This plantation’s name is brought up to remind the reader of death. Toombsboro sounds like the tomb, symbolizing the family will soon face their tombs. Another description that is given to symbolize the deaths is that of the Misfits car. “It was a big black battered hearse-like automobile” (103). A hearse is a vehicle designed to carry coffins for funerals. This description also foreshadows the death of the family before the Misfit arrives. Lastly, the “woods, tall and dark and deep” (105) represent the family’s death. The woods symbolize the unknown and fear we have for death, which is considered dark and deep. The Grandmother stood in front of the woods reminding us that death is always near and behind us. Just like the woods, death can be a scary thing

In the short story A Good Man Is Hard to Find, written by Flannery O’Connor, the theme that the definition of a ‘good man’ is mysterious and flawed is apparent. The reader must realize that it is difficult to universalize the definition of a good man because every person goes through different experiences. Thus, these experiences affect his or her viewpoint and in turn flaw ones view on a good man. O’Connor conveys this theme through her excellent use of diction, imagery, foreshadowing, and symbolism as well as through a creative use of repetition and an omniscient point of view.

in "A Good Man Is Hard to Find" Flannery O' Connor uses symbolism to give more meaning to her short story. O'Connor writes a story of a Grandmother versus a Misfit, or good versus evil. This short story is about a family going to Florida, who takes a turn down a dirt road, which only causes them to get in an accident, and be found by the Misfit. This encounter prevented them from ever arriving Florida, because the Misfit ends their lives. Using symbolism, O'Connor creates a story with much meaning to the Grandmother, nature, sky, woods, their surroundings, roads, and cars to portray the constant battle between good and evil.

Flannery O’Connor shows her readers a realistic look at their own mortality in “A Good Man is Hard to Find.” The story is about a family of five, a father, mother, grandmother, and two children, starting out on a vacation to Florida from Georgia. The family, on their way to a routine vacation, takes a detour that will change their lives forever. Through the use of literary elements like symbolism and characterization, O’Connor creates a theme of good vs. evil, which can be felt throughout the story by tapping into the audience’s emotions.

Exploring the idea that all men are born sinners, O’Connor demonstrates immoral indulgences entertained by various characters. Readers are introduced to grandmother, an elderly woman whose consistent unscrupulous behavior exhibits her inner motives. Grandmother uses subtle, indirect confrontation to get her way until she is faced with The Misfit, a runaway criminal who believes that crime is a justifiable. In “A Good Man Is Hard To Find,” Flannery O’Connor uses characterization to display a loss of morals, imagery to portray evil in society, and symbolism to emphasize the struggle of obtaining grace to prove how life is nihilistic without religion.

In Flanner O’Connor’s “A Good Man Is Hard to Find”, the literary technique of foreshadowing appears in the very beginning of the story giving off hints of the coming dramatic events. O’Connor employs many examples of foreshadowing throughout this story. One example of foreshadowing is: “Here the fellow that calls himself The Misfit is aloose from the Federal Pen and headed towards Florida and you read here what is says he did to these people. Just you read it I wouldn’t take my children in any direction of with a criminal like that aloose in it” (O’Connor 485). This quote increases the possibility that the family may encounter The Misfit on their journey to Florida. The grandma, the main character tries to convince her family to take a

After reading “A Good Man Is Hard To Find“ the irony of the story is very clear. The first sentence in this short story is “The grandmother didn’t want to go to Florida.” In fact, the grandmother goes on to try to persuade her son Bailey and is wife not to take their trip to Florida but Tennessee instead. The grandmother informs her family about the fellow, the misfit, and all the horrible things he says he has done to people. “Just you read it I wouldn’t take my children in any direction with a criminal like that a loose in it. I couldn’t answer to my conscience if I did.” Ironically, that is exactly what she does when she convinces her son Bailey to take the family down a deserted road to see a house with secret panels. The grandma’s sudden recollection

In Flannery O'Connor's eccentric short story, “A Good Man is Hard to Find” the reader is introduced to her fundamental theme of Identity through a typical southern family. O’Connor’s exceptional use of fictional elements such as characterization, point of view, and setting further develop this theme in her work. She does so by familiarizing the use of violence, humor, and salvation along with point of view and setting to create a deeper connection between her work and the reader.