Rheinische Friedrich-Wilhelms-Universität Bonn
SS 2016 – Text and Color
Meike Zehnder
Matrikelnummer: 2871509
The novel passing was written by Nella Larson in 1929. The story begins with the coincidental meeting of two childhood friends. Claire and Irene meet again after years of separation, caused by Clare's decision to pass. Clare is urging to meet again, while Irene herself hesitates. In the progressing of the story
Nella Larsen is a literary writer from the Harlem Renaissance, taking place between 1920 and 1930. Beginning in year 1910, the great migration took place in the United States. A lot of black people from the south decided to go up north to cities like New York or Chicago. Thereby pulsing city areas, like Harlem developed, a
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Passing is done for social and economic reasons, to live a different kind of life and to have more opportunities. But it also brought friction and hate to the black community, to people who were not the “type” to pass, meaning not having the physical features for one to perceive them as a white person. In the novel, passing turns out to include more than just an opportunity for Clare to get a better life. It also means that you can not escape where you came from. This become clear in Clare's “homesickness” for the community she grew up in. She finds herself wanting to talk to the people from her past and to experience the culture, that she was once surrounded with. With the process of passing she left all of this behind on a physical and superficial level, but inside she was never able to just forget about her past, as it is part of her identity. So Passing has its price, it also means you are losing something.
The concept of race is being criticised utterly. We need a racist in the story to really make this clear. This person is Clare's husband, who is unaware of the fact that Clare did pass. He is clearly racist and not shying away to show and communicate it. Irene feels extremely offended by this. She is shocked and while hiding her true feelings she overreact with
The term "passing" is shorthand for a racial passing which means people of one race passing for another. Nella Larsen's Passing is the story about two light-skinned women, who both have African blood. Clare Kendry is one of them who chooses and succeeds at "passing" and Irene Redfield is one who doesn't. They drive into each other twelve years later in a restaurant and Clare invites Irene to the tea party. The tea party which appears in the beginning of the story plays an important role throughout of the story because Jack Bellew enters the story at that moment. Jack is the white man who has a strong revulsion to African-Americans. He marries Clare, without knowing her secret ancestry. Jack's statements at the tea party lead the main
The main reason Clare is an outsider is because she is “passing” as a Caucasian. The act of “passing” is a very interesting concept that can be quite troubling. “What is troubling about the concept of racial “passing” is that it necessitates placing people of mixed ancestry in one racial category over another” (Nisetich 2013). This is exactly what Clare is doing with her life, she is saying she’s part of a race that she really isn’t. She has even taken it as far as fooling her husband, John Bellew. They became a couple because he is a wealthy, white business man. On the other hand, John is an extremely racist man. This is shown from his comments when he had lunch with: Clare, Irene, and Gertrude. On this day, is when Clare realized she’s going to be in a lot of trouble when John finds out the
Nella Larsen was born in 1891 in Chicago, the daughter of a white woman from Denmark and a black man from West India (Britannica.com). After her father’s death when she was
Passing is delivered mainly from the perspective of an african american woman named Irene Redfield. Although Irene is the main protagonist of the novel, her narration of the story gives a subjective point of view, thus, making her an unreliable narrator. Irene has manifested to intensify her jealousy and anger with Claire over time as Clare has been caught up with a rumor of an affair between Irene’s husband, Brian, hence giving a one point perspective of the story.
Clare begins to look for all of these different women to help guide her. The first couple of women seem to not help as much. The two she first seeks after to be her role model is Anne Frank and Kitty Hart. She was happy with their influence, but the fact that their identity is Jewish steered her away and she couldn’t see how they would influence her life. It seemed like every woman she would encounter never was enough. One day she gets lucky when she meets Mrs. Stevens. She is a wonderful lady who tells Clare
the novel Passing, Nella Larsen explores the consequences and disadvantages of two African Americans living in a segregated society. The reconnection between Irene Redfield and Clare Kendry illustrates two different paths in regards to how they portray themselves in their own community. Larsen displays Clare Kendry as a light – skinned women who tolerates her husband’s racial comments in order to live in a higher society. Clare’s decision to secretly hide her racial background because of the desire of wanting to be accepted by individuals of an upper social class greatly affects Irene. Clare’s determination of overcoming racial barriers by passing as a white individual is similar to the Rhinelander/Jones case. In 1924 the son of the wealthiest families in New York married the daughter of a taxicab driver. However, Leonard Rhinelander appealed to have is marriage annulled due to “believing his wife to be white when he married her” (135). Rhinelander suspected Alice Jones was hiding her racial background by passing as a white individual. As the trial progressed it was concluded that that Rhinelander had an understanding of her racial background before marriage was an option between the two. The Rhinelander/Jones case demonstrates how Clare Kendry decided to pass as a white individual in order to obtain wealth and social status by marrying a white male. The three criticism texts chosen demonstrates how racial passing between Irene Redfield and Clare Kendry contributes to social status.
When Irene finally realizes that this woman is Clare, someone who chooses to “pass” and hide all traces of her black heritage, Irene’s opinion of her changes. She no longer wants to be involved with Clare in any way, and “had no desire or intention of making the slightest effort about Tuesday. Nor any other day for that matter. She was through with Clare Kendry.” (p. 31) Irene is appalled that someone can so easily throw away her background just for the sake of gaining privilege over another race. When Clare asks her if she had ever thought of passing, Irene replies, “No. Why should I? You see, Clare, I’ve everything I want.” (p. 28) She is happy with what she has, not even having to give up anything to get there. Or at least that’s what she convinces herself to believe. Irene is again hypocritical in her beliefs. Even when she opposes Clare’s view of passing, she is still very interested in the idea. “The truth was, she was curious. There were things she wanted to ask Clare Kendry. She wished to find out about this hazardous business of ‘passing’…” (p. 24) She even admitted that she held for her “a fascination, strange and compelling.” (p. 28) Irene doesn’t seem to be able to decide if she accepts passing as reasonable. She forces herself to disagree with passing, allowing her to hate Clare for doing it. This shows us that sexuality and race are two matters that conflict with each other, at least in Irene’s opinion. She uses race to
The “Great Migration” was from 1910-1930 and almost 750,000 African Americans moved into Northern cities; 175,000 moved to Harlem, which made it the largest black community in the country. This era was known for racial consciousness, racial integration, dramatic arts and painting. In addition, it was known for the explosion of music especially jazz and the blues. This outburst of confidence, expression, creativity and talent sparked the African American drive and created a “rebirth” of African American culture. A few of the famous influences were Langston Hughes, Claude McKay, Duke Ellington Johnson and Louis Armstrong.
The main plot of “Passing” focuses on two light-skinned black women, Irene Redfield and her old time friend Clare Kendry. Both women can “pass” as white women. Irene who is married to a successful African-American doctor, passes only when it is
In the book Everything I Never Told You, there are many different elements and techniques used within the book. The technique that I want to go into more depth on is the use of symbolism. I specifically want to focus on the symbolism in regards to Lydia, Hannah, and Nath’s love of astronauts and space.
Although Irene feels that there is "nothing sacrificial in Clare's idea of life, no allegiance beyond her own immediate desire," it is apparent that Clare's desire to return to her African American race is honest, even if the motives seem rather one-sided (Larsen 144). Irene considers Clare to be "selfish, cold and hard" (Larsen 144). Irene also feels that Clare does not have "even in the slightest artistic or sociological interest in the race that some members of other races displayed…[She] cared nothing of the race, she only belonged to it" (Larsen 182). This may be true, but it does not diminish Clare's own pain at having to deny her African American heritage, and her desire to return to it. Irene represents a portion of society who feel that people who pass must have a morally acceptable reason to return to their African American roots such as a desire to rebel against a white society that has forced them into the role of a white person. Just because Clare feels "no permanent allegiance to either the black or white worlds or any of the classic anguish of the tragic mulatto" does not mean that she is not a tragic mulatto (Washington 48). In her own way, "Clare Kendry belongs with that group of tragic mulattos…emerg[ing] as an individual, not as a stereotype" (Davis 98). Because she wants to return to her own race on her own terms illustrates her individuality in the face of the
Clare states, “I’ve often wondered why more colored girls … never ‘passed’ over. It’s such a frightfully easy thing to do. If one’s the type, all that’s needed is a little nerve.” (25). Much like the earlier statement from Irene, blacks have an easier time to pass in white society because that kind of society is always pressured on blacks. White society is like a template on how to live a decent life and many people of color tend to follow it. With a As for Irene, despite her passing color she chooses not to. And in a moment of weakness Irene “was caught between two allegiances, different, yet the same.” (98) the realization of her skin finally struck her, that Irene had twoness. She easily identifies with both, but rather she is tired of the burden of being black. She can receive criticism from both parties and it dwells on her. In any case, she struggles between two worlds of black and white, much like Henry Park in Native Speaker, who struggles between the Korean and American world.
In Passing, Clare and Irene two light-skinned African American woman, try to pass for white in a segregated society. Irene infrequently passes while Clare who is biracial, lives a boastful life by identifying herself as a white woman (so it seems). Irene on the other hand strives to
Passing” by Nella Larsen is a great piece of art, that is mostly concentrated on the act of passing as a member of other race in order to assimilate with them and cover their own race. I have to be honest through reading the book I developed love hate relationship because how this book was structured. It is filled with really charismatic personalities such as Claire Kendry or Irene Redfield but at the same time I was really frustrated how they behave themselves regarding their race. For someone who never had any conflicts regarding race it was really hard for to rationalize Clare’s or Irene’s actions that involved covering their own identity to benefit from it either socially or financially. Book still lacks clarity in most of the cases that happen in story, for example ending where Clare dies but it might be also seen as way for reader to think and guess who might be the murderer. Even though this story takes place in the early 20th century when the African American society was still harshly treated by white society, I think we can still see a lot of racial conflicts that happen nowadays among all races that live in big cities such as New York or Paris and etc. Also, depiction of how race might be sign of belonging to specific class was interesting topic. Most importantly what frustrates me most in the story is how racial difference is troubling or forcing characters act in specific ways. By that I mean how Clare went extra mile and even married a white bigot John Bellew
According to the Introduction of Passing Penguin Edition the term passing can be defined as “the movement of a person who is legally or socially designated black into a white racial category or white social identity” (viii). In the novel Passing by Nella Larsen, readers can see passing not only as a racial activity but also as one related to sexuality. The main character Irene Redfield is passing as straight woman that ends up killing Clare Kendry, the woman she seems to be in love with. On the surface, Irene’s motivation to kill Clare is the possible affair between Clare and Bryan but in fact it is more than that. Irene’s unconscious knows that the only way to keep her lesbianism repressed is by maintaining a