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Literary Conventions In Beowulf

Decent Essays

The epic is a literary genre that typically begins its narratives in media res. The use of this poetic convention in classical literature is not arbitrary, to say the least. Its use is repeated due to its great efficacy as a technique, its presence emphasizing characters’ feats over what could be considered pedantic plot points in the context of the epic’s objective. If this literary convention is so effective, then, what does it mean when poets specifically choose not to use it? Though much isn’t known about Beowulf’s anonymous author, their specific decision to begin their story, not with their title character’s life, but with another character’s lifespan altogether, is a narrative choice that ultimately colors the audience’s perception of …show more content…

The entirety of the main narrative at hand could pass without the mention of Scyld Scefing and his position as Beowulf’s heroic predecessor, but the author of Beowulf includes it. Not only that, but it is the first thing they discuss. Thus, Beowulf is certainly a story about Beowulf’s achievements, but it is also a narrative which outlines how the title character’s world operates on a cycle of heroism. More specifically, the story at hand presents a social order which utilizes traits such as impulsivity and carelessness as a way of regulating such a cycle. This can be demonstrated by looking at a passage from the latter half of the poem when Beowulf is preparing for his upcoming fight with the dragon. By analyzing this passage, the reader can ascertain that the impulsivity and carelessness of a hero not only gives them their heroic power, but also allows for their life to end when their effectiveness fully diminishes, allowing a new hero to arrive and attend to society’s need for a leader. Without this notion, heroes would survive past their …show more content…

As a result, one can assume that Beowulf’s decreased strength with age has been recognized on some level. His understanding that he requires aid in battle is a recognition that his prowess as a hero has diminished over time. For this reason, his ability to “barely [escape] alive” will soon vanish entirely as he loses more and more of his strength to age. Thus, Beowulf’s ability to act as a protector of his people is waning as well. What makes a cycle of heroism vital in this specific social environment, then, is the plain fact that, while Beowulf’s physical strength is clearly faltering, his status as a “triumphant hero” is not, potentially forcing him to remain in power as an ineffective leader (2352). In fact, in comparing Beowulf to the dragon, the Beowulf poet may be alluding to the possibility of Beowulf’s corruption as a leader. The poet blatantly places Beowulf and the dragon on the same plane, stating that the two are coming close to the end of their lives. Then, curiously enough, the poet writes that the dragon “had held for so long his hoarded wealth,” insinuating that the dragon’s longevity in his position inspired a corruption of sorts (2344). As Beowulf had just been compared to the dragon

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