The Birth-Mark is a story about a husband, Aylmer, who looks at his wife, Georgiana, as imperfection, due to the mark on her left cheek. The setting of the story was based in the late 1700s, between the laboratory and a boudoir. In the story, a lot of detail goes into the laboratory and the boudoir that help characterize them and help give the overall metaphor at the end of the story. The details of both places show the effort Georgiana is going through to satisfy Aylmer. It also helps one visualize what setting they are in, also, how it disturbs the project at hand. If one were to be an allegorical reader, it would present the ruin Aylmer is putting Georgiana through. In the story, figurative speech supports the setting by specifying what the places are and where they occur. The lab was classified as depressing, gloomy, and dark while Georgiana’s boudoir is bright and airy. The mood setting of a place is figurative speech. The central metaphor of the story is the name given to it, The Birth-Mark. Georgiana was not only beautiful but she had a birthmark on her which makes her stands of from other girls. It makes her unique in some ways. The one person who not wanting to accept this mark on her face is Aylmer, he husband. He claims to not be able to accept this distinguishing trait about Georgiana so he tries to take away this factor on her face that makes other stare. This gives us the idea to take this birthmark as the metaphor in the story. This stands for
In the short allegory “The Birthmark”, by Nathaniel Hawthorne, a newly-wed couple becomes consumed by the existence of a small birthmark on the wife’s face. When the wife, Georgiana, allows her husband Aylmer, a scientist, to remove the birthmark, both realize that Georgiana will inevitably sacrifice her life for the sake of its removal. As the story progresses, so does the confliction of the newlyweds as they realize exactly what the birthmark symbolized to and for each other. Hawthorne’s hallmark use of symbolism also provides a ‘perfect’ glimpse into the mindset of two themes of psychological conflictions: perfectionism and codependency. Hawthorne seems to share this story as a possible moral of the hidden pathos we place upon the ones we love, and the invisible marks or standards we place upon ourselves for the ones we love.
The Birthmark is the story set in the late 18th century, it tells about the scientist named Aylmer who wants to remove the birthmark from his wife’s cheek as he believes it makes her imperfect. Also, he sees it as a sign of Georgiana’s «liability to sin, sorrow, decay, and death». He is sure that it needs to be removed. Aylmer succeeds in his attempt to remove the birthmark, but destroying the original design of Nature, he also destroys his wife. She eventually becomes perfect and
Nathaniel Hawthorne’s “The Birthmark” and “Rappaccini’s Daughter” are both fictional short stories written in the 1800s. Although these are two different scenarios, both tend to share several similarities. They deal with relationships between a man and woman, experiments, and ironically ends with a twist that readers don’t expect.
Georgiana had always lived with the birthmark, and was quite fond of its charm. Many people in the town believe it was a fairy’s handprint left to sway all hearts; to them the mark only magnified her appeal. The mark’s charm had rarely been questioned by anyone other than the jealous women of the town, and its peculiar nature had once intrigued Aylmer and amplified his attraction to Georgiana. He begged for her hand in marriage, but soon after they were wed, he queried whether Georgiana had ever considered having the birthmark removed. She was hurt by the implication that the mark depreciated her and grew upset with her husband. As time passed, Aylmer continued to stare at the mark, unable to keep his eyes from wandering to it. This continued until Georgiana was no longer able to ignore the way his eyes were always fixated on this sole imperfection, the crimson hand that kept him up at night and plagued his dreams. She asked Aylmer to remove the mark, or take her life because she no longer wanted to live if she had to live with the mark. She preferred death to the harsh scrutiny from her husband.
By looking at symbolism in The Birthmark, the reader can interpret that the birthmark is a symbol for imperfection and mortality which is not obvious to most people. This is important because it turns the birthmark into something all readers can relate to since no one is perfect. Georgiana’s birthmark was “the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on all her productions” (Hawthorne 12). As stated before, nothing is perfect, Nature has a flaw on everything and Georgiana’s was her birthmark. Her husband, Aylmer, notices the birthmark and also sees it as an imperfection even though other men would often tell her it was a charm. “No, dearest Georgiana, you came so nearly perfect from the hand of Nature that this slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection” (Hawthorne 11). Aylmer at first is the only one, other from jealous women, to point out her birthmark as an imperfection but his constant talk began to make her believe she was in fact flawed. This is important because it ultimately leads to the death of Georgiana.
The Birthmark by Nathaniel Hawthorne is trying to communicate some important ideas about a variety of themes, he articulates a few weighty themes around this brief argument: the struggle between science and nature. In a story full of successful and almost magical scientific experiments, it is intact nature itself that is more powerful than any creation made by man. As is to be expected, this path to perfection also includes the creation of life and the victory over death. In the birthmark Aylmer does not see, like others who pretended Georgiana's hand before him, a singularity that accentuates her immaculate beauty. He sees in that crimson little hand an indication of decay and death. And also of immorality and sin, in tune with the belief
In “The Birth-Mark” by Nathaniel Hawthorne and Edgar Allan Poe’s “The Tell-Tale Heart,” the symbols of the birthmark and the old man’s eye influence the plots of the stories. Through different ways, the characters in both stories feel compelled by these objects to do something. The main character, Aylmer, in “The Birth-Mark,” was obsessed with his wife’s birthmark which he saw as a flaw in her beauty, as well as a symbol of human imperfection, and tried to remove it. In “The Tell-Tale Heart,” the narrator sees the old man’s eye as “evil” and holding mysterious powers which symbolizes the narrator’s deepest fear and his obsession where he chooses to destroy it. The characters’ interpretation of these things created conflict, and both stories are formed by the symbolic meanings that the characters attribute to those things.
This may represent the fact that we are born the way god wants us to be, and we really should accept people as they are. This acceptance was something that Aylmer could not handle because of his personality. In The Birthmark Georgiana is afraid of her husband, whereas the all of the people ended up being afraid of the minister.
Alymer is an older scientist who marries a beautiful woman much younger then himself. Even though Alymer finds his young bride beautiful, he still says that she is “marked.” Upon Georgiana’s left cheek is a birthmark. The birthmark is small, red, and in the shape of a hand. Alymer believes that this mark takes away from her beauty;
Georgiana’s birthmark is the main symbol in the story that could have multiple meanings. It is clear what the birthmark symbolizes when Georgiana declares, “I am happy to put my life in your hands,” (Hawthorne 3). Aylmer is ready to start his experiment when Georgiana says she is willing to be a part of it. What Aylmer does not know is that the birthmark actually symbolizes her mortality and when she says she is happy to put her life in his hands, she actually means that her birthmark is her lifeline and she is happy to put it in his hands. Aylmer wanted his wife to be perfect, but he only made the outcome worse with trying to remove the mark. Another example of symbolism is when Hawthorne writes, “The mark was usually a deep red color,” (Hawthorne 1). The color red could symbolize one of many different things, but it mainly symbolizes the color of blood. Blood is a main part of one’s body and mortality, and when the birthmark is described by its deep red color, it means that the mark is her source to life. After the tragic death of Georgiana, Aylmer finally realizes that the birthmark really had been her mortality. Aylmer is so deeply caught up in forcefully trying to get Georgiana to let him remove her birthmark, he does not recognize the true perfection that was there all along. Symbolism helps the theme that is portrayed throughout the story that trying to be flawless results in a devastation.
The birth mark also represents the idea of nature and its control over mankind. There are many examples of foreshadowing and irony in particular scenes with our three main characters: Aylmer, Georgiana, and Aminadab. Aylmer’s under worker, Aminadab is described in the story in a way that represents nature at its core.
In “The Birthmark” the relationships and behaviors of the character reveal much more than the story itself does. The characters of Aylmer, Georgian, Amenidab and Nature itself, through their words, actions, and behaviors give insight into a much more meaningful story. A deeper analysis of the characters reveals that they are archetypes, and as archetypes they provide a deeper hidden meaning to the story. By looking at Aylmer, Georgiana, Amenidab and Natures relationships and actions throughout the story we can see how they are used to give deeper significance.
Written by Nathaniel Hawthorne during the American Renaissance, the short story “The Birth-Mark” details the events of a brilliant scientist and natural philosopher named Aylmer who obsesses about his wife Georgiana’s birthmark in the shape of a tiny hand on her left cheek. The symbol of the birthmark causes the plot to advance in the story, as Aylmer is compelled by this red mark to act upon his emotions. Aylmer views his wife’s birthmark as an imperfection in her virtually flawless beauty and as a result, attempts to it via a potion that he strongly believes cannot fail. His interpretation of the birthmark creates conflict in the story, which is shaped by the symbolic meaning that he attributes it to. Aylmer’s failure to accept his wife’s appearance for who she is leads to misunderstandings, pain, and ultimately, death.
One of those signature tales is “The Birth-Mark”; it is a story about the union between a man of science, Aylmer, and a woman of beauty, Georgina (Hawthorne 12). Hawthorne adorned this piece with deep, thought provoking symbols; such as the one on Georgina’s cheek. The mark is more than just a physical attribute on her skin; to Aylmer, it was a “symbol of his wife's liability to sin, sorrow, decay, and death”, in essence the mark is her humanity (14). All humanity strives to get rid of their defects; as well as Aylmer, as his experiment is to rid Georgina of her flaws. The birthmark became more and more present to Aylmer after his marriage; he began observing his wife’s appearance and developed a morbid obsession with the “singular mark” on her cheek (13). The mark is described as being “deeply interwoven” in her skin; it is a part of her being, and not just of her appearance (13). The birthmark resembles a hand; the shape’s importance is recognized
In “The Birthmark”, the relationships and behaviors of the characters play a significant role in the story by revealing more than the story itself does . Through the character’ different actions, characteristics, and behaviors, Nathaniel Hawthorne gives a deeper insight into his life, such as revealing his worldview to his readers, and also gives insight into a more relevant story. Hawthorne’s transcendentalist worldview is conveyed through Aylmer’s and Georgiana’s obsessions, Aylmer’s manipulation of nature, and the birthmark.