Love And Love In Ernest Hemingway's A Farewell To Arms

It is obvious from the opening chapter that this novel will center on the war and the effects it has on a young group of soldiers, none of them more than twenty years of age. They are all friends and former classmates of Paul Baumer, the narrator and protagonist of the book; they have enlisted in the German infantry because their teacher, Kantorek, had painted for them a glorious picture of fighting and saving the homeland from destruction during World War I. In this first chapter, Baumer and his friends are away from the front lines, relaxing a bit after two weeks of fierce fighting. As each of the young men is introduced, it is apparent that they are tired, hungry, angry, and disillusioned over the war.

1. William Faulkner’s “A Rose for Emily” creates a sense of psychological intensity that provides a vision of mindful wonder in the eyes of suspenseful character progression. 2. Faulkner’s story remains an influence of mental stableness in the remnant of love, and the actions taken to receive what is wanted. 3. Written in 1930, “A Rose for Emily” suspends a rare idea of, “Can “killing for love” still be considered love, or is it something quite different, something dark and perverse” (Carver 497). 4. “A Rose for Emily” customs the use of imagery to symbolize character aspects and the way their minds are at work. 5. “Faulkner’s story focuses on the interaction of tradition, madness, and love” (Carver 497). 6. “A Rose for Emily begins with the funeral of Emily Grierson, and describes a first-person encounter of the events taking place. 7. As the climax continues to obtain sentimental value and curiosity, the strange behaviors of Emily and Homer begin to set foot into the readers path. 8. Encountering Emily’s abnormal actions towards the townspeople and Homer, the story focuses on the mystery of her lover’s death, and the actions leading into the horrible discovery. 9. The short story of Emily and surrounding aspects of her life represents a rare encounter of both love, and death. 10. Faulkner’s “A Rose for Emily” forms an act of suspense that is sustained within the initial plot, and character analysis of the individuals throughout the mysterious storyline of gender

Love is an unexplainable emotion that exceeds the boundaries of all. In Earnest Hemingway 's "A Farewell to Arms" two character 's share a climactic endeavor through pain and suffrage finding their way back to each other no matter what. Hemingway expresses love as a necessity in one 's life, and even through gruesome terror and war it can never be broken. The story resonates with it 's readers on a personal and realistic level, being that it is written with some truth behind it; Hemingway 's style of writing portrays the definition of unexpected reality.

Having left the war behind, Frederic is finally ready for peace and quiet. Hemingway, however, has other plans for his character. Catherine dies during childbirth, as does the baby. Thus, Frederic is confronted again with death. This time, however, he is unable to detach himself emotionally as he did with the deaths he witnessed in war. His neat and happy world is collapsing and there is nothing that he can do about it.

   The vigorous, strapping youth boldly advances into war, rifle in hand, picture of mom in his pocket- hair neatly combed, clean socks. Eagerly he arrives on the sunny front and fights off the enemy with valor, saving whole troops of injured soldiers as he throws them over his shoulders and prances upon the grassy lawn to safety. Between various sequential medal-awarding ceremonies, he meets a radiant young nurse tending the blessed wounded he saved. They fall in love, get married, produce beautiful war babies, and everyone returns home happily. Wouldn't it be just lovely if war were really like that?

A Farewell to Arms, by Ernest Hemingway, is a story about love and war. Frederic Henry, a young American, works as an ambulance driver for the Italian army in World War I. He falls tragically in love with a beautiful English nurse, Miss Catherine Barkley. This tragedy is reflected by water. Throughout the novel Ernest Hemingway uses water as metaphors. Rivers are used as symbols of rebirth and escape and rain as tragedy and disaster, which show how water plays an important role in the story.

Frederic chooses to spend his time in the city rather than Abruzzi, although that is where he "had wanted to go…" (Hemingway 13). Frederic realizes that there is a moral and religious way of life, which the priest represents, and he respects these values of the priest. He acknowledges the fact that the priest has a code to live by. On the other shoulder sits Rinaldi, the satisfied, self-assured surgeon with whom Frederic also tries to identify. Rinaldi seems fulfilled, but as the war progresses he falls into a world of despair and disease. Although he cannot see it, Rinaldi too closely resembles Frederic's dilemma and therefore is unable to tutor him (Waldhorn 69-70). Tremendously significant, Frederic Henry's exchanges with the priest and Rinaldi play a strong role in his development because he is unable to solely identify with either of them.

     There is great power in being an author; you can make things happen which do not necessarily occur in real life. Hemingway felt throughout his life, powerless, and so to escape this, he created alternative lives by writing stories. Hemingway, who fell in love with Agnes, an American nurse, seven years older than he, while wounded in Milan, was deeply hurt after she didn't return his affections. While the beginning of A Farewell to Arms, up until this point is similar, this is where the story changes. In the book, Frederic and Catherine are both in love with each other. Hemingway continued his affair with Agnes through Frederic and Catherine. He put his dreams of what his faded love affair would have been like in the love scenes between Catherine and Frederic:

    There are two major themes in A Farewell to Arms that Hemingway clearly conveys: war and love. The war theme is obvious because the book is set during the World War. The theme of love is less obvious, it begins faintly because of the uncertainty between Frederick Henry and Catherine Barkley. Neither desire love or commitment to anyone, but act upon their desires of passion. As the story progresses, so does their love. The strength of their love is enforced by various understandings and agreements. Love is the theme that closes the book, leaving a final allusion of what their love is about.

While Frederic is never passionate about the war, he does experience a change from casually indifferent to fervently avoiding the war. In the beginning of the novel, it is clear that although Frederic is participating in the war, he does not seem to seek anything more, such as promotion or glory. Frederic’s involvement in the war is fairly happenstance; when pressed about why he joined the Italian ambulance corps, he responds, “There isn’t always an explanation for everything” (Hemingway 18). Frederic seems to simply be floating through his life.

In WWI nearly 37 million people died, Ernest Hemingway was not one of them. Hemingway was an ambulance driver in the Italian army until he was eventually injured by an artillery shell. Once Hemingway returned home he began writing a book based on his experiences of WWI. That book is A Farewell to Arms. In 1929 he published this book and it was met with mixed feelings and calls for it to be banned. I believe that A Farewell to Arms should not be banned because it brings to light many different viewpoints about the war as well as strong literary strategies beneficial to good writing.

Ernest Hemingway’s novel A Farewell to Arms covers a romance that takes place during World War I. The novel itself came out shortly after the war, and was the first of Hemingway’s books to become a best-seller. Essentially, the novel contrasts the horrors of war with the romance of Henry and Catherine. Throughout the plot, Hemingway, a World War I veteran himself, uses the events of the book to make a statement about his thoughts on war. The core message of Hemingway’s A Farewell to Arms is that war damages the soldiers who fight in it both physically and emotionally, which is primarily illustrated by the number of deaths caused directly and indirectly by the war, the actions Henry is forced to take over the course of the book, and Henry’s growing cynicism towards war.

A Farewell to Arms, a tragic and enthralling novel written by Ernest Hemingway, ends with two heartbreaking deaths that greatly impact the message of the story. Stuck in a constant battle between love and war, the characters suffer through complicated relationships and war violence. The novel ends abruptly when Hemingway writes that Catherine has died and Henry then walks back to the hotel alone in the rain. Giving very little information about Henry's emotions, the novel's ending portrays a quiet dignity that the reader must interpret. Although the novel's resolution is appropriate for the characters and the lack of information compliments Hemingway's writing style, the Fitzgerald ending is another suitable resolution that exhibits an important concluding message.

A day later, Frederic is sick with jaundice. That same day, Miss Van Campen finds several bottles of brandy in Frederic’s closet. She scolds him, thinking that he self-inflicted the disease to escape the front. Frederic tells her he didn’t, but she still sends him to the front immediately.

Ernest Hemingway’s A Farewell to Arms tells the tale of two young, star-crossed lovers in the midst of World War I. A powerful romance and stirring history of the war, this semi autobiographical novel meshes the contrasting worlds of love and war, setting war as the backdrop of love. The novel’s portrayal of love is an issue that has attracted critical debate, prompting many academics to reflect on its existence, form, and role in the plot. Joel Armstrong is one such academic. His literary criticism entitled, “‘A Powerful Beacon’ Love Illuminating Human Attachment in Hemingway’s A Farewell to Arms,” asserts that love is the centering principle of the novel, and that the narrative’s world is one in which “love illuminates all of life” (Armstrong 79). As Armstrong asserts, love is the centering principle of A Farewell to Arms because it serves as an anchor for Frederic Henry and Catherine Barkley during the tumultuous events of war, motivates them to go through significant struggles, and works along with loss to lend more meaning to significant events in the plot.