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M Begins His Analysis Of Either/Or By Describing The Historical

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M begins his analysis of Either/Or by describing the historical context in which it was written. He describes the time from 1630 to 1850 as an epoch in which ‘morality’ began to emerge as an independent system from that of the theological or the legal. As the culture around morality grew, it became the project of enlightenment thinkers to search for its justification; which influenced Northern European culture. At was at this time that Kierkegaard wrote Either/Or, in response to the orthodoxy of this project. K was the first philosopher to critically examine the project of morality, essentially turning the enterprise on its head. To understand the historical context is essential to extracting the main message from the book which M goes on …show more content…

This inconsistency derives from the Ethical presenting principles which are said to have authority over the individual--yet no reason for why they should have such authority is given. If we don’t have good reason to accept a set of principles, then according to M, they cannot be said to have authority over us. Yet, K wants to suggest that the principles of the Ethical have authority over the individual whilst claiming that such principles are grounded in a choice that lies outside the scope of reason. Thus, we have an internal contradiction, namely, we are asked to accept the authority of a set of principles while that authority is baseless. M then presents his second problem with Either/Or, which is that K presents the Ethical in a novel way, through a radical choice, yet the Ethical principles themselves are anything but novel-- they are seemingly traditional moral principles that would be easily accepted by any person at that time. Thus, K is not brining anything new to the table, in terms of a new way of thinking about moral principles; rather he is merely introducing a new underpinning for the paradigm moral principles already generally held by most people. M considers this meeting of the novel with the traditional as deeply incoherent. He goes on to give an account of where this incoherence stems from, which he claims is based in Kant’s

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