Macbeth Gender Roles

The first way gender roles are broken in Macbeth is by Lady Macbeth being dominant towards her husband. Lady Macbeth shows she is dominant towards Macbeth by saying, “Hurry home so I can persuade you and talk you out of whatever’s keeping you from going after the crown”(1.5.13-15). It was very unusual for women to have any sort of power during Medieval Scotland, and this quote shows that Lady Macbeth is going to try to persuade Macbeth into going after King Duncan’s crown. A woman in this time period would not have any authority to persuade her husband, or have any different opinions as her husband.

With social and cultural stereotypes in this era, men were viewed as more powerful while women were portrayed as weak. William Shakespeare tries to interpret the roles between genders by having characters of the opposite sex. In the play Macbeth, William Shakespeare uses rhetorical devices to demonstrate Macbeth’s and Lady Macbeth’s switch in traditional gender roles, which arise from the consequences for each character’s actions and speech.

Macbeth by William Shakespeare brings about one of the most controversial topic of the gender portrayal in a play. During Shakespearean times, women were considered as the weaker sex, physically and emotionally. On the other hand, men were seen as the dominant sex that is expected to be the head of their households and a strong figure. Unlike this stereotypical representation of men and women, Shakespeare introduces the reversal of gender roles in his play. Shakespeare’s portrayal of the relationship and characteristics of Macbeth and Lady Macbeth diverged from the stereotypical representation of both men and women. The author, William Shakespeare’s use of reverse gender roles which contradicted with the traditional gender roles, is what

A deadly combination of ambition and guilt poisons both Macbeth and his wife and leads to their deaths in the end. Ruined by her desire for power, Lady Macbeth’s descent into madness is more vivid and guilt seems to affect her more than her husband, even though he is responsible for more crimes. Her request to the spirits to “unsex [her] here,/ And fill [her], from the crown to the toe, top-full/ Of direst cruelty!” is contrasted as the more guilty she feels, the more weak and sensitive she become, a polar opposite of her usual masculine and bold self (1.5.44-46). As a result, she is unable to cope with the guilt and meets her ultimate demise by taking her life. This has an immediate effect on Macbeth: the almost always apparent tension of ambition and guilt disappears. He does not seem interested in living and is ready to face death in a manner more relatable to his former self rather than the murderer he has become. Moreover, Macbeth’s final remark is “Arm, arm, and out!”,

A prominent and permeating theme in Macbeth is the roles and characteristics of masculinity and femininity. Throughout the play Shakespeare presents the audience with strong and sometimes conflicting views of these gender roles. What exactly defines being a man or a woman? How does an individual’s grasp of these roles effect their actions? Shakespeare shows that a clear and accurate understanding of the concept of masculinity is of critical importance in the success of a ruler. In particular, he illustrates how Macbeth’s acceptance of a perverted, violent view of masculinity leads his kingdom into chaos and turmoil, and leads Macbeth to his inevitable demise. Moral order can only be restored

Lady Macbeth had a very powerful hold over Macbeth. Just by questioning his valor she could shift Macbeth’s whole thought process and second-guessing of the murder of Duncan (Booth, 24), and he allows it because he cannot bear to disappoint her. His love for her and need for her approval is what ultimately leads him to commit each and every one of his crimes. She is the center of his world and if she does not see a problem in the murders than why should he. This is naïve ignorance caused by a blindness that is induced by love, and that is both heart breaking and tragic.

In Macbeth, the conflict between manhood and femininity is very apparent. The differences between Lady Macbeth and Macbeth are profound. Over the course of the play, Shakespeare skillfully changes the role of the two characters. Macbeth is frightened at the beginning and frightened at the end while Lady Macbeth is seeming confident and ends up frightened in the end. Lady Macbeth questions Macbeth’s manhood many time throughout the play, making the conflict between their two personalities very apparent.

account thy love. Art thou afraid to be the same in thine own act and

The roles of masculinity and femininity dominate our society, and remind us that while we may place ourselves into certain boxes, life is not always black and white. When thinking of genders, we associate certain things underneath being male and female. When we think of women, we picture a loving, caring individual. One who is responsible for the household in addition to keeping her husband happy. When we think of men, we picture a strong individual who is fearless. One who is powerful and brave who is also capable of providing for his family. As a cause of centuries of conformity to these assigned gender roles, we have been taught to believe that a brave woman has no place in our society,

The traditional gender role for men and women is a strict set of expectations one must face and either choose to follow or defy it. In the Shakespearian era women portray as the weaker sex because they display as needing protection as the more fragile, innocent, and dependent sex, whereas men have authority as strong, capable, and honourable beings. However, the traditional gender roles play in reversal in Macbeth by William Shakespeare by having Lady Macbeth, the Three Witches (weird sisters), and Macbeth defy the gender roles that allow women and men to portray in a unique way in society. First, Lady Macbeth is defiant to her role as a woman because she is able to take initiative, deceive others, and commit violent acts. Secondly, the three Witches are in fact sisters which avid them to follow their role as women, however they defy their roles because they manipulate others, have the capability to make independent decisions, and kill without hesitation. Finally, Macbeth defies his roles as a man in the Shakespearian era because he acts cowardly, isn’t able to carry out duties himself, and is disloyal to his companions.

In Macbeth, one of the most tragic and well known plays, William Shakespeare changes women’s part in society. During this time period, women are known to be both mentally and physically weaker than men. Women are called to be only housewives. Shakespeare reflected the image of women in society by giving the men bigger leads in his plays. Only in a few of Shakespeare's plays did he give women strong leading roles. Macbeth is one of the few plays where women play a more powerful role than the men. In Macbeth, he gives the women unusual traits like manipulation and betrayal. In William Shakespeare's play Macbeth, women like Lady Macbeth , the trio witches, and Lady Macduff portray non-feminine traits.

In Macbeth by William Shakespeare, gender plays a pivotal role in the development of the overall plot and as the play advances, certain characters, including Macbeth and Lady Macbeth experience a reversal in traditional gender behaviors. Additionally, we see gender confusion among other characters that enhances conflict in the play. Originally, Macbeth and Lady Macbeth are portrayed in ways that enforce their respective masculinity and feminism in accordance to the society around them. As Macbeth begins to contemplate his decision regarding the killing of Duncan, his marriage becomes the primary driving force behind his action and thoughts in this matter. Although in some cases, male and female roles in this play remain static, the

Macbeth’s mental and moral deterioration throughout the play engages the audience illustrating how guilt overwhelms his conscience He believes he hears voices crying “Macbeth has murdered sleep” this demonstrates how he is battling against his morals and his ambition. His good qualities are battling his bad thoughts and this is the main reason for his mental downfall which makes for a deeply engaging plot. Macbeth goes from being a man of bravery, strength, honour yet he slowly loses these qualities. He once believed that killing a good man was an evil, un-worthy thing to do yet by the end of the play he is killing the people he once had close relationships with to get himself out of the mess that was dragging him deeper into despair and tragedy. This process is enthralling for the audience who cannot resist watching him go to any length to save himself as his morals go into deep decline. Ambition has completely taken over him in the soliloquy in which he states; “I have no spur to prick the sides of my intent, but only Vaulting ambition, which o’erleap itself and falls on the other.” In this instance Macbeth is interesting because he realises that the only thing that is making him want to kill Duncan is

Subservient, ignorant, passive, timid: these are the qualities that described the ideal 17th century woman in the eyes of Europeans. In the play Macbeth, author William Shakespeare explores the roles of these women through his female characters, challenging preconceived notions and setting up his personal perspective on what a woman's niche in society truly is. Through his contrasting female characters of the gentlewoman and Lady Macduff versus the witches and Lady Macbeth, Shakespeare depicts the reality of how women actually function is society.

Following Macbeth's murder of Duncan, Macbeth becomes frightened and unsure of himself. He begins to regret his actions and realises that this will remain on his conscience until his own death.