Macbeth Gender Roles

Breaking Gender Roles in Macbeth Women are meant to obey their husbands! Did you know that many people thought that statement was true in the 1600’s? Now women’s rights have come so far into disproving that statement. In Medieval Scotland, women served their husbands and were seen as the weaker sex. In William Shakespeare’s Macbeth, breaking traditional gender roles is a common theme.

With social and cultural stereotypes in this era, men were viewed as more powerful while women were portrayed as weak. William Shakespeare tries to interpret the roles between genders by having characters of the opposite sex. In the play Macbeth, William Shakespeare uses rhetorical devices to demonstrate Macbeth’s and Lady Macbeth’s switch in traditional gender roles, which arise from the consequences for each character’s actions and speech.

In play Macbeth, Lady Macbeth is one of William Shakespeare’s most dominant and frightening female characters, known for her ambitious nature. As Macbeth’s wife, her role is significant in his rise and fall from royalty. During Shakespearean times, women were regarded as weak insignificant beings that were there to give birth and look beautiful. They were not thought to be as intelligent or equal to men. Though in Shakespeare's play, Macbeth, Lady Macbeth is the highest influence in Macbeth’s life. Her role was so large; in fact, that she uses her position to gain power, stay strong enough to support her unstable Lord, and fails miserably while their

Macbeth by William Shakespeare brings about one of the most controversial topic of the gender portrayal in a play. During Shakespearean times, women were considered as the weaker sex, physically and emotionally. On the other hand, men were seen as the dominant sex that is expected to be the head of their households and a strong figure. Unlike this stereotypical representation of men and women, Shakespeare introduces the reversal of gender roles in his play. Shakespeare’s portrayal of the relationship and characteristics of Macbeth and Lady Macbeth diverged from the stereotypical representation of both men and women. The author, William Shakespeare’s use of reverse gender roles which contradicted with the traditional gender roles, is what

William Shakespeare’s tragedy “Macbeth” completely challenges the idea of traditional gender roles and social norms during the renaissance period. The male characters have many feminine traits while the female characters have many more masculine and manlier traits. This was going entirely against the stereotypical outlook of the roles you’re supposed to play as your gender during that time of history. During the renaissance period women were only expected to clean, cook, and to have babies. Men on the other hand were typically expected to work hard and to provide for the home. Socially women didn’t have power or respect and men were the ones who were supposed to be brave and tough at the best of times and the worst of times. That idea is

We see her as a suppressed female clawing to power through men. The most notable scene where Shakespeare conveys this is Act 1 Scene 5. He has Lady Macbeth say, “unsex me here”, demanding elimination of all womanly attributes. She also says, “take my milk for gall”. This demonstrates she does not want to be a nurturing, mother figure. Lady Macbeth thinks her femininity is useless and that she could accomplish more as a male. In the Elizabethan/Jacobean era, women were often subjugated – made to submit to and follow men, regarded as weak and in need of protection. Given no control, women were forced to stay home and bear children. Lady Macbeth yearns liberation from these stereotypes and ideal standards of her time. Her authority cravings lead her to tell Macbeth, “Leave all the rest to me” – seeking dominance. Her husband is essential to succeed so she can be interpreted as somewhat manipulating him into committing larger crimes – namely

Then slowly Macbeth looses his masculine qualities. The witches have a part in him loosing his masculinity. The traditional role of men usually take charge, and wears the pants, but its already clear the Lady Macbeth wears the pants. “ Lady Macbeth appears to be the more freighting figure” (Maternal Power par 1). The role of Macbeth is a friendly person, who is dictated by his wife; She controls his every thought. Its as if he doesn’t make a move without her knowing. She clearly over powers him in every way. The weird sisters also play apart in the gender roles. “ The disruption of gender roles occur in the weird sisters the trio perceived as violating nature and dispute the designation, as sister the gender roles, the characters is also ambiguous” (play with gender role par 3).

Lady Macbeth is intelligent, unable to bear children, “ambitious, manipulative, seductive” and seeks to move up in society (Tucker). She’s everything that women are not supposed to be in this time period. Despite her seeming like a very strong woman character, her weakness in the end, when she loses her mind, is shown to exemplify the patriarchal idea that even strong women are weaker than men. While in today’s society women are expected to be just as intelligent as men, the patriarchy sees her intelligence as a “flaw” and a representation that she is “unnatural and unfulfilled” (Davis). She is certainly not motherly as she says she would “Have plucked [her] nipple from [her sons] boneless gums And dashed [his] brains out” (Shakespeare 1.7.58-59). This violent description of what she’d do to her child is a complete opposite from what one would expect from a mother. Since being a mother is all women were supposed to be in the late 1500s, this was a complete juxtaposition from the norm of society and was hard for most to wrap their simple minds around and accept. This helped Shakespeare present Lady Macbeth as the real villain of

account thy love. Art thou afraid to be the same in thine own act and

The traditional gender role for men and women is a strict set of expectations one must face and either choose to follow or defy it. In the Shakespearian era women portray as the weaker sex because they display as needing protection as the more fragile, innocent, and dependent sex, whereas men have authority as strong, capable, and honourable beings. However, the traditional gender roles play in reversal in Macbeth by William Shakespeare by having Lady Macbeth, the Three Witches (weird sisters), and Macbeth defy the gender roles that allow women and men to portray in a unique way in society. First, Lady Macbeth is defiant to her role as a woman because she is able to take initiative, deceive others, and commit violent acts. Secondly, the three Witches are in fact sisters which avid them to follow their role as women, however they defy their roles because they manipulate others, have the capability to make independent decisions, and kill without hesitation. Finally, Macbeth defies his roles as a man in the Shakespearian era because he acts cowardly, isn’t able to carry out duties himself, and is disloyal to his companions.

Lady Macbeth is one of the strongest women in all of Shakespeare's plays and is a focus of exploration of gender roles with her traditionally masculine personality. In her relationship with her husband, Macbeth, she often seems to take the more masculine role for power and success. Lady Macbeth says “Come you spirits/ That tend on mortal thoughts unsex me here” (1.5.47-48) This is Lady Macbeth saying to not identify her by her gender and be given no sex.

The women in Macbeth, namely Lady Macbeth, contradict these expectations through their commanding, and ambitious tones. During that second half of act one Lady Macbeth is portrayed as the ruling figure in the house. Instead of being a grateful and fulfilling housewife she instead pushes and commands Macbeth to commit assassination. She berates him when he falters and asked if he would rather, “live like a coward in thine own esteem.” (Shakespeare)

Shakespeare’s play, Macbeth, begins with the protagonist, Macbeth, being faced with a supernatural prophecy. The temptation of power further corrupts Macbeth as the play progresses, until his murders catch up to him. Despite the time in which a man lives, he is surrounded by opportunity and the constant battle between the loss and acquisition of power. For those deep in search for power often experience the blurring of the lines between right and wrong. In the 17th century, gender roles were strict and unmoving. Men symbolized the power and strength, while the women represented the caring and submissive traits of human nature. Shakespeare utilizes Macbeth and Lady Macbeth’s marriage to further toy with the audience’s minds and inverts the gender roles.Throughout the play, Macbeth and Lady Macbeth’s marriage demonstrates inverted gender roles; but as Lady Macbeth utilizes her influence over Macbeth, her driven attitude leads him down the path of corruption.

Lady Macbeth, boldly oversteps her role as a women of her time, portraying several traits that only a man should have. At that time, women were thought to be of little power, capability, and status. That is to say that a women was supposed to be nurturing, peaceful, and highly obedient to all men. Women were supposed to be raised in a way that enforced the idea and belief that they were inferior to men. Lady Macbeth demonstrates none of these womanly traits, instead she exceeds them in multiple ways.

In Macbeth by William Shakespeare, gender plays a pivotal role in the development of the overall plot and as the play advances, certain characters, including Macbeth and Lady Macbeth experience a reversal in traditional gender behaviors. Additionally, we see gender confusion among other characters that enhances conflict in the play. Originally, Macbeth and Lady Macbeth are portrayed in ways that enforce their respective masculinity and feminism in accordance to the society around them. As Macbeth begins to contemplate his decision regarding the killing of Duncan, his marriage becomes the primary driving force behind his action and thoughts in this matter. Although in some cases, male and female roles in this play remain static, the