At one point in your life, you have probably told a little white lie or harmlessly tricked someone into doing something. However, there are some people, Machiavellians, who are master manipulators that will resort to anything in order to reach a goal. In Shakespeare’s Othello, Iago can be seen as a dominantly Machiavellian villain. First, Iago possesses a Machiavellian personality due to the way he manipulates people’s flaws in order to use them “as stepping stones” to reach his goal of getting revenge on Othello (Hartley). For instance, when Iago begins his machination to harm Othello, he tells Brabantio of how “an old black ram/ Is tupping [his] white ewe” (I. I. 94-95). Iago purposely exploits Brabantio’s racism in order to “Plague him …show more content…
I. 286-287). Thus, Iago persuades poor Roderigo to pursue the uprooting of Cassio, believing that it will bring him closer to Desdemona, while in reality, it will only act as a shortcut for Iago to retaliate against Othello’s alleged actions. Moreover, after Cassio loses his lieutenant position due to another one of Iago’s evil plots, Iago sways the desperate and hopeless Cassio to ask kind, sweet Desdemona to help him regain his position, since “She is of so free, so kind, so apt, so/ blessed a disposition” (II. III 306-309). Iago takes advantage of Desdemona’s genuine pureness and altruism and uses it as a “net” to “turn her virtue into pitch” and “undo her credit with the Moor” (II. III. 345-327). The Machiavellian Iago is targeting innocent, undeserving Desdemona to serve his own morbid, manipulative needs. Another key point is how Iago abuses Othello’s gullibility and jealousy by feeding him false information about Desdemona and Cassio to cast suspicion upon his wife’s fidelity. Iago then continues to manipulate Othello and his weaknesses by telling him that Desdemona “did deceive her father, marrying” him and how it is unnatural for a woman “Of her own clime, complexion, and degree” to be with a man like Othello …show more content…
Instead, Iago is a “careful, patient [opportunist]” who can control his impulses well (Hartley). To exemplify, Iago says that he will “abuse Othello’s ear/ That [Cassio] is too familiar with his wife” (I. III. 405-406). Thus, Iago is planning out his evil schemes and thinking them through, showing how he is more calculating than spontaneous. Similarly, Iago states that he will “put the Moor/ At least into a jealousy so strong/ That judgement cannot cure” and “Make the Moor thank me, love me, and reward me” (II. I. 308-310, 316). Again, Iago concocts his machinations in prior to actually carrying them out instead of acting rashly, like a psychopath would. Moreover, when Iago discovers that Emilia found Desdemona’s treasured handkerchief, he tells himself that he “will in Cassio’s lodging lose this napkin,/ And let him find it” so that Othello will suspect that Desdemona has been unfaithful (III. III. 358-359). Therefore, Iago, like other Machiavellians, is a thoughtful and patient opportunist that slyly takes advantage of any situation that will help him advance in his goals. Unlike psychopaths, Iago solely stands by and watches his premeditated ploys unfold around
Othello trusts Iago and now Iago is trying to take his wife from him for someone else. Furthermore, “He takes her by the palm...sir in.” (pg. 71). Iago watches Cassio and Emilia because he thinks they had an affair he watches them carefully so he can figure out how to convince Othello that Desdemona and Cassio are having an affair. Another example involves the plan to help Othello kill Desdemona. “Do it not with poison. Strangle her in her bed, even the bed she hath contaminated” (pg. 185). Othello believes that Iago is most honest, thus he believed killing his wife Desdemona was the right thing to do. Iago brainwashed Othello into believing the wrong thing was the right thing. The characterization of Iago is created by the use of dramatic irony. The audience knew how devious Iago is, but the characters fell for his mischievous acts.
Iago mentions the strength of others wills, and notes how it is simple to change a person with willpower alone. He is then implying that the people who he can trick are inferior to him. In this way Iago is overly proud of his abilities and loves to put himself above his superiors. He is superior to them only his ability to plot complex schemes. His plan to destroy Othello is full of grandeur and risks. Iago sets long series of specific events into motion relying on luck to carry through some of the parts. He is very roundabout on bringing his plan to fruition. Rather than lying to multiple characters and stealing handkerchiefs he could have, just as easily, told Roderigo to kill Othello. However, he seeks to have superiority over his commanders, so in a way, he is trying to prove he is better than they by creating such complex narratives. His actions in this regard are very similar to
Iago, who presents himself as Othello’s confidante, signifies the antithesis of the virtues of the play, and Othello’s belief in the lies this villain tells destroy these values and lead to his demise. Iago is disloyal from the start. From the beginning he tells us, “In following him [Othello], I follow but myself. / … I am not what I am” (I, I, 55-62). Iago feigns devotion to Othello only to bring him down, and in doing so he makes himself seem virtuous and turns the true virtue, in Desdemona, to vice. When scheming to make Othello think that Desdemona is having an affair with Cassio, Othello’s lieutenant, he plays on her concern for people, and her willingness to help Cassio come back into Othello’s favor: “So will I turn her virtue into pitch, / And out of her goodness make the net/ That shall enmesh them all” (II, iii, 360-62). As the opposite of all that is valued in the play, Iago is able to make the virtue of the other characters into their downfalls without them suspecting it. He observes of Othello, “The Moor…Is of a constant, loving, and noble nature” (II, I, 288-89). He then plans to use this nature to “Make the Moor thank me, love me, and reward me / … Even to madness” (II, I, 308-11). Iago uses Othello’s trusting nature and Desdemona’s goodness to create the
Firstly, Iago showed how he was the perfect villain with his ability to manipulate characters throughout the play. By manipulating other characters Iago can forward his plan of ruining Othello without other characters becoming suspicious. One character that Iago often manipulates is his friend Roderigo, this one character is the one that mainly does all the hard work of Iago. This quote: “Desdemona should continue her love to the Moor-put/money in thy purse-nor he his to her. It was a violent commencement in her, and thou shalt see an/answerable sequestration-put but money in thy purse. (1.3 334-338) convinced Roderigo to not kill himself and to continue to believe in Iago’s plan of making Desdemona to stop loving the Moor. Roderigo is in love and this is one reason why he is unable to realize that he is manipulated by Iago. Also, Iago manipulates Cassio to go talk to Desdemona, but Cassio is totally oblivious that he plans to use this to the Moor with jealousy. The quote: “I’ll send her to you presently; /and I’ll devise a means to draw the Moor/out of the way, that your converse and business/May be more free. (3.3 37-40) convinced Cassio to talk to Desdemona, which consequently shaped Othello to be even more jealous than before.
Iago is the antagonist of the play, and one of the most evil Shakespearean villains. Iago is extremely clever in the way he uses unsuspecting power- especially psychological power. He gets into people’s heads in many dishonest ways- by spreading false rumours, telling lies and psychologically tricking people and secretly controlling certain situations. His power to manipulate is a key point in the play, as it results in major consequences and the deaths of some main characters. Iago’s schemes are multi-levelled- he conspires with roderigo, and makes him believe that Desdemona will take him back. On another level, he leads Othello to believe his wife is having an affair with Cassio. He uses his wife Emilia (unknown to her), to bring back the handkerchief he uses to deceive Othello. Iago is an extremely resourceful and talented man, but he uses these resources and talents in detrimental ways. Iago is constantly referred to by numerous characters as ‘honest’. He himself also refers to honesty. Numerous characters believe that they know and trust Iago and that he would not lie, nor deceive them. Iago’s soliloquies also provide invaluable insight into his wicked mind and evil schemes and plans.
Regardless of the tender relationship between Othello and Desdemona, Iago uses Roderigo to seep his lies into Brabantio’s mind and furthermore wreaking havoc among him and his impression of Othello. Dissimilar to this, Iago is supportive and social when it comes to being around Othello and the ones who he stabs behind their backs. Additional to the first instance of Iago’s scheming, he also releases his plans to alter Othello’s marriage and by doing so ruining Cassio’s chance of regaining lieutenancy. After the fight between Montano and drunk Cassio, Iago converses briefly with Cassio who eventually leaves Iago alone in the streets. Once he is gone Iago explains: “And out of her own goodness make the net that shall enmesh them all”(2.3.375-80). From this statement it is clear how Iago has no care towards helping Cassio who needs Desdemona to get his position back, and also for innocent Desdemona who will soon be wrongfully accused of Iago’s bluffs. This is obvious since Iago yearns to create a “net” using Desdemona’s simplicity, and more importantly taking control of everyone’s life with it. Unfortunately the ones who are around him fail to recognize his actions, and without knowing are slowly fooled into their own misery which is all part of Iago’s
William Shakespeare’s Othello, the Moor of Venice is a play of great manipulation and jealousy. Iago is the antagonist character of the play Othello. Iago becomes irate and filled with jealousy when Othello names Michael Cassio as his lieutenant, because Iago believed he should have been the one promoted not Michael Cassio. By manipulating everyone around him, Iago portrays himself as an honest noble man whom can be trusted. Iago being known for the honest man he earns everyone’s trust and therefore learns their weakness for his ultimate plan of destruction. Iago’s greatest skill is disguising his manipulative schemes of destroying and betraying the ones around him with what he leads people to believe as honesty. Iago uses their
Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs
355,] By playing on his hopes, Iago is able to conjure money and jewels from Roderigo, making himself a profit, while using Roderigo to further his other plans. He also thinks stealthy on his feet and is able to improvise whenever something unexpected occurs. When Cassio takes hold of Desdemona's hand before the arrival of the Moor Othello, Iago says, "With as little a web as this will I ensnare as great a fly as Cassio." [II, i, 163] This language demonstrates the evil inside Iagos goals of retrieving absolute power. He actually even says of himself, "I am an honest man...." [II, iii, 245] Iago slowly corrupts the characters thoughts, creating ideas in their minds without implicating himself. His "medicine works! Thus credulous fools are caught...." [II, i, 44] "And what's he then that says I play the villain, when this advice is free I give, and honest," [II, iii, 299] says Iago. In turn, people rarely stop to consider the fact that old Iago could be deceiving and manipulating them; yet they are convinced that he is "Honest Iago." From these quotes from Othello it is proven that the dialogue used between Iago and the others is manipulative causing an evil outcome.
In William Shakespeare’s The Tragedy of Othello, Iago demonstrates a mastery of manipulation over people who had previously trusted and confided in him. His sudden turn from Othello’s loyal ensign to rage-filled villain seems indicative of a man who can no longer accept his position in life. Iago’s plotting of Othello’s demise starts as idle talk of a disgruntled 28 year-old career military man passed over for promotion. Iago believes that such a promotion may never come after Othello rejects his candidacy and makes it clear that he did not believe him suitable. He sees Othello is only concerned with personal and political gain with his choice of Cassio as lieutenant. When Iago teams with love-scorned and desperate Roderigo, he begins
Iago is very notorious for his villainous acts throughout the play “Othello”, by William Shakespeare. Iago’s motives drive him to manipulate and deceive other characters so his “monstrous” (I, iii, 395) plot would succeed. Iago manages to con Roderigo to take his money. Iago also tries to ruin Othello and Desdemona’s relationship by using Cassio as a bait. In this passage, Iago explains how he will manipulate Rodrigo, Cassio and, most importantly, Othello to achieve his goals.
In the play, Othello by William Shakespeare, the villainous character, Iago, represents the concept of Machiavellian. Machiavellian is a term used to describe Niccolò Machiavelli, the known founder of political science. Machiavelli is known for his manipulative nature in doing whatever it takes to get what he wants. Machiavelli's manipulative ways are similar to Iago’s in the play. In Othello, Iago creates a master plan to get faultless Michael Cassio fired from his position so Iago may replace him as Othello’s Lieutenant. In this master plan, Iago tries to convince Othello that his wife, Desdemona, is having an affair with Cassio. Iago plants inklings of suspicion upon Othello about Desdemona by telling him to “Look to [his] wife; observe
"Tush, never tell me! I take it much unkindly/ that thou, Iago, who hast had my purse/ as if the strings were thine, shouldst know of this./" (I. i. 1-3) From the beginning of Othello, Iago is portrayed as an antagonist, a villain who acts out of only his own interest. The acts that Iago engages in throughout Shakespeare's Othello are erroneous acts. Iago is not insane and he can comprehend the difference between right and wrong. Shakespeare is known for his ability to focus on human flaws and teach us lessons from their misfortune. Iago's destiny with evil is due to his own flaws, jealousy, selfishness, and deceit. Because of these insecurities, Iago will stop at nothing to get even with Othello. By
He gloats about the easy in which he can manipulate Roderigo (the fool) into giving him money. Directly after this, you hear of Iago’s feelings towards Othello (the Moor). You learn of Iago’s suspicion about his wife having an affair with Othello. This gains pity from the audience, because you feel that Iago is a man deeply distraught over the idea of his wife cheating on him. Iago then begins to contemplate how he would seek vengeance on Othello and gain his title. Iago plans to use Othello’s trust and opinion of him to his advantage. He speaks about how he will use Cassio as his pawn to lure Othello into believing his wife, Desdemona is being unloyal to him. Iago discloses that Othello’s character is naive and will be easy to manipulate. As his closing statement he states that, with a little help from the devil, his monstrous plan will be a success.
Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.