Mainstream Illustrations Of The 1960's

The 1950’s brought about the beginning of teen culture. The phrase, “teenager”, had only recently been invented but the word was already developing more weight and meaning. To be a teen encompassed the soul of rebellion. The formative years were a warp in the usual fast pace of life, a pause between childhood and adulthood. That pause was uncomfortable and foreign. It gave kids a chance to think and feel before being thrust into The Real World. That small break was enough for the seed of self-expression to slip through, and music is the ultimate form of self-expression. The birth of rock and roll, the constant threat of the cold war, the inescapable prison of segregation, and the chance to stop

In 1967, The Beatles released and the album that would change the way people looked at them as a band and as music as a whole. ‘ 'Sgt. Peppers Lonely Hearts Club Band ' ' was The Beatles eighth studio album and took them 5 months to complete. At the time of the release, hippie culture was prevailing and this year is widely remembered as the summer of love. Long hair, recreational drug use, and psychedelic rock music come to mind when quizzed on stereotypes of the decade, but was it all flowers and peace – or did the ‘Summer of Love ' have a dark side? The group battled with inquisitions about their usage of the drug LSD, which seemed

The decade of the 1960s can be said to be a subversion of the United States. From the civil rights movements, anti-Vietnam war demonstration, Kennedy’s presidency, to the assassination of the civil rights leader Martin Luther King, the impact of the surging social movements and political turmoils to the American society is extremely far-reaching. There has been a lot of researches on the various social movements in this period. However, people 's attention seems to be limited to another important cultural phenomenon of this period, that is the prosperity of rock & roll. This paper is intended to analyze the

The early 1960’s to mid 1970s was the start of the counterculture of youth culture. During the 1960’s, there were revolutions including a sexual revolution, a cultural/ racial revolution, a rights revolution, and student revolutions. In addition to revolutions, there also a focus on the transition to adulthood, popularity, consumption, anxiety, and the media. However the movie, American Graffiti, which was set in the 1962 (1960s)–before the peak of 1960’s counterculture–and released in 1973 (1970’s) displays an environment more focused on the anxiety of transitioning to adulthood, dating, and consumerism--music and cars. American Graffiti compared to the set and release dates share similarities with the counterculture, but are depicted in

     Rock ‘n’ roll music came of age in the sixties which was a period in the nation’s history when a young generation expressed their anguish and sense of alienation to the country’s social establishments by searching for new answers to the age-old questions concerning the meaning of life, the value of the individual, and the nature of truth and spirituality (Harris 306). The classic rock music which was created during this period gave form and substance to this search. Songs such as “My Generation” by the Who recorded the keen sense of alienation that young people felt from the past and the “Establishment” and it also showed the keen sense of community they felt among themselves.      Classic albums such as the Beatles’ “White Album,” the Who’s “Who’s Next,” Dylan’s “Highway 61 Revisited, and Pink Floyd’s “Dark Side of the Moon” capture what was essential about the time because they were both a result of that time and because they helped to produce it by reinforcing the younger generation’s feelings of alienation and separation.      Although

In the 1920’s this gap became more of a chasm as the nation’s youth entered the Jazz age, adopting the new styles of music and dress that accompanied it. Women wore shorter skirts, smoked, drove cars, and sported new haircuts, and men went to new jazz clubs that played edgy music that was good for dancing. Overall the new lifestyle was a complete departure from the Victorian mode of living that preceded it, and it was rejected by the older generation as energetically it was embraced by youth. In the 1950’s a similar change took place as parents allowed their children to have more freedom, and religion was not as strictly enforced. The widespread availability of automobiles allowed teenagers to travel around more than they ever had, and the automobile provided teenagers a new place to be free from the observation of their parents, which enabled many new activities, like petting. Just as the youth of the 1920’s had Jazz music, teenagers in the 50’s began to bother their parents by listening to Rock ‘n’ Roll music, whose stars included the scandalous Elvis Presley and even African-American stars like Little Richard, showing that the music allowed youth to transcend race. Just as F. Scott Fitzgerald’s literature alarmed more conservative Americans with its description of the popular culture of the time, literature during the 50’s was similarly troubling, dealing with themes of

Rock and roll helped break many people out of the pre-war mindset and into a new, fresh one. Although many adults detested rock, the younger generation felt that it symbolized a break from the war and the “age of anxiety” that the previous World War had caused. In addition, it promoted a promiscuous lifestyle that celebrated sex and drugs. Rock and roll seemed to be associated with this because many of the “rock stars” endorsed in a loose and laidback standard of living. Because many of the performers practiced recreational drug use, followers felt compelled to do so as well, feeling that that way of life was acceptable. Rock and roll was thought to be outlandish, primarily because of the performers’ gyrating and grinding of their hips, their suggestive lyrics, and rebellious undertones that provoked erotic senses in teenagers and upset parents. Rock and roll was said to establish a sense of identity and power in teenagers, mostly because of the new energy that came from the new style of music. Rock music was seen as satanic by the older generation because it seemed to lead to the

From newspaper articles in 1964 announcing the London Look, to an article by Mary Quant in Vogue in 1966 and an article at the end of the decade that declared the return of Paris Power, young people in the U.S. had the opportunity to read and examine British contributions to fashion and make decisions about whether to adopt or not. The 1960s in the United States was a turbulent time –a decade of political and social upheaval. The youth quake of British styles helped to set a new energetic pace for America and a means to deal with the turmoil. College campuses in the U.S. were often the place of change and acceptance of new ideas and thus a place to study the

Pop Art emerged in Britain in the late 50’s and the United States in the early 60’s.(Mamiya 1992) Pop Art is generally known today as a representation of celebrating popular culture and consumerism, however it’s background and origins are far more broad and extensive. There are many factors and influences that lead to the creation of the Pop Art movement such as adjusting to life after World War II, new technological advances that lead to mass cooperate growth, the evolution of Abstract Expressionism and also social issues in the media such as feminism. (Smith 2001; Mamiya 1992) Many of these factors overlap and act as a catalyst in the creation of Neodadaism and eventually Pop Art. (Livingstone 1992) Pop Art does not have a soul distinct style nor just one major influence and this can be proven by looking at key artists of the movement such as Roy Lichtenstein, Andy Warhol, Claes Oldenburg and James Rosenquist as well as female Pop artists such as Martha Rosler. (Brauer, Edwards, Finch & Hopps 2001) Exploring these artists and the major influences of their work will break down Pop Art and establish the movement’s purpose as well as its evolution.

Beginning with the late 1960’s counterculture in San Francisco, music and drugs will forever be inter-linked. Hippie bands such as the Grateful Dead, the Allman Brothers, and Phish are associated with marijuana, mushrooms, and LSD. Modern electronic “rave” , or club music is associated with MDMA or Ecstasy. When one thinks of rock and roll, sex and drugs immediately come to mind. While the use of drugs is not essential for the creation or performance of all new music, it was certainly in important factor for the counterculture music of the late 1960’s. While some of the most important and influential music was made with the help of psychoactive drugs, it was often to the detriment of the artist. Janis

During the 1950’s art took a major turn in history from traditional styles depicting people and scenes of everyday life to abstract thoughts and ideas that were transformed onto a canvas to express emotions and ideals in society. People, events, and society have always impacted several styles of art, but the consumer culture in the 1950’s impacted art in a new completely unique way. Post WWII society was more industrialized and more focused on developing and selling new products. The postwar generation had more disposable income to spend on the latest and greatest products and the market turned to advertisements in mass media to get their products out there to consumers. With televisions and films increasing in popularity the market flooded these forms of media with catchy flashy ads that showed favorable people like movie stars using products. With the increasing use of mass media, the culture shifted to consumerism which effectively shifted art as well. Art was directly impacted by the consumer culture because of society’s use of advertisements, photographs, and films which artists like Richard Hamilton and Andy Warhol used those elements in their own works to portray the change of societal standards in a new modern style of art called pop art.

From trippy patterns to wildly vibrant typography, the psychedelic art style was absolutely endless. The unique art movement was at its best from 1966 to 1972. Although there were many memorable artists at this time, Wes Wilson was known for being the “father of the 60’s rock concert posters.” Psychedelic art was just about everybody’s obsession in the 1960’s because of its unorthodox style and artists that were a part of it.

In 1966 Great Britain, several art forms began to spring up within the LSD subculture, and music and art were being produced and performed. As Andy Roberts puts states, the environment “was being created by LSD users for the LSD user.” [18] Most musicians and artist used LSD to open up creative pathways for writing and creating art and used lyrics and artwork to express their rebellious and dissatisfaction with the government. LSD was common among psychedelic rock artists such as The Beatles, Jefferson Airplane, Pink Floyd and the Grateful Dead among others; this helped in increasing the popularity of LSD during the 1960s. Musicians in America were writing songs about social protest and anti-war, due to roaring voices of the youth expressing

In early 1950 the US has recovered from the Second World War and had spread prosperity more than ever before in the history of America. Indulgent parents willing to create a better world for their children created a new cultural group, the adolescent. Their dress, interaction and taste for music

In the 1960s, pop art represented the attempt to return to a more objective, universally acceptable form of art following the dominance of the highly personal Abstract Expressionism in the United States and Europe. It was considered very radical compared to what the art world had seen in the 40s and 50s, rejecting the supremacy of the “high art” of the past and the pretenses of other contemporary art. Pop art became a cultural phenomenon because of its close reflection of a particular social situation, and because its easily understandable images were quickly exploited by the mass media.