Making the Tale of Lucetta Essay

The character grandmother in O’Connor’s story has grounds the reality of the events and drives the family into tragedy. She is a central character in O’Connor’s story and is depicted to be a dynamic character stuck in the old ways. Through her actions and the idea of being stuck in the old ways of thinking, she leads her family into tragedy. Being the main character in the story, Grandmother significantly adds to the development of the plot. The author manages to win the attention of the reader from this character owing to the manner in which she shapes the storyline. Grandmother’s reminiscing of the old ways claims a distinctive curiosity from the reader and helps in

To begin with, after being told her husband’s secret, she deserted him for a “less dangerous man”. She said the following: “Fair friend," said she, "be happy. That which you have coveted so long a time, I will grant without delay. Never again will I deny your suit. My heart, and all I have to give, are yours, so take me now as love and dame.”

In The Journal of Hélène Berr, we are given the first hand account of a young Jewish woman in Paris during the German occupation. This primary source provides a strong insight into how Paris was changing before Hélène’s eyes. Hélène started keeping a journal to preserve memories, but over time, as the German occupation started to change her life, it became something more. Her writing became darker, because so did her outlook. For one, towards the end of the

It Was The Night. Felix’s Parents Had Been Informed That The Nazi’s Were Coming. As They Drove To Their Friends House Felix’s Parents Saw Smoke Coming Out Of The House And They Knew Their Friend Has Fallen To The Evil Nazi’s. With Only One Option Left They Knew It Was What They Knew Was Best For Felix. As They Raced To The Mountainside They Heard A Faint Sound And They Knew That Only Felix Would Survive. After An Hour Of Driving, They Reached The Orphanage Where They Grew Up In With Mother Minka. As They Hurried Out Of The Car They Saw The Nazi Flag Outside And Began To Cry. As They Slowly Dawdled Back They Heard A Voice In The Darkness Calling To Them As They Looked Up They Saw Mother Minka Running Towards Them. With A Bit Of Hope Coming Back

Her whole life the Marquesa “lived alone and she thought alone” (Wilder 14). The Marquesa grew up without love and happiness in her childhood. When she married “a supercilious and ruined nobleman” (Wilder 14) she bore a daughter who she “fastened upon her idolatrous love” (Wilder 14). She chose to bestow upon her daughter all of the love that she didn’t receive. Her daughter Clara was like her father in many ways and regarded her mother “with astonishment and repulsion” (Wilder 14). When time of marriage came she “deliberately chose the one that required her removal to Spain” (Wilder 14). The Marquesa’s whole existence “lay in the burning center of her mind”(Wilder 15) and revolved around writing her daughter letters after she moved to Spain. She chose to become more secluded and to devote her time trying to connect to her daughter who would never return her

Love and the memory could be last forever, but sometimes it is not good to hold on to the past. In the story “Bullhead”, Leigh Allison Wilson uses diction and images to portray the theme of holding to the past could hurt the present. The story is told from the perspective of the daughter which is the narrator. By using diction and images, Wilson portrays the mother’s careless to her family and deeply holding on to the past. The narrator describes the story as “simple”, perhaps because the mother tells it much time to the daughter even though she already has a family of her own (Wilson 1).

Mrs. Bertha Flowers helps bring Marguerite out of her shell by using literature to bring back her voice. Mrs. Flowers gives Marguerite “The Tale of Two Cities” and a poetry book to read aloud. Mrs. Flowers was an important person in Marguerite’s life. An important adult figure in my life is my mom because she’s taught me to make the best of every situation and that a little kindness and compassion will go a long

(Page 6-10) Eva had a brother she was very close to, his name was Heinz. At the age of 9, Heinz had a problem with his left eye which had him blind in that one eye. Heinz always made Eva cry, telling her stories about him dying. They both lived with their dad, then Mutti and their pappy. They ate with other families in a large dining room, both German and Jews. (Page 11) They were Jewish, but over eight years Eva had spoken German, now her and her brother were taking French. (Page 12) November 9, 1938 7,500 Jewish shops were burnt down. (Page 13-14) Mutti didn't like that they didn't own their home by themselves anymore. (Page 17) Since 1933 lots of Jewish families lived in the same area, and their children would always play in the same area. (Page 21) Wearing the Star of David was a very important thing in this time.

Every woman would want to be Lady Marguerite Blakeney, née St Just. Having recently made her debut at the Comedie Francois, Marguerite married Sir Percy Blakeney alias the Scarlet Pimpernel. Charming, clever, beautiful, with childlike eyes and a delicate face, Marguerite captures everyone’s attention. Yet Marguerite is portrayed as a stereotypical woman who is weak, impulsive, and whose identity revolves around her husband.

Together we raised an outstanding child. I had also remained friends with Fortunato. We would dine together at each others’ homes and, of course, Léonie would also dine with us. I was truly happy, but all of those happy memories I had created with her and my son, were later destroyed. One evening I went over to Fortunato’s home for a share of drinks, for I had found a rare wine. A maid had welcome me in the mansion. While, I was strolling through the halls in search of him, I saw something I should have not seen. My wife in the arms of my most trusted friend. I froze where I stood… I overheard what was being spoken by the two in the other room. “When will I have time to spend with my son?” He asked. The amount of anger that filled me began to flood. I wanted Fortunato to suffer by my hands. I left his home as if I had not been there from the

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

“Clara” by Roberto Bolano is about a guy who meets the love of his life, Clara. She’s attractive, addictive, aloof. After their breakup he continues to love her in the most peculiar way. He watches her loose her youthfulness, and become sick with cancer. After the diagnosis Clara runs off to die leaving every one behind. Though this seems like a tragic love story the gender roles demonstrated leaves the reader to wonder if the narrator loves Clara at all. It begins with the way the narrator focuses on the physical aspects of Clara, the way he continually belittles her intelligence, and it ends with the codependence that the narrator thinks Clara should have with him. A lot of the time when Clara is mentioned it is in reference to her physical appearance, weather it be her body, or her smile: the narrator doesn’t seem to look at her as a person, he sees her as an object. Clara’s intelligence on the other hand is used against her; the narrator makes it a point to undermine her as some ditsy, unintelligent, bimbo. He puts Clara, through what seems like, a very disturbing relationship: then, expects her to come back to him in the end.

The narrator is caught between his freedom and success in Paris and his past, marred by racism, which he is again about to confront. Using the flashback episode as an example of what he expects on his return, the narrator details the horrible feelings of helplessness and hatred generated by racist behavior. His family in the United States experienced prejudice firsthand and it damaged them forever. His father 's and sister 's lives were destroyed by racism, and the narrator escaped to France to avoid the same fate. Now famous, he must come to terms with his expatriate status, and find a way for his son to live without the same scars of racism.

Passions drive people, and the townspeople in “The Lottery” and Paul in “The Rocking-Horse Winner” are no different. Each of the members of the unnamed town has a strong passion for tradition. The original black box used for the lottery is described as being, “lost long ago, and the black box now resting on the stool had been put into use even before Old Man Warner, the oldest man in town, was born” (Jackson 251). This sentence gives the reader an understanding that the lottery is an ancient tradition that has become an integral part of the town’s lifestyle. Such a tradition can only be carried on for this length of time if the people are passionate about preserving the tradition. Paul had a passion to be wealthy as a way to prove to his mother that he was lucky. From a young age, he saw that his family always wanted more money to support a better lifestyle, yet

In “The Story of an Hour” (1894), Kate Chopin presents a woman in the last hour of her life and the emotional and psychological changes that occur upon hearing of her husbands’ death. Chopin sends the protagonist, Mrs. Mallard, on a roller coaster of emotional up’s and down’s, and self-actualizing psychological hairpin turns, which is all set in motion by the news of her husband’s death. This extreme “joy ride” comes to an abrupt and ultimately final halt for Mrs. Mallard when she sees her husband walk through the door unscathed. Chopin ends her short story ambiguously with the death of Mrs. Mallard, imploring her reader to determine the true cause of her death.