In Charlotte Bronte’s’ “Jane Eyre”, Rochester uses disguise and duplicity to achieve his desire of marrying Jane. By doing so; he defies state law and divine will. Consequently, Rochester suffers physically, emotionally, and financially.
Rochester is compelled to falsehood when regarding Jane Eyre; resulting in strong rebellion against divine law. His deliberate manipulation drastically changes the course of the story and reveals many conflicts. These lies start at the beginning of the Thornfield section when Rochester is a victim of a fire that occurred in his bedroom while he was asleep (Bronte.151). Although it was clear to him that Bertha caused the incident, he blames it on Grace Poole hoping that his chances of marrying jane would increase if she never found out about his secretly ill wife.
Rochester’s propaganda lingers throughout the rest of the Thornfield section when he informs Jane that he is due to marry Blanche Ingrim, and that she is set for a job in Ireland (250-251). The sole purpose of this fib was to test Janes jealousy and experiment her reaction towards the situation; which is an evident sign of Rochester’s extent of manipulation. Her reaction leads Rochester to reveal that what he truly wants is Jane’s hand in marriage. The night before the marriage, Bertha escapes her room and rips Janes veil in half; this event following the proposal causes Rochester to attempt to convince Jane it is merely a dream. (Bronte.264)
Rochester tries to exploit Jane to
Jane Eyre feels manipulated by Mr. Rochesters sly behavior and no longer has a desire to marry him. She decides that her only option is to leave Thornfield and departs to a nearby village. This secret introduces tension to the Eyre/Rochester relationship and creates an aura of mystery and
To set the stage in “Jane Eyre” our Protagonist, Jane Eyre is deceived by Mr.Rochester, one of the antagonists in order to “protect” his love, Jane. Mr. Rochester’s deception begins
He is also very much used to getting what he wants. When he orders Jane to play him some piano, he says, “Excuse my tone of command, I am used to saying, ‘Do this,’ and it is done: I cannot alter my customary habits for one new inmate,” (Brontë 123); and although he does excuse his tone, he refuses to change it. Throughout the story, Mr. Rochester falls in love with Jane, and they plan to be married. He insists on buying silk dresses and beautiful jewels, yet Jane only allows him to buy her simple things, saying, “I was glad to get him out of the silk warehouse, and the out of the jeweller’s shop,” (Brontë 274). On their wedding day, Jane discovers that he already has a wife - a murderous lunatic- and runs away, only to return a year later to find out that Thornfield has burnt down, and that Mr. Rochester was blinded and lost a hand in the fire. The reader sees that Mr. Rochester is much humbler, living only with two servants to wait on him. His humbleness shows even more upon his proposal to Jane, for when she says yes, he asks her “A poor blind man who you will have to lead about by the hand?” (Brontë 458) and then again, “A crippled man, twenty years older than you, whom you will have to wait on?”
Jane and Rochester officially meet at Thornfield, the day after his arrival, Rochester invites Jane for tea. His attitude towards Jane is abrupt and quite cold, although he is charmed by Jane's drawings. Jane feels unusually comfortable around
We first encounter this relationship between Jane and Rochester during their first dramatic meeting. She encounters him when he falls off his horse and she is required to give him assistance. Jane’s first impression of his face is that ‘He had a dark face, with stern features and a heavy brow’. This may portray the dimness in his face awaiting to be enlightened by a woman which, in this case Jane. Further on in this chapter, unaware of who he is, on her return home, Jane is amazed to discover that the gentleman she assisted in the road was her employer, Mr. Edward Rochester. Jane’s future relationship with Rochester is most clearly set out in their first meeting. Although without any money, reserved and socially dependent, Jane is not
So, Rochester showed the brother (Richard), the priest, and Jane his wife. He explained how Bertha had lit his bed on fire, stabbed Richard, and destroyed Jane’s wedding veil's; she was more a monster than a wife. Heartbroken by learning of this marriage, Jane fled to her room where she stayed for hours upon hours. "Jane Eyre, who had been an ardent expectant woman - almost a bride - was a cold, solitary girl again: her life was pale; her prospects were desolate (341)." When she finally emerged, Rochester tried to convince her to stay with him. “I have for the first time found what I can truly love–I have found you. You are my sympathy–my better self–my good angel–I am bound to you with a strong attachment (363).” This was not something she could not do; as Rochester said, "...[It would] strip you of honour and rob you of self-respect (346)..." The next morning, Jane left Thornfield Hall with some money and few possessions. She did not say goodbye to
When Jane enters Thornfield she thinks she is going to work for a woman named Mrs. Fairfax, but she does not. She works for a mysterious man name Mr. Rochester. This man is going to be an import aspect of Jane’s life. Jane works as a governess to a young girl named Adele. Jane encounters Mr. Rochester when she goes for a walk and runs into Rochester, whose horse is injured. After the encounter Jane and Rochester start to gain interest into each other. Mr. Rochester is a man with a large amount of money and Jane is a woman with very little money, the fact that she works for Mr. Rochester defies their unprofessional relationship. “Like governesses, these marriages between older men and younger women were viewed with great ambivalence during the Victorian period”(Godfrey). Both characters develop strong feelings for one another and become close to getting married but a discovery of a secret puts the marriage to a halt. After
Through a close reading of the selected passage of Charlotte Brontë’s Jane Eyre: An Autobiography, a reader can see that Jane attempts to separate herself from her decisions by personifying her emotions and giving them a specific voice, which strongly reflects the societal views of the time. At this point in the story, Jane has discovered, on her wedding day, that Mr. Rochester is still married to a woman named Bertha, and that woman still lives in his house. Distraught, Jane locks herself in her room and tries to decide what she should do. When she wakes up the next day, she is again confronted with what she needs to do in the wake of her discovery.
Though Jane is well educated and possesses the etiquette and training of a person in upper class society, social prejudices limit her because she is simply a paid servant, in their eyes. While at Thornfield, Jane falls desperately in love with the owner of Thornfield Hall, Mr. Rochester. Jane is Mr. Rochester’s intellectual contemporary, but her social status prevents her from being his true equal. In the novel, Jane proclaims, “Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!—I have as much soul as you,—and full as much heart!” (Bronte 637). After Mr. Rochester finally proposes, Jane is hesitant to marry him because she feels as if he would be lowering himself to marry her. This feeling greatly increases after Jane discovers he is married to Bertha Mason, and that he keeps her locked away in Thornfield’s attic due to her insanity. Mr. Rochester proposes that Jane becomes his mistress, which, according to Victorian society, would be more fitting since Jane is a plain governess. Jane realizes that she can never compromise her morals that way and leaves Thornfield. While on her own, Jane still strives to gain independence, discovers new kin, and learns she has a wealthy uncle who has left her a large inheritance. After her loneliness and longing for Mr. Rochester becomes too great, she returns to Thornfield. Jane is
Although she knows Blanche and Rochester are not in love, she believes they will marry due to money and class. Ingram is equal to Rochester, and Jane is not. She knows she cannot unlove him, but "all his attentions appropriated to a great lady who scorned to touch [Jane] with the hem of her roses as she passed" (Bronte 211). In Jane 's mind, she is no match for Blanche, and she refuses to marry Rochester because they are not equal. After Jane and Rochester become engaged for the first time, he attempts to spoil her with gifts and special treatment. However, Jane will not accept. First, he takes Jane to Millcote to buy her accessories. When he looks at her with "passionate pleasure" she looks at him and threatens that he "need not look in that way...if [he does, she 'll] wear nothing but [her] old Lowood frocks to the end of the chapter. [She 'll] be married in this lilac gingham" (309-310). She refuses these gifts as she believes she should not be treated higher than her actual class. She also refuses to dine with Rochester at his request.When he asks her to join she tells him that she has "never dined with [him]; and [she] sees no reason why [she] should now" (311). Rochester then begins to question what she wishes to become of her salary and other days to which she responds that she "shall just go on with it as usual. [She] shall keep out of [his] way all day"
In the critical essay, “Almost my hope of heaven’: idolatry and messianic symbolism in Charlotte Bronte's Jane Eyre,” Joshua analyzes the theme of idolatry and messianic symbolism in Jane Eyre. Joshua believes that Jane Eyre is a novel that revolves wholly on religion. He argues that, “one of the novel's purpose...is to show that human relationships are successful only if the partners in the relationship avoid the dangers of idolizing each other” (Joshua). I strongly agree with his opinion. One main reason Jane denies Rochester’s proposal is because she does not want to be inferior to him. When Rochester and Jane argue over whether or not Jane is going to let him order her around she says “‘I like to serve you, sir, and to obey you in all that is right’” (Bronte 250). From the beginning, Jane sees Rochester as a sort of messiah. Due to this, she refuses to marry him for she believes they will never truly be equals. However, as the novel progresses, Jane goes through internal developments that enable her to realize that her and Rochester can be equals. She realizes her self-worth and finds a balance between her principles and feelings. In one of the final passages of the novel, Jane says that her and Rochester have been married for ten years and she is “[her] husband’s life as fully as he is [hers]” (Bronte PAGE NUMBER). Here, we can see the Jane and Rochester are equals. This supports Joshua’s claim, for their relationship is only successful because of their equality. Rochester is no longer Janes “master” and she still remains her own-self.
Many themes are brought into the readers' attention in Charlotte Brontë's Jane Eyre and when first reading the novel, we all tend to see it as a work built around the theme of family and Jane's continuous search for home and acceptance. The love story seems to fall into second place and I believe that the special relationship between Jane and Mr. Rochester needs to be thoroughly discussed and interpreted, because it holds many captivating elements, such as mystery, passion or even betrayal. The aim of this essay is to analyze the love story between the two protagonists and to illustrate how the elements forming their relationship resemble the ones in fairy tales. Jane Eyre has been often compared to fairy tales such as
Also, even though Rochester and Jane were of different classes, Charlotte Bronte presents him as an intelligent person. Both Edward and Jane enjoy conversations with each other. However, Jane does not express her feelings as clearly as Rochester does. So he dresses up as a gypsy and tries to find out what she thinks of the marriage, which everyone assumes that he will with Blanche. Although, both Jane Eyre and Rochester have are fond of each other, Edward was deceitful to Jane. For example, when Jane found out about Mr Rochester’s first wife, he first says that they can run away as ‘brother and sister’. However Jane refuses. Rochester tries another tactic and asks her to be his mistress. But Jane was too virtuous to accept the offer and had no other alternative but to leave Thornfield.
Rochester. At first Jane sees him as rude and disrespectful due to his cold and gruesome remarks, but it is her fight and how Jane stands up for herself that leads to one of the most known relationships in literature. Eventually Rochester asks Jane for her hand in marriage but at the scene of the wedding, we come to learn, that Rochester is already married to an insane woman, living in his attic, named Bertha. With this Rochester asks Jane to run away with her to Europe, this is exactly where Jane is faced with a very hard decision between following her heart as everyone wants to do, or keeping her respect and dignity. We can see the respect Jane now has from Rochester when he says to her, “I was wrong to attempt to deceive you; but I feared a stubbornness that exists in your character” (Bronte 354). This shows that Jane has gained Rochester’s respect and the ‘stubbornness’ in Jane’s character is the best thing for her, for without this trait Jane could never gain respect from others, especially men, in his novel. Knowing that Jane has decided to leave her, Rochester begins to persuade Jane to stay with him. He says, “Oh, Jane, this is bitter! This – this is wicked. It would not be wicked to love me” (Bronte 355). Jane replies, “It would to obey you” (Bronte 355), showing that she will not give into his pleading, regardless of how much she loves him because to obey him would lead to the loss
In Graham’s Magazine, another anonymous reviewer suggested that Rochester’s character was dangerous and immoral, saying, “No woman who had ever truly loved could have mistaken so completely the Rochester type, or could have made her heroine love a man of proud, selfish, ungovernable appetites, which no sophistry can lift out of lust.” Thus, he intimated that any author who would contrive to have her heroine fall in love with such a total rake would be immoral herself and unknowing of what true love is. He went one step further to say, “We accordingly think that if the innocent young ladies of our land lay a premium on profligacy, by marrying dissolute rakes for the honor of reforming them, à la Jane Eyre, their benevolence will be of questionable utility to the world.” In this, he suggested that the depiction of Jane and Rochester’s relationship would cause young women of the time to emulate Jane’s “romantic wickedness.”