Manipulation In Julius Caesar Essay

In Shakespeare's tragedy Julius Caesar, Portia uses repetition, rhetorical questions, and parallelism in order to persuade Brutus to tell his secret. Portia uses repetition to get Brutus’ attention and to show him how much she wants to know the secret. Pleading, Portia urges, “I should not need, if you were gentle Brutus. / Within the bond of marriage, tell me, Brutus” (2.1.301,302). By using repetition she gets Brutus’ attention so he knows she is talking to him. If Portia did not repeat his name, Brutus would not be as inclined to listen to her. With Portia stating his name more than once he is focused on her and knows that what she is saying is vital. In this part of Portia’s speech she uses pathos. She persuades Brutus by bringing up their

In the play The Tragedy of Julius Caesar, an honorable man, Brutus, is planning to overthrow the soon to be king, Julius Caesar. Brutus is persuaded by Cassius that Caesar is a liar, too ambitious, weak, and not fit to be Rome’s king. Brutus soon believed Cassius, and they and the conspirators made a plan to kill Caesar. After Caesar’s death, Brutus planned to justify his actions of killing Caesar at his funeral in his speech to the people. After Brutus’s speech, the citizens of Rome were all in agreement that Brutus did the right thing for Rome. Brutus then decides to allow Caesar’s best friend, Antony, to speak in honor of Caesar. Antony speaks, and he convinces the citizens that Brutus’s actions were unjust and turned the people against Brutus.

The tragedy of Julius Caesar is a story of struggle and betrayal; however, in it, Shakespeare conveys messages about human nature. Three of the main characters in the play convey the ways that power corrupts and changes people. Brutus’ attitude towards killing Caesar and rising to power, along with his personality, change throughout the first three acts. Cassius’ need for power makes him lose himself and his humanity. Mark Antony, changed by Caesar's death, rises to power after taking it away from those that killed him. In Shakespeare’s play, The Tragedy of Julius Caesar, he conveys notions regarding human nature and the ways that power changes and corrupts people; he does this through his characters Brutus, Cassius, and Antony.

Many people know that Julius Caesar was betrayed and killed by many people who he had thought to be his friends. Some less common knowledge is that he did still have friends and others who stayed loyal to him. One man named Mark Antony was the most loyal of them all, even after Caesar’s death. When he found out Caesar had been killed, he began plotting to get on the traitor’s good sides and make it seem as if he had joined them so that he could convince the citizens to fight against them with him. He deceived the traitors and convinced them to let him speak at Caesar’s funeral, and in this speech he turned the citizens against them using very powerful rhetorical skills. After he had drove the traitors from the city, he took control of the city and led them to victory in a war against the conspirator’s armies. These are three telling examples that prove Antony’s skill and potential as a leader.

Themes tend to be presented in a work of fiction, rather than in nonfiction and are much more obscure. For example, a drama or tragedy such as Oedipus Rex has the theme of not being able to escape fate, rather than having a brusquely stated thesis statement. The theme must be deduced by the reader/watcher after finishing and reflecting upon the play. Themes also tend to be an idea or message that is given to the reader.

He does not want Caesar to be crowned king. Power meant more to Brutus than being noble to Caesar. The actions of Brutus do not reflect his intentions of being a nobleman. Contemplating the assassination, Brutus invokes the familiar Elizabethan analogy between the body politic and the body natural. In so doing he invokes the symbolic framework which establishes the relationships among the diverse issues and actions of the play and provides, in this case, an implicit refutation of the position he is about to take. For Brutus' political miscalculations, rather than being the almost inexplicable mistakes of a supremely virtuous character, are the manifestations of a clearly defined moral failing. Brutus, of course, misses the point of his analogy. Sensible of the hideousness of the "Insurrection" within the "little Kingdome" to which he likens himself, he does not go on to deduce, as he might be expected to, that "Rebels [ought] by the Justice of the law to be suppressed, even as the

Some might say that the ability to effectively persuade people to do things is one of the most useful qualities a person can possess. However, it can also be one of the most dangerous. In Julius Caesar, a play by William Shakespeare, a group of conspirators were plotting to overthrow Julius Caesar, who was poised to become the leader of the Roman Empire. Because doing this was a mission that would require a larger group of people, the conspirators attempted to convince people to support their plan and join the group. In doing so, the conspirators used tactics that appealed to both the logic and emotion of others.

In William Shakespeare’s Julius Caesar main conspirator Cassius uses rhetoric and manipulation to convince Brutus and the other conspirators to brutally murder Julius Caesar. Caesar’s murder creates many conflicts between the people who admire Caesar and his killers, which leads to a full scale war. The battle between emotion and reason is exceedingly significant. Humans automatically have the ability to reason, or the power to think for themselves, but sometimes emotion masks reason. When emotion clouds reason humans tend to make unwise decisions. Omen imagery develops the idea that when people interpret events according to fear and desires, chaos results.

In William Shakespeare’s play Julius Caesar a senator named Mark Antony is responding to Brutus, another senator who killed Julius Caesar, and his speech about how he should be trusted because of his position of authority. Mark Antony’s response speech used literary techniques efficiently and was compelling the audience to listen to him over Brutus to show that Caesar was not too ambitious.

Cassius manipulating Brutus is the start of tragedy for Brutus due to Cassius being the catalyst of Brutus’ death. Cassius shows this by influencing Brutus to join him and the other conspirators in killing Caesar. “And it is very much lamented, Brutus,/That you have no such mirrors as will turn/Your hidden worthiness into your eye,/That you might see your shadow. I have heard/Where many of the best respect in Rome” (Shakespeare, Julius Caesar I.ii.54-60). Cassius attempts to manipulate Brutus into killing Caesar with him by saying the people of Rome need him to. Cassius is fueling Brutus’ ego. Brutus takes the bait because of his aspiration to be the hero of Rome and his love for his country. Brutus does not realize he is being manipulated, which is what makes Cassius succeed at controlling him. Brutus does not realize he is being manipulated because he is oblivious to the outside world. He can only see and hear what Cassiuse is telling him about. This is what inevitably causes Brutus’ demise. Brutus’ death was impacted by his inability to see that Cassius was manipulated him. He is too blindsided by Cassius telling him he’ll be a hero to pay attention to the hidden meaning of his words. Cassius’ hunger for power leads him

William Shakespeare's tragic play portraying the life in ancient Rome is one that closely follows many elements that make a drama interesting. The murders and the conspiracies behind the killings add to the plot of jealousy and patriotism. Within Julius Caesar also

A person of great power has a large amount of control and influence over the vast majority of the population that they lead. Often times, their leadership position was gained through manipulation of the people as they try to sell themselves to them. This manipulation also affects any competition for that leadership position because a common technique to sway someone’s opinion is to make the competition look bad which then makes the people look down on the competition, causing the opposing side’s chances of success to plummet. William Shakespeare’s play Julius Caesar demonstrates this as a tale of manipulation leads to the downfall of the weaker link. Cassius, Mark Antony and Julius Caesar have perfected the art of manipulation as they are

In every literary work, there are themes. A theme is a broad idea, moral or message of a book or story. One individual may construe the themes of a book or story differently than another, but that is the pure beauty of themes. One great literary work is The Crucible, a play written by Arthur Miller. Succinctly, the play is about the Salem witch trials that took place in Massachusetts in 1692. Throughout the story, the townspeople indict their neighbors of being a witch and practicing witchcraft. On the surface, this historical drama has a few universal and enduring themes. Themes are universal because regardless of where in the world, the ideas still relates to everyone and is understood. Themes are enduring because the ideas are found

“Even the noblest men can be seduced by power; it has the power to kill, to distort, and to corrupt” Through this passage, Matthew Sims captures in essence how individuals often turn to betrayal and deception in order to gain their heart’s desires. This characteristic is not only present in life, but can also be seen in modern and classical literature, including the well known work of Julius Caesar. In Shakespeare’s Julius Caesar, the lust for power transcends any one individual and ultimately leads to death and corruption of not only Caesar, but also of Brutus and Cassius. The play begins with Caesar parading through the streets of Rome as he triumphs in his victory over Pompey. However, Brutus, Cassius, and many others hatch a plot to

Theme is a central idea or message in a work of literature. Theme connects with all events of a story, however, it is not the moral of the story like many may think. Theme is interpreted by the reader. In other words, the theme is just almost every aspect of a story. For example, theme needs characters, protagonist, antagonist, conflict, and speaker to analyze what theme is in a story. The equation for theme is character + conflict and resolution = theme. The story of Antigone for example has many themes. Antigone is the story of a young girl, who's purpose is to honor her brother Polyneices in a burial. Both of her brothers killed each other, however Eteocles, her other brother, fought for the city and got an honorable burial, while Polynieces,