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Essay on Margaret Laurence's A Bird in the House

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Margaret Laurence's A Bird in the House

Margaret Laurence's A Bird in the House differentiates itself from the four other novels that make up the 'Manawaka series' that has helped establish her as an icon of Canadian literature. It does not present a single story; instead, it is a compilation of eight well-crafted short stories (written between the years 1962 and 1970) that intertwine and combine into a single narrative, working as a whole without losing the essential independence of the parts.

It tells - at least on a surface level - of the childhood of a young girl named Vanessa MacLeod , and of her trials and tribulations in the small Manitoban town of Manawaka. The narrative style of the stories is important, …show more content…

Most importantly, it is a story of captivity, of failed attempts at freedom, and of one woman's partial escape from the constraints of her family, home, and past.

There is a single symbol that encapsulates the majority of these notions throughout the entirety of the book: the bird, the bird in the house, the bird "caught between the two layers of glass" that so changes Vanessa's life. Birds make too frequent and deliberate an appearance throughout the collection of short stories to be mere haphazard additions to the background; instead, they, along with the images and concepts associated with them, serve to alert the aware reader to what Margaret Laurence, through older-Vanessa, through child-Vanessa, is trying to tell us. The birds, and their associated images, are central and representative of the novel as a whole.

There are encounters with several birds throughout the majority of the stories: there is, of course, the sparrow that predicts Ewen MacLeod's death; there is Grandmother Connor's perpetually silent canary, Birdy; there are the hauntingly-voiced loons in the appropriately named story 'The Loons'. They make subtler appearances as well: Grandmother MacLeod's hair is once described as 'white-feathered wings in [a] snare'2; there is the blue Chinese carpet 'with its birds in eternal motionless flight'(p. 47); the ladybird that climbs, falls, and climbs again, despite its ability to fly.

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