Izabella Zacharski
History of Ideas
Professor Rowan
11/15/15
Intimately & Impersonally Intertwined Into a seeping darkness of consumed desire, a monstrosity was ungodly strewed together given with no purpose of any kind. Creator and creation were bound in solidification indebted by necessity, resulting in two tragically doomed lives. The literary work, Frankenstein, by author Mary Shelley is the original tale of a man that gives life to his creation. In the process of doing so, he alienates all those around him for whom he cares for. Intertwined are the lives of Victor Frankenstein, the protagonist, and the lives of those gained, created and lost. In the midst of the Romantic era, freethinking was frowned upon and deemed reckless. Delving
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Victor Frankenstein exercised his thirst for knowledge upon entering university and learned about modern sciences and alchemy. With his burning ambition to seek for the power of creation, he pushed past the known limits of humanity and becomes successful in obtaining the answer to create life. Though momentarily satisfied with the power to bring life, Frankenstein acknowledges that the power of being able to create life was a mistake; Unwilling to acknowledge the “magnitude and complexity” of his task and thereby practice responsible creativity, Frankenstein oversized the “minuteness of the parts” in an attempt to make the reality of his endeavor match the grandeur of his intentions (Harriet Hustis, …show more content…
Abandoning his creation from the rightful responsibility of being creator, noted is the fact that Victor is neither a parental figure nor a caretaker for his monster. Cast out on his own into the world, the monster seeks the meaning for his existence. His inquisitive nature allows him to question the concept of humanity. From one particular part in the book, the monster ends up in a wooded area and comes across some cottagers. It is during this pivotal moment where the monster expresses his innate desire to be a part of the lives of others. He expresses the sense of a nature to be good as he witnesses the relationships amongst the cottagers. There he learns value in the proper mannerisms expressed by those he witnesses only longing to be a part of that interaction. Remaining shunned by society and viewed as a horror the monster struggles with his feelings for wanting to be a part of the cottager’s lives. However, he observes the cottagers and how they interact with one another and here he develops a guide that helps him define his own ideals of what it possibly means to be human. As the monster continually watches the cottagers his feelings further develop and here he receives an informal education of what it is like to be cared for. He wishes for none other then to be accepted by mankind. As it dwells within the mindset of men, the monster shows that he still
Ever since its publication in 1818, Frankenstein by Mary Shelley, has been deemed a cautionary novel on the consequences of experimenting with life and the dangers of playing God. Shelley expertly focuses on the misery of Victor Frankenstein and the Monster in order to prove her point that playing God will lead to nothing but pain and sorrow. At nineteen years old, Mary Shelley produced a masterpiece that is still used as an example to argue today the negative affects of creating synthetic life. Shelley’s purpose for writing such a novel stems from many of her own life experiences and the influences surrounding her childhood and teen years. She rebelled against the previous writing period, the Enlightenment, and has left a lasting effect even on today’s very science based society. Through the influence of her friends and family, Shelley became a
His upbringing in the cottage contrasts Victor's wealthy and loving environment, but they both learn aspects of misogyny through the context of family dynamics. The Monster attempts to follow the trope of the anti-hero similar to that of Victor. The Monster fails to rejoin society due to his appearance and is violently driven away by Felix as he attempts to befriend them, afterwards, he is shot by another man after saving a girl from drowning. Unpacking the narrative's connection to what feminists call masculine humanity - recognized by its image based on gender, class, and race - the Monster is excluded from humanity as he is socially inferior and a non-European male (Pon 36). Upon his rage, he then sets to inflict Victor with the same misery he had suffered, and have Victor give birth to a female monster, filling his longing and fascination with the “differences of sexes; and the birth and growth of children [...] and all the various relationships which bind one human being to another in mutual bonds.”
“Was man, indeed, at once so powerful, so virtuous, and magnificent, yet so vicious and base? [...] God, in pity, made man after his own image,” (Shelley, 65-69). Frankenstein, the tale of creation, was published by Mary Shelley in 1818. She, born on August 30, 1797, in London, England, lived a life full of despair. Through the horror and love within her life, the inspiration of this classic romantic novel was conceived. It is a story of the struggle of both the creator and the created. Furthermore, the novel challenges morality as Victor Frankenstein experiments with his insatiable urge to create life. The novel is reflective of many creation stories throughout history. Such creation stories consist of both a creator and creation
The novel Frankenstein, by Mary Shelley, demonstrates that surpassing former limitations can lead to dangerous consequences as the unknown approaches. Victor Frankenstein demonstrates how the desire for more knowledge, leads to danger. When Frankenstein is thinking about his disappointment of the creature he creates, he thinks “for this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanishes, and breathless horror and disgust filled my heart”(Shelley 35). Frankenstein puts in countless hours in his laboratory and isolates himself as he strives towards creating a human being, a feat in which no man has ever done.
In Mary Shelley’s Frankenstein, Victor, a young scientist possesses unbridled ambition and resolutions “as fixed as fate” (Shelly 7) that lead him on a quest for “natural philosophy” (Shelly 27), compelling him to create a being that manifests itself into a monster.
Exploring where one does not belong, results in unforeseeable catastrophic consequences. In Mary Shelley’s Frankenstein, allusions to John Milton’s Paradise Lost and his depiction of creation are evident, through the characters of Victor Frankenstein and his Creature, as they resemble, yet sharply contrast Adam, Eve, God, and Satan. The complexity of the character’s connections, exemplifies how each has their own varied purposes to defining creation and the outcome of a failed experiment. Victor and his Creature bring life and death, anticipation and lost hope, along with isolation.
In the novel Frankenstein by Mary Shelley, she wrote the story of a Swiss who discovers the possibility of bringing lifeless matter to contain life. By stitching together different body parts, this creation then seeks revenge on his creator after being shunned by society. Where one man’s ambition to be God sets him up on a path of misery and destruction. Overall it is a well piece of work of which still excels in today’s time. The complexity of Mary Shelly’s style of writing has an elegant form of elaborating the Romanticism period of her time through her novel, subtle reference to patriarchy, and the showmanship of her understanding of the real world indirectly.
Mary Shelley’s Frankenstein is a story that includes many deeper meanings other than just the original story presented. While it is a story of Victor creating this monster, it also has themes of different human struggles that we experience on a daily basis. It looks at the human ambition to discover education and the human need for love, but also looks at the downfalls of human failures. This story looks at Victor’s creation of Frankenstein as a pursuit of higher knowledge that no human had ever reached, which is basically what we are all doing everyday. However, with every great human success there has to be some failure. In Frankenstein, Victor creates this monster, which no one has ever done before, but the actions of his creation cause turmoil in his life causing him to resent the monster and eventually leading him to his own death. This story is a man who has a great ambition to find a truer meaning to life, but instead learns multiple life lessons from both his successes and his failures.
Victor Frankenstein made one of the most technological advancements of his time and created life. Victor shows his excitement for his creation when saying, “A new species would bless me as its creator and source; many happy and excellent natures would owe their being to me. No father could claim the gratitude of his child so completely as I should deserve theirs” (Shelley 73). Victor Frankenstein recognized what he was doing at first during his work as a good thing as he thought that he could change humanity with his experiment. His thoughts were to make a being that could surpass others and that could promote the survival to people. He brought parts together to enhance one another such as stem cells to make a superior individual that would bring rise to a new life style. Victor Frankenstein brought something utterly new to the world as he noticed the positives of
In Mary Shelley’s book, Frankenstein, she tales the tale of what occurs whenever one achieves what one has desired, but is dissatisfied with the results. Shelley utilizes many methods to convey her tale, one of which involves the protagonist Victor Frankenstein and the thing he worked tremendously on to create. The usage of these two characters emphasizes a redundant theme in the story. In the book Frankenstein, there is a recurring exhibition of the tight bond between Dr. Frankenstein and his creation, comparable to that of a mother and a child.
Ever since its inception in 1818, Mary Shelley’s ‘Frankenstein’ has fueled the imaginations of thousands of readers through its portrayal of conflicted scientist Victor Frankenstein, and his neglected creation — referred to as the Creature in its first appearances, and later called the Monster. Though rich in storytelling, perhaps ‘Frankenstein’s most enduring quality is its wide array of themes which touch upon topics ranging from appearances to free will. It is, however, the themes of life, consciousness, and existence which prevails as the story progresses. In ‘Frankenstein’, Mary Shelley begs the reader to question the nature of Victor’s responsibility to the Creature, and his role as God — or a godlike figure to his Creation; as well as the state of our moral core during infancy until our introduction to society.
Victor issues futile threats of attack to the creature, curses him, and tells him to go away, but the creature, speaking eloquently, persuades him to accompany him to a fire in a cave of ice, “Be calm! I entreat you to hear me before you give vent to your hatred on my devoted head” (194). Instead of the creature getting his revenge, he keeps calm and talks to Victor to see if they can come to agreement and find some answers the creature has been wondering (why was he abandon by his own creator?). Victor listens to creatures story where he mentions when he was born and realizes that he is alone with no idea how he got to where he is. Creature slowly learns the world with his senses ( this can be proof that the monster has no experience of evil.) After the creature meets the De Lacey family, the poor cottagers who live alone in the woods, he realize they've been low on food because creature has been eating there food but the family didn't know that. When creature realizes he is hurting family by stealing from them he starts helping them physically by gathering food he finds in the woods and helps them out by working at night to clear all the snow. “I found that the youth spent a great part of each day in collecting wood for the family fire, and during the night I often took his tools, the use of which I quickly
The human being is distinguished among any other species for his ability to understand the world around him. From this ability, the human being has created the study of the world in different ways through a tool called “science”. Science is nothing more than the attempt to understand the world surrounding us using methods such as observation and experimentation. Furthermore, it has produced many revolutionary outcomes in our society. Every period of history comes with new discoveries that simplifies our comprehension of the universe. A clear proof of this is “Frankenstein”. A novel written by Mary Shelley that tells the story of a man called Victor Frankenstein who is first passionate with natural philosophy. But because there have been new discoveries during this period, the branch of natural philosophy is not trusted anymore; therefore, Frankenstein finds himself isolated in a belief that is not valid anymore. This situation later encourages him to find a company that would share the same pleasures that he has, so he decides to create a man just like him that would serve as a good company. “Frankenstein” has created many perspectives in the readers minds along history and with it many criticisms that discuss every aspect of the story. “Frankenstein and Radical Science” by Marilyn Butler addresses the impacts and adaptations of the novel. She emphasizes her work on the inspirations behind the novel by important influences in Shelley’s life. This novel shows why knowledge
However, Frankenstein soon realizes that if he can “bestow animation upon lifeless matter,” he will have the ability to “renew life where death had apparently devoted the body to corruption;” this discovery is the starting point of his relentless search for glory (Shelley 32). He relishes in the possible fame he will attain once he creates a “new species” that would bless him as “its creator and source,” motivating his frenzied obsession in completing his project (Shelley 32). He would thus become perceived as a kind of God, which is an unnatural goal that defies God’s nature. Nevertheless, to him, the reward that he believes he will receive upon his discovery far outweighs the consequences. He is so absorbed in knowledge to create life as a scientist that he becomes blinded to the potentially dire consequences of his actions. By eating the forbidden fruit of knowledge, much like how Eve in the Garden of Eden was tempted by Satan, “the angel’s arm bared to drive [Victor] from all hope,” his prideful actions affect him and his loved ones (Shelley 139). In fact, the story of Adam and Eve is portrayed in reverse by Victor
During the enlightenment period, many ideas came about pertaining to the balance between nature and science. Mary Shelley, an English writer during this time period, used Gothic and Romantic elements of writing to convey the relation between the natural world and what she saw as the corrupted world of scientific study and industrialization; with large influence from her father who was a political philosopher and her husband, another Romantic poet. In one of Shelley’s most famous works, Frankenstein, an epic battle between man and the supernatural unfolds. Doctor Victor Frankenstein devotes his studies to reviving the dead, and achieves this goal after long seclusion from the outside world. When he finally looks upon his creation, he is appalled by the monstrous wretch he has brought into this world. The Monster ends up alone and is rejected by all mankind, even though he begins as a benevolent and kind being. This novel mainly focuses on the destruction of Victor Frankenstein as well as the Monster, which directly accentuates Mary Shelley’s warning to society. Her warning is that when science conflicts with the laws of the universe and nature, it becomes destructive.