Mary Tyrone's Actual Happy Ending

When she enters the bedroom, her voice changes from present to past tense and she starts to reminisce and begins to talk about her mother and aunts. She seems happy to remember her mother’s room and introduces her aunts to the audiences. Mary delivers her dialogue saying that the dressing table and the small elephant statue figures are all same. When Mary gently touches her mother’s photo, she delivers a sad tone. Her performance conveys to the audiences that she misses her mother. The tone of her voice represents that she is a gentle, innocent and a loving child. Her verbal and non-verbal interactions conveyed the viewers with a message that she is an orphan.

First and foremost, Mary Maloney had over reacted to her husband's news. This was not the typical overreaction with whining and crying. Mary maloney had killed her husband. In the story Mary maloney receives bad news from her husband. Mary then goes downstairs to grab a leg of lamb for dinner but instead of making it, she smashed it on

Mary tells Cathleen how she loves the fog, which can be interpreted as her love for the morphine that removes her from any type of coherence. Mary was on a path to recovery and now has slowly lapsed into her state of addiction once again. She likes this state because “ It hides you from the world and the world from you. No one can find or touch you any more” (O’Neill 773). For Mary, this fog is representative as an alternative or refuge from reality. Her relapse into addition causes clouds her judgment and impairs her sight. She can hide herself in the fog so that her family can be oblivious to her addiction.

Mary begins the story as a doting housewife going through her daily routine with her husband. She is content to sit in his company silently until he begins a conversation. Everything is going as usual until he goes “ slowly to get himself another drink” while telling Mary to “sit down” (Dahl 1). This shocks Mary as she is used to getting things for him. After downing his second drink, her husband coldly informs her that he is leaving her and the child. This brutal news prompts the first change in Mary, from loving wife to emotionless and detached from everything.

Standing in stark contrast to ‘Migrant Hostel’ is the poem ’10 Mary Street’, which portrays the persona’s strong feelings of belonging to his childhood home as a result of the strong familial relationships which were forged during his time there. The family’s domestic routine is depicted and

The narrator grew up in poverty. The narrator should feel even more at home at Marys’ when she is serving Cabbage soup because that’s how he grew up. He knows she is short on money just like he is. He feels bad that he’s not doing his part and helping out with the money. This represents all the turmoil and hard times that have happened. Somewhere in chapter 21 they talk about rotting cabbage and this represents how he grew up eating cabbage; his past, and now he has rotting cabbage; his future. This shows how the past is fading and things are changing.

Following the periods of excitement addiction, she would have depressed moods, staying in bed and complaining of the burden of raising a family and missing out on her chance to be an artist (Glass Castle, p. when they find diamond ring). It would appear to me that, while Mary has her times of trying to do what’s best for her family, she may be suffering from a mental illness, such as bipolar disorder, making choices that are mostly selfish to fulfill her fun and excitement; she also makes very poor financial choices for her family, such as not selling the million-dollar property to feed her family (Glass Castle, pg. Mary wants to borrow money from Eric to buy adjacent land) and not using money from work to stick with a budget so that food and indoor plumbing and coal can be bought (Glass Castle, pg. Mary is teaching and Lori and Jeanette make a budget and ask to hold money). In addition, mental illness is often thought to be genetic, with some syndromes passing through generations. While most of the children in the Walls family eventually become successful adults with seemingly normal lives, Maureen adapts some of the characteristics of her parents, ultimately ending up living a bizarre life of chasing cults and getting locked up in a state hospital (Glass Castle, p. Maureen stabs Mary).

Mary is also struggling against a feeling of displacement. It’s ironic that the two things she places most importance on are the two things she doesn’t posses. Her parents ignore her up until their deaths and she has no friends due to a bitter

The wife Mary Maloney was a devoted house wife at the beginning of the story. One example is that she had the whiskey ready for her husband right when he got home. Mary had it ready for him because she wanted him to be relaxed and calm. Another example is that she was extremely nice to him and really anxious. She kept asking him if he wanted another drink or if he wanted something to eat like a snack before they go

Arbitrarily renting a house is strange enough, but what becomes of the protagonist is far worse. “It is fortunate Mary is so good with the baby…yet I cannot be with him” (Gilman 3). The narrator expresses this with a tone of voice that she may never be with her child again. She and her husband may have lost the baby, and that is why he rented out a house for them. “The place has been empty for years” (Gilman 3). The narrator could not handle the pain, so a short getaway to escape the hopelessness could potentially heal the couple’s relationship. As a result of the depression, schizophrenia was developed. Her mind is

The oppression her husband, John, has on her causes her to suffer from a mental illness. His oppression towards her is he tries to keep her in the house. She states, “I wish he would let me go and make a visit to Cousin Henry and Julia. But he said I wasn’t able to go, nor

From the beginning of the story O’ Connor lets the reader know that Sheppard’s wife has passed The household has from then had no major feminine presence. This lack of feminine presence leads the family to have little to no communication support for one another, and sense for other family members. QUOTE . With this important part of the society unit not including these important elements, family members experience a greater sense of loss.

In her early life, Mary had moved from place in Britain, due to her father’s unsuccessful attempts to become a noble farmer. Doing so he squandered much of his inheritance and wealth. Her father was a drunk, and often times would attack Mary’s mother in a drunken fit of rage. Mary often had to protect

She tells John that she wants to visit Henry and Julia, her cousins, but he tells her that “she wasn’t able to” (Gilman 45). She is left feeling helpless: “what is one to do?” (Gilman 39). By suppressing her feelings, the narrator slowly “creeps” (Gilman 52) towards insanity.

In the play, Mary is a beautiful woman and lives the life like any other girls of her time; but she is emotionally attached to her sons and her family when she marries into the Tyrone family. She is also getting old, so she keeps going on her days worrying about her change of appearance. She suffers from a morphine addiction and she is psychologically wounded because of her past. She tries many times to break free but she could not stop as she spends time with her family. She has gone through many struggles but she cannot move on with her life. She keeps looking back into the past; and she regrets marrying into the family because of the dreams she had to sacrifice such as becoming a nun or a concert pianist.