Walt Disney's 1980s movies reflected that the neo conservative preoccupation with personal mortality in the idea of family values. Most of his movie plots consist of family dramas that are based off of the idea of achieving proper heterosexual couple bonding despite the odds that they may face throughout the entire movie. When looking into family values and genealogy, I found that The Lion King gave true representation of this idea. In this movie, there is a notion of the patriarchal family that follows of leadership. All of the mammals, the Lions, who had ruled pride rock, Mufasa, Scar and Simba, were all males. Although Scar was a little more controversial than the other male lead characters, they all represented male dominance. The female …show more content…
After Simba's birth, his parents begin the journey from the beginning stage of establishing a home, or the family cycle, to the parental cycle where they raise kids. The family tree, or the genealogical chart, behind this movie is quite large. The story is more than just the three main characters as listed above. Mufasa's parents were Ahadi and Uru, second generation, and Ahadi's father, founder of the Rock, Mohatu, first generation. Mufasa had a brother, Scar who was married to Zira. The two of them had two cubs, Vitani and Nuka, also fourth generation. It becomes a little tricky when we meet Sarafina, third generation, and her daughter Nala, four her generation. It is suspected throughout the entire movie that Nala is Scar's daughter. The movie introduced the 5th generation of the lions when Kiara is born, daughter to Nala and Simba. At this point, Sarabi is in the stage of retirement of the family lifecycle. Following, Simba and Nala begin their journey, just like Simba's parents, into the parental stage, and in the second movie they go through the stage of the family
One of the main similarities between The Lion King II and Romeo and Juliet is that both main characters are deeply in love with each other but are doomed to be together due to the feud between both families. In The Lion King II the main characters are Kovu and Kiara, they are Romeo and Juliet in this allusion. They both come from different feuding families, Kiara comes from the family of Pride landers, and Kovu comes from the family of Outlanders. In Romeo and Juliet, Juliet comes from the family of Capulets and Romeo comes from the family of Montagues. In both the movie and the play there are families’ members that represent each other. For example, the leader of the Outlanders is Zira. She is the mate of deceased Scar and the mother of Kovu. She is the Lady Montague of the movie, who has taken over the leadership role from Scar, who would have been Lord Montague. Nuka is Kovu's older brother, who is jealous of Kovu because he was the chosen one. He is Mercutio because his smart mouth, and impulse brought him to his death. Vitani is Kovu's sister. She is like Benvolio in the beginning, but when she grows up and becomes more like her evil mother.
To exemplify Erickson’s psychosocial theory which emphasizes the emergence of the self, the search for identity, the individual’s relationships with others, and the role of culture throughout life (page), I will begin with the opening of the movie which shows Simba at the infancy stage where he is developing a trusting behavior from his parents (Mufasa and Sarabi) and the Hornbill bird, Zazu, who is always reminding everyone to be cautious and careful. His parents accomplished this by providing him a safe and comfortable living environment and Sarabi made sure there was someone wiser (Zazu) to go with him when he wanted to start exploring. Mufasa taught him how to make a living and other new activities,
Within Lord of the Flies, we see firsthand the tendency toward violence and destruction that lies within humanity, and boys in particular. Without society, they fell apart. They committed atrocities that go against every rule, every social expectation, we see in humanity. Although Lord of the Flies shows important ideas about boys’ place in society, it also allows the reader to form unrealistic views on ideas such as death, violence, and conflict.
One of The Lion King’s primary focuses is leadership and power. Throughout the whole movie, it is a battle of who has power, who wants power, and who is the best leader for the circumstance. Mufasa, the king of Pride Rock at the beginning, and Sarabi, his wife, give birth to their son, Simba, who is next in line to become king. Scar, Mufasa’s younger brother, is extremely upset that he will never be king and have power. Mufasa is the quintessential “good” leader. According to the trait approach, which states that “good” leaders possess specific traits, intelligence, self-confidence, determination, integrity, and sociability are the most common traits amongst the best leaders. Mufasa, evident strong and brave, is also able to verbally
The Lion King is a true hero's journey that takes place in the savannas of Africa. The title "the Lion King" emphasizes that a lion is king, most likely referring to the main character, Simba. Simba is the main hero in the story because he regains his kingdom and defeats evil. The main character's archetype is "king"; he takes responsibility for his actions and his kingdom, he regains order and control. Simba takes part in a hero's journey by being a part of the departure, initiation, and the return.
In the movie The Lion King, there are many different types of archetypes shown in many ways. The archetypal pattern that is shown in the movie is end of childhood/loss of innocence. This pattern is about the tragedy of growing up. This is demonstrated in the movie by the loss that Simba experiences with his father. This would be recognized as an individual loss of innocence, because Simba had to learn how to cope with the death of his father. In the movie, Simba would be classified as the hero. A hero is usually the central character with courageous qualities, that must undertake a difficult task. That is exactly what Simba does, he demonstrates this by stopping the antagonist, Scar.
Almost everyone in the world is familiar with the infamous Disney movie The Lion King, but very few have gone into detail and analyzed the rhetoric within the film. Each scene is filled with a sense of pathos that tugs on the emotions of the audience and inevitably pushes them to one side over the other. It is interesting to see how the voices, color, and actions of each character have such an effect on their personalities which then has an effect on the audience and leaves them judging the morals of the characters. For people who grew up watching the original Disney movies, this is a great film to watch in depth and really figure out the meaning behind each scene.
Heroes are present in movies, tv shows or games. A “hero's journey” shows a character's journey on gaining the title of a “hero”. A movie or tv show may show a character or multiple characters go through very difficult times but it the end show how they overcame adversity and is now known as a hero. In the Lion King, Simba can be seen as a hero with the challenges he endures and what he overcomes by the end. Simba has many heroic qualities his wisdom, compassion for others, moral reasoning and responsibility makes him stand out above all other characters. Simba as a young lion, was very selfish and naive to many things happening at Pride Rock . His choice to run away at a young age showed he didn't want to face his problems or accept what he thought he did. Simba begins to gain heroic qualities as he is now living his own life in a faraway jungle, he is learning how to be independent, and how to live his own life instead of being in the shadow of his dad, the king of Pride Rock.
Within comptemporary society, there are many ways to define gender. Gender includes all the characteristics that differentiate masculinity and femininity. The existence of masculinity create problems for every men because they are constantly pressured to behave in a certain way in order to look masculine. In the story “The Maltese Falcon” by Dashiell Hammett, masculinity is negatively depicted as problematic toward men. In this story, the author displays the negativity of masculinity through the conduct, manliness and reputation of the main character.
The portrayal of Feminine aspects within Disney movies has been widely criticized, however the way masculinity is portrayed in films is also very controversial but infrequently discussed. My goal for this research paper is to look at two Disney films through a feminist lens and queer lens to decipher any stereotypical aspects of masculinity that are shown within the main characters. I am hopeful to find a film that breaks the norm of having a masculine main character that is hyper masculine like Gaston from Beauty and the Beast or Jaffar from Aladdin. I would also like to analyze the damsel in distress situations in films where the male role seems to always be the heroic figure even when they aren’t the main character in the story. Even though
Disney 's The Lion King is one of the most iconic children 's films of all time. However, behind the Hakunah Matata lies a movie laced with symbolism and mythical references. An online article from Thinkquest.org informs that the movie 's popular Elephant Graveyard represents the mythical Realm of Hades. The article continues to delve deeper into the symbolism, stating that the three hyenas, Shenzi, Banzai, and Ed, represent the three-headed beast, Cerebus, that guards Hades '
Lazarus states her thesis by saying: “The Lion King is breaking box office records. But it’s not breaking stereotypes (1)”. She discusses how at first she believes it will be different from the traditional Disney movies because it is based on a group of animals and not on sexist princess movies such as The Little Mermaid and Beauty and the Beast (1). Lazarus says she had grown “weary of reinforcing women’s subordinate status by screening fables about a beauty who tames an angry male beast or a mermaid who gives up her glorious voice and splits her body to be with a prince.(1)”
The Lion King has an underlying religious theme and it is positioned to speak on Christianity and contains a lot of theological references that can be acknowledged as important to understand the story. At one point, Simba believed that he killed his father and ran away from Pridelands to avoid humiliation. This notion can be compared to Moses ditching the desert after he had killed an Egyptian. After Mufasa’s death, the animal kingdom was quite lost and didn’t know
The Disney film “The Lion King” is a great example of how females are seen as subordinate to males. Giroux states, “All of the rulers of the kingdom are men, reinforcing the assumption that independence and leadership are tied to patriarchal entitlement and high social standing” (Greene 582). This is the case for most Disney films that the male characters have power over the female characters. The female characters are depicted as weak and dependent on the male characters. This can give young girls the wrong idea of what type of roles they should take on. If they keep seeing female characters being portrayed as weak and dependent on males they may think that they should be the same way. However, not all of the female characters in these movies are portrayed the same way.
On the other hand, in Disney's The Lion King, Simba's father is killed after he falls from a cliff into a herd of antelope. Simba falls into a deep depression after Scar twists things around and convinces Simba that he is the one responsible for Mufasa's death. Simba can not deal with what has happened and Simba exiles himself where he meets a warthog and meerkat, named Timon and Pumbaa, and develops a carefree lifestyle with them. Later on in the story, as an adult, Simba returns to the Pride Lands to reclaim the throne from Scar.