Middle Ages Music

There are many contrasts in the art and music of the Renaissance and the Middle Ages. The Middle Ages was a time of great suffering, including famine and widespread disease, such as the Black Death. The Renaissance was revival of art, learning, and literature. The people’s attitude and fervor for religion had tremendous effects on the art and music produced. The Middle Ages also referred to as “The Age of Faith” was God centered and gave power to the church who dictated how the art should appear, and music should sound. The Renaissance was more concerned with individuals and their talents, the church was not the centralized power, the art exhibited influences from ancient Greece and the Roman Empire.

Music is present in every culture’s past, present, and future. It has been around since 500 B.C. and was especially important in the Elizabethan Era. There were reinventions of music as it was widespread and popular. Without this essential time in history, modern music may have been completely different from what we have today. This era brought new uses for music, styles of compositions, new instruments, and the uprising of popular composers.

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Although art and music before the Enlightenment era provided an outlet for emotionally intense and dramatic performances which people looked to for entertainment, the Enlightenment period in Europe from the 16th to 18th centuries created a turning point for art and music by adding a level of complexity, a sense of balance, and by incorporating ideas from reality into the art piece which embellished the fine arts genre throughout Europe.

During the 18th century, music was used as a social enhancement on the rising middle class who showed interest in intellectual ideals of Enlightenment. The rising middle class were people who would come between the working class and the upper class. Such as craftsman, bankers, and merchants. These select few decided that since they can now afford some of life's  pleasures, that they would spend it on music that aristocrats and nobility would listen to. While on the other hand, during the 19th century, music began to develop a more story base theme with a moral lesson. Such as Ballets and Grand Operas. So basically, during the 18th-19th century, music has evolved from just sound or noise to a elegant and graceful story played through musical notation with different musical instruments while advancing the growth of the middle class.

From the beginning of times, music has played an important role in everyone’s life. At first, it started with drum-based and percussion instruments made out of what was available as rocks and sticks. Our ancestors proved that human beings have an innate need of music. Nowadays, no one teaches a baby to follow the beat of a song, he just naturally lets his body get involved with the rhythm. Since the prehistoric era to Christian times, several forms of music have developed leaving a trail to new genres of music. For Christianity, hymns and plainchants were the first forms of music considered as a worship to God. As time passed by, Christian music has evolved giving way to new and fresh sounds.

The Medieval period began in 500 A.D. and ended in 1450 A.D. During this time in particular, the Catholic Church had significant influence on how music was used and created. Sacred music, for example, was most prevalent because of this. Due to the religious nature of this period, music in the church had to adhere to very specific regulations, some of which included prayers such as plainchants or Gregorian chants. A single melody without harmony, or one musical part sung together in unison, is called a Monophonic melody, which was sung primarily by monks. Some time later, around 900 A.D., the using of two melodic lines was permitted by the church, this music was called organum. A low, continuous note called a drone, was sung at the same time as the main melody. The two melodies were often moving in contrasting motion to each other. By the Late-Medieval period, 1100 A.D., the music of the church had shifted from monophonic to more polyphonic, often two or more varying parts.

During the Middle Ages, secular music was widely used. There was little or no documentation of this kind of music since people were illiterate. Economic and social activities at this time did not need educated people. It involved farmers tending to their crops and livestock. However, even without documentation, musical existence in this period cannot be ignored for there were repertoires from this era. The secular music was passed on by word of mouth. One person would sing to another and ensure that he or she has understood.

​ Life in the Middle Ages revolved around the Church, which was the Roman Catholic. So, we can imagine early music was pretty much from church. Every morning at 9 o’clock was Mass, a significant ceremony done to commemorate the Last Supper. At this church service, the music was the Gregorian Chant. The Gregorian chant is performed in the Latin language, unison voice and accompanied by no instruments which was believed that the text of the song which carried the divine message from God was more important. The music was just to help you get to a spiritual place (Wright, 4-1a).

Prelude: Music has been around since the beginning of civilization. Some of the earliest forms of instruments were a flute-type device formed from the wing of a vulture to a recorder-type device formed from the femur of a bear. Other ancient civilizations, such as Egypt and Sumeria, left behind pictures of people singing and playing instruments. Some of these were believed to be pictures of religious rituals.

Music has changed drastically over the years, effected by culture, religion and many other factors. The Medieval era starts the general progression of music change that is generally recorded as records predating the Medieval era are infrequent at best and mostly consist of knowledge of instrument or psalms handed down through generations (such as with the Jewish religion). Thus the Medieval period is were records of actual songs are found. Records from this era and beyond begin to display the evolution of the art.

3. Medieval and Renaissance culture varied in many ways, aside from the differing music. In the Medieval age (the time between the 5th and 15th century), the church controlled many things, not only music. The church was in charge of education, the church also dominated politics. People very much feared God. Whereas in the Renaissance (15th and 17th century) the state ruled over the church. People in the Renaissance believed that God wasn’t some fearsome being, instead they believed more in logical and practical thinking.

The feelings that the Ancient Romans had towards music could be described as ambivalent. They admired it and at the same time, they condemned it. Music, nevertheless, played a role in Roman society that, as time passed, became less and less important to the Romans. As a result, much of the information about music in Ancient Rome has been lost in time. However what has been discovered about this topic is quite fascinating, in spite of what it is lacking. The subsequent paragraphs will explain some of the aspects of Roman life regarding music. This includes the history of music in Ancient Rome, the instruments that the Romans played, the uses of music in their society and the impact that music in Rome has had on the music of today.

Beginning at around 476 AD, the medieval era is mostly related to the church as most music from this era is sacred. The style of this era, the Gregorian chant is monophonic only comprising of the plainchant (or the single- line melodies of early church music) in texture only comprising of the plainchant (or the single- line melodies of early church music). It is not until the arrival of the French composers Léonin and Pèrotin in 1100 and 1200 respectively that polyphony would be incorporated into musical worship with the “decoration” of Gregorian chant with one or more simultaneous musical lines, thus transitioning from Gregorian chant to Organum. During this era, most of the music and roles for musicians belonged to the church except for the troubadours of southern France and the trouvères of northern France. The music was responsorial between the mass and the father during church and was