“An admirable text does not define or exhaust its possibilities”. What possibilities do you see in Shakespeare’s Hamlet? Discuss your ideas with close reference to at least two scenes from Hamlet.
Shakespeare’s texts have been re-visited, re-interpreted and re-invented to suit the context and preferences of an evolving audience, and it through this constant recreation it is evident that Hamlet “does not define or exhaust its possibilities”. Through the creation of a character who emulates a variety of different themes, such as revenge, realisation of reality and the questioning of humanity, we can see the different possibilities within Hamlet as an “admirable text” with enduring human value. Furthermore, the emotional journey of Hamlet
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A more definitive reading of Hamlet disputes the claim that he was mad, and instead suggests that Hamlet feigns madness in order to become closer to the truth. This reading is an example of Shakespeare demonstrating the changing context in Denmark through the projection of the protagonist as an extended metaphor for the emerging Renaissance Humanism period. This period was defined by choice and analysis of events, and is emulated through Hamlet’s alliterated statement in his soliloquy in Scene 3, Act 1, ‘conscience makes cowards of us all.’ Hamlet believes he is in a psychological state of cowardice, and that his conscience is holding him back through his assessment of the consequences of acting on the orders of the ghost. L.C. Knight believes Hamlet is the “exploration and implicit criticism of a particular state of mind or consciousness”. This questioning on the theme of humanity and the final stage in Hamlet’s complex thought process is finally resolved in the soliloquy in Scene 4, Act 3. Hamlet’s characterisation, once that of a pure man whose mind was riddled with angst at the idea of murder shifts to a mind of “bloody” thoughts as a result of his bound duty. This personified imagery is a reflection of Hamlet’s now tainted mind since the murder of Polonius, and the constant obsession with Claudius’ murder. Hamlet accuses himself of ‘thinking too precisely’, and
William Shakespeare’s Hamlet, is a timeless play which continues to remain relevant across all generations due to its presentation of ideas that are fundamental to humanity. The play highlights aspects that relate to the society of not only Elizabethan England but also that of our modern society. Hamlet, as a character, considers ideas from outside his time and is somewhat relatable to modern day man. By drawing from ideas of archetypes and the human psyche, it reveals that Hamlet relates deeply to the elements of humanity.
The purpose of this report is to compare and contrast two movies made about Hamlet. I will present and discuss different aspects of the version directed by Kenneth Branagh to that of Franco Zefirelli. During this paper you will be presented with my opinions in reference to determining which version of Hamlet best reflects the original text by Shakespeare. I will end this paper with my belief and explanation of which movie is true to the original play.
When looking at Hamlet, one could say that William Shakespeare put the play together as a very cathartic tragedy. The emotional result of dealing with so many deaths brings on a plethora of emotions which are not usually felt in a typical play. Hamlet begins not with the normal prosperity and good fortune as do most tragedies, but with a more stifling and depressing sort of mood (Tekany 115). However, something else could be said about this play as well. The play centers on Hamlet and his existential characteristics, such as angst, isolation and his confrontations with nothingness. The exhibition of these characteristics proves Hamlet to be an existential character.
Throughout the play, Hamlet’s character is characterized both by periods of extreme caution and moments of impulsivity. One of the best examples of Hamlet’s heed can be found in Act 2, Scene 2 where he decides to have his theatre troupe perform his play, The Mousetrap. With this, Hamlet hopes that he will be able to “catch the conscience of the King,” by monitoring Claudius during the performance, that heavily mimics his murder of his brother, for signs of stress and guilt. While Hamlet was fully capable of bypassing this step by simply adhering to what he believes is the ghost of his father, Hamlet’s decision to unearth some sort of evidence that supports his father’s accusations is just one example of his cautious ways and need for certainty before action. However, such displays of caution find themselves juxtaposed with Hamlet’s bouts of impulsivity. One of the most telling illustrations of Hamlet’s rashness can be found in Act One, Scene Five, where he first conversing with the ghost of his father. Here, when the Ghost asks Hamlet to “revenge his foul and most unnatural murder,” Hamlet immediately agrees. In fact, within the next few lines Hamlet pledges he will “sweep to my revenge” with “wings as swift as meditation or the thoughts of love”. The fact that Hamlet coins this commitment to avenge his father’s murder without making much of any consideration of the possible repercussions of such an undertaking is one of the best representations of Hamlet’s impulsivity. This rash action, marked by a lack of extended over-analysis and internal debate, contrasts with the excessive caution Hamlet exhibits at many other points throughout the play. Ultimately, the interplay between Hamlet’s caution and impulsivity is one of the most notable juxtapositions of the play and serves to strongly steer the development, not only of
In William Shakespeare’s play, Hamlet, the playwright introduces the compelling, complex, and complicated character of the Prince of Denmark, Hamlet. In the events of the play, Hamlet swears revenge against his uncle for the foul murder of his father, the king. However, despite his intense catalyst, Hamlet reveals to be continuously torn between his motive of revenge and conflicted conscience, generating an inability to carry out his desired actions. While Hamlet possesses the passion and intellect to murder his uncle, Claudius, his actual inclination to act upon the murder directly opposes that of his powerfully emotional contemplations (S.T. Coleridge). Hamlet’s overzealous thoughts become unrealistic compared to his actual endeavors throughout the play.
The Tragedy of Hamlet, Prince of Denmark has been performed thousands of times since it was “written in 1599–1601 and published in a quarto edition in 1603” (Britannica.com). It’s popularity stems from its themes that translate across time. These themes, are seen to be relatable even to this day with the ever growing audience. Readers and viewers are able to find similarities between the current state and or even relate to one of the characters or events taking place over the course of Shakespeare’s five act masterpiece. Shakespeare's, The Tragedy of Hamlet, Prince of Denmark remains a viable text for contemporary readers in that it functions as a mirror.
Hamlet’s sanity has made many people question him. “Hamlet certainly displays a high degree of mania and instability throughout much of the play, but his “madness” is perhaps too purposeful and pointed
Hamlet is as much a story of emotional conflict, paranoia, and self-doubt as it is one of revenge and tragedy. The protagonist, Prince Hamlet of Denmark, is instructed by his slain father’s ghost to enact vengeance upon his uncle Claudius, whose treacherous murder of Hamlet’s father gave way to his rise to power. Overcome by anguish and obligation to avenge his father’s death, Hamlet ultimately commits a number of killings throughout the story. However, we are not to view the character Hamlet as a sick individual, but rather one who has been victimized by his own circumstances.
In order to clarify Hamlet’s personality and behaviour, I will provide some aspects of the historical context in which Shakespeare was inspired to write this play, and a brief summary of it to take into account the plot. Finally, I will make a conclusion in which I will try to summarise
Hamlet is one of literature's most loved, as well as most complex, characters. Incredibly fluid and dynamic, Hamlet changes frequently and is found in many varying states throughout Shakespeare's play. For this reason, critics have long debated over Hamlet's true character, motivations and meaning. ` Shakespeare choses to introduce Hamlet to the reader after his father's death has occurred. Thus we never experience a pre-tragedy Hamlet, and only see him veiled in an “inky cloak” of depressed mourning.
Is the Shakespearean tragic drama Hamlet basically an imaginative work or basically a realistic work? This essay seeks to answer this question and related questions, with the help of literary critics.
Shakespeare’s employment of dramatic struggle and disillusionment through his character Hamlet, contributes to the continued engagement of modern audiences. The employment of the soliloquy demonstrates Shakespeare’s approach to the dramatic treatment of these emotions. The soliloquy brings a compensating intimacy, and becomes the means by which Shakespeare brings the audience not only to a knowledge of secret thoughts of characters, but into the closest emotional touch with them too. Through this, the audiences therefore gain a closer relationship with Hamlet, and are absorbed by him because they are able to resonate with his circumstances, as he is faced with enduring truths of the human condition. Through these, the struggle and
In William Shakespeare 's Hamlet, there are many conflicts present that can be applied to modern time. Hamlet, as the protagonist, displays many difficult aspects that haunt mankind to this day. Hamlet is a dynamic character. He believes that he is the smartest person in the room, which most of the time he is. He comes up with conniving schemes to get his revenge. Although Hamlet believes in his brilliant plan to feign madness, it causes so much suspicion from others that it ultimately causes the untimely death of himself and others.
Texts become valued over time when they explore challenging and enduring ideas relevant to humanity. Hamlet (1603), a tragedy written by William Shakespeare, examines many important themes throughout the story of Hamlet, Prince of Denmark, who seeks revenge for his father’s murder at the hands of his uncle, Claudius. The theme of action and inaction within the play highlights the need for balance within the human mind. The innate human pursuit of knowledge is personified by the theme of death. Finally, the use of archetypal characters causes the reader to empathise with them, allowing a greater emotional connection to the story.
In a New Historic analyzation, it is important to note Hamlet’s madness that leads him to paranoia, revenge, and murder. In Shakespeare’s Elizabethan era, madness was defined as “internalization of disobedience”. Using this definition, it can be interpreted that Shakespeare derives Hamlet’s lunacy from the plea for vengeance made by his father’s spirit. Hamlet feels blameworthy and that