Monsters in Literature Essay

Another part of the text which is evidence to Grendel not being the monster he is made out to be, is the relationship dynamic between Grendel and his mother, and also his mother’s actions after his death. The actions of Grendel’s mother are not those of a monster, but those of any normal woman who has children. After her son was killed (murdered and then part of his body was taken as a trophy), she just wanted to seek revenge. “But now his mother/ had sailed forth on a savage journey,/grief-racked and ravenous, desperate for revenge.” (1276-1278). Grendel’s mother displayed the emotions of complete sadness and despair over her son; it seems more of a human response rather than that belonging to a monster. Considering that the bond of a mother and son is supposed to be the strongest bond of all, her actions after his death are in a way justified. It is easy to see that the character of Grendel is much more than just a monster through his mother’s subsequent actions of taking down Grendel’s arm from hanging in Heorot, and feuding (in her own way she was trying to feud, to obey the code as it was in this time. When she went to Heorot to seek her revenge, she did not

When analyzed online many of the definitions you will find for the word monster include: a strange or horrible imaginary creature, one who deviates from normal or acceptable behavior, or an animal of strange and/or terrifying shape. (Merriam Webster) When observing the “Monster Theory” by Jeffrey Cohen and the 7 theses that he provides in this text, one can begin to somewhat disagree with these formal definitions and attempt to say that it has an even greater meaning. Monsters might scare us and frighten us because of their physical appearances but also can provide us with possible solutions to gaps and uncertainties in our mind that Sigmund Freud would label as “The Uncanny”. I can only but agree with

Grendel discovers and begins to gain the understanding/knowledge of different concepts such as power, etc. In addition, he observes how humans interact with one another throughout the twelve years of war; Yet, his attempt to communicate with humans gives him the title horrific monster. This leads to his loneliness and isolation from everyone. Furthermore, Grendel is left without any companion. Grendel can be best described as a monster who has human qualities but can be both rational and irrational. In Chapter 1, Grendel has an outburst because of the ram that appears.. “I stamp. I hammer the ground with my fists. I hurl and skull-size stone at him. He will not budge. I shake my two hairy fists at the sky and let out a howl so unspeakable that the water at my feet turns sudden ice and even I myself am I left uneasy.” This demonstrates how Grendel is hostile and belligerent. His emotions get the best of him and blinds his consciousness and awareness of how harmful he can be towards

Grendel exhibits human feelings and characteristics in many ways. Although Grendel is a monster “forced into isolation by his bestial appearance and limited imagination” (Butts) he yearns to be a part of society; he craves

“Fear and euphoria are dominant forces, and fear is many multiples the size of euphoria” - Alan Greenspan. New York author, Alan Greenspan, here is explaining that the threat fear presents is really no different than the state of intensity caused by euphoria. In Andrew J. Hoffman’s anthology, Monsters, there is substantial evidence that both fear and euphoria are inflicted upon men, by female monsters. The two threats men typically face against women are temptation and emasculation. Thus, in mythology and folklore, female monsters exemplify the impulse of desire (sexually) for men, and male weakness. These are creature that are lusted after and yet, still feared because of their power. Men find female monsters both fearsome and euphoric and will always threaten their dominance and control.

Grendel’s mother is a swamp-hag who lives in a desolate lake. She comes to Heorot seeking revenge for her son’s death. She murders Aeschere, who is one of the king’s best friends and most-trusted advisers. After murdering him, she sinks back down into the lake to return to her house. Beowulf decides to pursue her into the lake to fight her in the underwater house. Beowulf kills her with a sword that was made for a giant. After killing her, he discovers Grendel's body in her underwater house. He cuts off Grendel's head and brings it back to the king as another prize to hang in the mead-hall as a

Beowulf is humbled after fighting Grendel. Before fighting Grendel Beowulf was over confident and cocky. He believed that he was the greatest and did not realize the extent of the challenge of fighting Grendel. Although Beowulf won the battle he did not kill him in the mead hall as he had intended. Before Beowulf fought Grendel he thought that he could “alone… purge all evil from [the] hall… /[and is so great that he needed] no weapons and [feared] none.” (431-434). During the fight no matter how “hard… [Beowulf] held him he still pulled free” (928). “Grendel escaped,/ But wounded as he was he could flee to his den” (819-820). Beowulf did not have the skill set to kill Grendel as he first predicted, he seriously injured him but did not kill him in the mead hall. Beowulf learned that not everything is as easy as it may seem. The result of the fight humbled Beowulf. Fighting Grendel gave Beowulf perspective and taught him not to act egotistical, and to never underestimate your opponent. The lesson Beowulf learns is reflected in his actions throughout the rest of the story. When praised for his accomplishments, Beowulf did not boast or act superior, he accepted his loses and celebrated his wins among the rest of the Danes.

Grendel is characterized as a lonely creature who is trying to figure out the meaning of life around him. Grendel is an unhappy soul because he feels useless in society and doesn’t want to accept his given role. Throughout the novel Grendel feels as if he has no friends and nobody else accepts him but his mother. Humans have always been a problem in Grendel’s life and they affect how he lives life each day. Grendel is not an evil creature, he is just unhappy because of the way he is treated. We should sympathize for Grendel because he is suffering on Earth and he does not know what to do about it. The author shows that Grendel is in a place where he needs love and does not get punished because he uses his emotion to escape from his punishment.

A. Grendel is impatient with the music and celebration of Hrothgar’s men; his home is a hell on earth; he was born in slime; his parents are the children of Cain, who were exiled by God; he is family to “a thousand forms of evil,” who angrily fight against God.

Despite the hero-villain representation usually seen in the fantasies of modern day culture, real heroes and monsters remain today. When defining the terms ‘hero’ and monster’ people often imagine made-up characters. Because of this, the view of a hero or monster in a real-world sense might seem absurd, however, looking at people who have risked their lives, or devastated the world proves their existence. Similarities between the heroes and monsters of today and those found in poetry centuries ago exemplifies how they still exist. In the epic poem Beowulf, characters Beowulf and Grendel represent the ideals of a hero and monster. Their qualities of courage and envy parallel with that of some of the most significant people today. De Vigny

Monster by Sanyika Shakur yields a firsthand insight on gang warfare, prison, and redemption. “There are no gang experts except participants (xiii)” says Kody Scott aka. Monster. Monster vicariously explains the roots of the epidemic of South Central Los Angeles between the Crips and the Bloods that the world eventually witnessed on April 29, 1992. As readers we learn to not necessarily give gangs grace but do achieve a better understanding of their disposition to their distinct perception in life.

In the morning, warriors look for the body of Grendel by following his bloody trail. They cannot find his body and turn back. Hrothgar’s men finally think that they no longer will be plagued with the presence of the monster and that now they can sleep in peace.

First, Grendel is an angry demon who has been attacking Hrothgar’s Kingdom and hurting the villagers for twelve years. Some people refer Grendel as, “Grim demon”. Beowulf is informed about Grendel destroying the kingdom and hurting innocent people. One night Grendel had struck Beowulf’s men with his brutal strength. After Grendel slaughtered all the men, Beowulf walked up to Grendel tried to grab, but Beowulf grabbed Grendel’s arm and held onto him with a firm grip. Grendel was trying his best to escape Beowulf because of his brute strength. For example, “you could hear Grendel’s claws cracking.” Beowulf through Grendel’s urge to rip Grendel’s whole arm and part of his chest off. Beowulf watched as Grendel died slowly from the amount of blood loss.

Monsters, their mothers, and dragons! The epic poem Beowulf, author unknown, includes all these mystical creatures and an impervious protagonist after which the poem is named. As the main character in the poem, Beowulf exemplifies the heroic archetype physically, spiritually, and ethically.

Grendel, is thus seen as the descendant of an individual who epitomizes resentment and malice in Beowulf. The author states Grendel lives in exile and is seen as “mankind’s enemy”(Raffel, 22). Grendel is the representation of all that is evil and he is declared to be the “shepherd of evil and the “guardian of crime”(Raffel, 33) by the Danes in Beowulf. The author describes Grendel to be an evil, cruel, apathetic creature who’s pleasure lies in attacking and devouring Hrothgar’s men. The author describes Grendel’s malice by painting a gruesome picture of Grendel’s countless attacks on the mead hall in which he exhibits Grendel as a heartless, greedy, and violent being who mercilessly murders the men at the mead hall by tearing them apart, cutting their body into bits and drinking the blood from their veins. The author describes Grendel’s greed by stating Grendel’s thoughts were as “quick as his greed or his claws”(Raffel, 21). He describes Grendel’s as having eyes that “gleamed in the darkness and burned with a gruesome light”, swift hard claws and great sharp teeth which paints a picture of Grendel’s frightening appearance in the reader’s mind. In contrast to the traditional story of Beowulf, Grendel in John Gardner’s novel, Grendel is not depicted as a monster but as an intelligent creature capable of human thought, feelings and speech. John Gardner portrays Grendel as an outcast