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My Creative Writing : Vasilisa The Beautiful

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Vasilisa the Beautiful is the title story of a collection of Russian fairy tales I received from my first grade teacher in Aberdeen, Scotland. These stories are vivid and violent, swarming with witches, girls of enviable complexion, fiery horses, and heroic bumpkins, and most of them lurk even in now in the recesses of my memory, informing my expectations of the world. Since then, my academic interests have never strayed far from my creative development as a writer. My goals have been to read as much as I can, to see as much as I can of the world, both literally and intellectually, and to write as well as I can.

Kurt Vonnegut once said something to the effect that it’s easier to write after one has tried a few other things first. With that in mind, after college, I worked for six years as the in-house writer at an unconventional art space. I got the position by leaving a folder of my stories and poems on the desk of the director, who, by dumb luck, was also an avid reader with unsatisfied literary aspirations.

At this job, I wrote about art and artists, often traveling widely to do so. There were a few times this work chucked me into scenes straight out of Paul Bowles’ stories. I’ve been arrested at gunpoint for riding on an Arabs-only bus. I’ve nearly had my brain wiped clean by several weeks of fever during a long stay in Mexico City. But I was lucky. I met people like James Harithas, Emily Jacir, Margarita Cabrera, and Mel Chin; working with them and writing about

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