Nala In The Lion King

The Lion King is a good movie to do the movie application project on. Many people have seen this movie in their childhood. I never paid attention before to how much this movie actually shows us. The studies that we went over in this chapter go well with this movie.Obedience is a big role in this movie due to how the animal kingdom works. In this movie, the hyenas obey scar by listening to him. Scar told the hyenas to help him overthrow Mufusa and kill him so that he can become king.This example of Obedience which is associated with the Milgram's study which was done to show obedience to authority figures.Conformity is also present in this movie because of how the animals are. For example, in this movie

After the process of making their way back home, both princes end up with fighting with their uncles. In “The Lion King”, Simba fights with Scar and Scar gets killed by the hyenas. Prince Hamlet in Hamlet kills king Claudius with a poisonous knife. Both “The Lion King” and “Hamlet” allows the main character to overcome a moral struggle. In “The Lion King”, Simba must act and be the king of his palace for sake of the animals of the kingdom and his father instead of running from what happened in the past. In “Hamlet”, prince Hamlet must decide to kill his uncle and take the risk of getting himself killed, or to keep the secret of King Claudius killing King Hamlet and live with it for the rest of his life.

When contrasting the characters in William Shakespeare's play, Hamlet to the characters in Walt Disney’s film, The Lion King, there are many differences in characterization. Hamlet is a play set in Denmark that tells the story of the tragic murder of King Hamlet and the emotional effects it has on his son, Prince Hamlet. The Prince’s mental instability causes him to go wildly insane over his love for Ophelia, who he will never have. He seeks vengeance on his uncle who is guilty of his father's murder. The Lion King is a film about Simba, a young lion prince who grieves over the untimely death of his father, the King of the Pride Lands. Simba discovers his Uncle Scar was the cause of his father's death. He must now return to Pride Rock in order to save his home and all who live there from the chaos under the ruling of Scar while he finds his place in society. When analyzing the characters Ophelia and Nala, they are dissimilar in their traits of obedience, dependence, and inner strength.

"The King has returned." These are the powerful words Rafiki uses when telling Nala, Timon, and Pumba that Simba has gone back to the pride lands to overthrow Scar. Before making his entrance to Pride Rock, Simba's "palace," he gains three helpers to assist him in gaining his kingdom back; Nala, Timon, and Pumba all offer their services to him. There are a few scenes in the story that can be easily compared to the Odyssey. First, Simba wants everyone to continue to think he's dead, as Odysseus did prior to his own entrance. Second, Simba uses Timon and Pumba as a form of "Trojan Horse" to distract the hyenas while he and Nala sneak in. Third, Simba tells Nala to "rally the lionesses" as a form of weapon against the hyenas which are like suitors in his palace.

Simba talks about Hakuna Matata and says “sometimes bad things happen and there’s nothing you can do about it, so why worry?” however Nala is not fooled and is continuously becoming more and more aggravated with Simba so she yells “because it’s your responsibility!” Both Simba and the audience know that his old friend is right but his fear of facing his past leaves him unmoved by Nala’s speech.

“Everything you see exists together in a delicate balance. As king, you need to understand that balance, and respect all the creatures from the crawling ant to the leaping antelope,” said Mufasa, a supporting character in the film depiction of Walt Disney’s: The Lion King (1994). The Lion King is a timeless archetypal work that time after time has given youth hope and has shown them that courage is not always innate, but can be learned from just living life with a little “hakuna matata”. The Lion King, through the use of classic archetype, vivid surrealism, and iconic symbolism, shows a coming to age story that shows children that life is an adventure worth the trouble.

the king of a Pride Land, who is murdered by his brother and then the

Although The Lion King and Macbeth seems like two different stories. One is set in the medieval era while the other is set in postmodernity, but both displays the similarities of the character’s strategic battle for power. Scar, known as the villain in the movie, The Lion King, committed selfish acts to fulfill his distorted desires. As Simba was at the edge of the cliff, about to be murdered by Scar, Scar snarled at him, “That [is] the way your father looked before I killed him” (The Lion King). Simba leaped up from the side of the cliff, and pushed Scar to the ground demanding him to confess to his crime of killing the king, his father, Mufasa. This quote proves that Scar’s ambition leads him to do ruthless acts, wanting to kill Simba, who was next in line of the throne. These malevolent plots are what fuels the battle of evil against the good. Scar stated to his three murders, the Hyenas, “We [are] going to kill him. And Simba, too” (The Lion King). In the movie, The Lion King, shows that Scar is resentful of the king, Mufasa, and the power he retains. In this quote, he plans a plot on who he wants to kill with the three hyenas to help him finish the deed, which shows his strong ambitions. Another

Lazarus states her thesis by saying: “The Lion King is breaking box office records. But it’s not breaking stereotypes (1)”. She discusses how at first she believes it will be different from the traditional Disney movies because it is based on a group of animals and not on sexist princess movies such as The Little Mermaid and Beauty and the Beast (1). Lazarus says she had grown “weary of reinforcing women’s subordinate status by screening fables about a beauty who tames an angry male beast or a mermaid who gives up her glorious voice and splits her body to be with a prince.(1)”

Nala explains the wretched condition of the Pride Lands since Scar became King and urges Simba to return. Simba comes in contact with the wise baboon. He hesitates out of fear, and out of his rebellion he has a vision of his father that prompts him to return home. When he returns he challenges Scar and wins. He becomes King of the Pride Lands as his father had taught him he would. Nala gives birth to a cub of their own completing the circle of life.

The Lion King has an underlying religious theme and it is positioned to speak on Christianity and contains a lot of theological references that can be acknowledged as important to understand the story. At one point, Simba believed that he killed his father and ran away from Pridelands to avoid humiliation. This notion can be compared to Moses ditching the desert after he had killed an Egyptian. After Mufasa’s death, the animal kingdom was quite lost and didn’t know

In 1994, the critics hail an animated masterpiece, not only for its artwork and music, but also for the plotline: an evil uncle displaces the heir to the throne and sends him into exile. Years later, following both a prophecy and an encounter with the ghost of the old king, the heir is persuaded to return to his home, avenge his father's death, and take his proper place as the ruler of the kingdom. At first glance, Disney's The Lion King has all the classic motifs of the revenge plot. These archetypal patterns occur in many stories, and Disney writers Jim Capoblanco and Irene Mecchi may well have built the plot's structure from the ground up. However, if we disregard the Serengeti setting, the

The Disney film “The Lion King” is a great example of how females are seen as subordinate to males. Giroux states, “All of the rulers of the kingdom are men, reinforcing the assumption that independence and leadership are tied to patriarchal entitlement and high social standing” (Greene 582). This is the case for most Disney films that the male characters have power over the female characters. The female characters are depicted as weak and dependent on the male characters. This can give young girls the wrong idea of what type of roles they should take on. If they keep seeing female characters being portrayed as weak and dependent on males they may think that they should be the same way. However, not all of the female characters in these movies are portrayed the same way.

The movie The Lion King II: Simba’s Pride follows the life of Simba and Nala’s daughter Kiara. She falls in love with Kovu, a male lion from an exiled pride known as the Outsiders who was once lead by Simba’s evil uncle named Scar. Separated by Simba’s prejudice against the Outsiders, who are followers of Scar with a vindictive plot planned by Kovu’s mother Zira, Kiara and Kova struggle to overcome the two obstacles that are keeping them apart. Desperate to be together, Kiara and Kovu become the key to join both prides at peace. This paper will be focused on Kiara’s life within the movie and also examine Kiara’s process of development through Freud’s psychosexual and Erikson’s psychosocial stages, and as well as Piaget theories.

Next, the author makes her interpretation of the main villain in the movie. It is a lion named Scar, and he “speaks in an effeminate, limp pawed style given voice by actor Jeremy Irons” (118). She calls him a “seemingly gay caricature” (Lazarus 118). If Lazarus is the accomplished filmmaker, she seems to be; she should have studied movies and would know how a typical British Monarch would act. Jeremy Irons portrays Scar as an uppity, well to do lion that is in charge and does not want to get his “paws” dirty. He spends his