Nanook of the North is an interesting film that documents the lifestyle of an Inuit family in Quebec, Canada. Robert J. Flaherty, the writer, producer and director of the film makes sure to film every aspect of the family’s daily struggles and duties. With nearly everything but cold weather in limited supply, it becomes very obvious that every aspect in their lives serves a specific role aimed towards survival; they have no space extraneous luxuries.
The community as a whole seems to be very amicable, with everybody willingly helping each other out. The fur trader treats Nanook’s children to some biscuits and lard, and then even gives one of them some castor oil after they overdo it on their snacks. Nanook is even shown helping out
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He goes out into the rugged land and hunts down seals, walruses, foxes, and even polar bears with nothing more than his bare hands and a harpoon, “the film enacts masculinist fantasies in mainstream American culture.” (Huhndork 137) Like a father would in the United States, Nanook even decides the where the family will rest for the night. Purveying the snow, he chooses where the snow is best for building and cuts out the materials for the family. He then lays the heavy snow bricks one on top of the other, even furnishing the igloo with an ice window. Meanwhile, the women complete the less rigorous task of filling the holes, and furnishing the inside while the children play around and sled down the hill. The inside of the igloo seems to be the one setting where the women get the most screen time; this is their “domestic sphere” (ibid). Just like a man coming home from work, Nanook is simply shown as undressing and lying down to rest. But the women are now taking the active role as caretaker. They are shown boiling the water, washing off the children, and carrying them and the puppies in their hoods. Also in the film Nyla responds to such things in the West such as women’s suffrage, women in the workplace, and the nuclear family. All the roles in which we see Nyla
The documentary begins with a recounting of issues faced by indigenous people in Northern British Columbia stating that the economic growth is strong, however the division of wealth sharing is still not in place, forcing smaller communities to live below the poverty line, with an unemployment rate as high as 92% in some first nation reserves. The issue of the murdered and missing women and girls is a sad result of systemic and socioeconomic issues that have
The Inuit tribe has used many natural resources in assisting them to provide food. As they hunt, many of their game don’t just provide food, yet more than that. The Inuit hunters have used sealskin and blubber, from seals they have caught, were used to make clothing, materials for boats, tents, harpoon lines, and fuel for heat and light. Their boats, harpoons lines, clothing, help them gather even more food.
Overall, James Bartleman successfully addresses the issues of marginalization and assimilation of First Nations people in Canada. Through Bartleman’s stylistic choices, As Long as the Rivers Flow narrates the fictional story of a Native raised in
The Native Canadian culture revolves around the art of storytelling, and this natural gift is heredity. In Story of Starvation, by Marion Tuu’luq, she tells a tale of her childhood where she and her people go on a journey to find food. They are driven to the brink of starvation due to their lack of technology, and their practice of hunting for their own meals. Tuu’luq’s intense story shows the significance of the Native Canadian way of life, and the tough childhoods that many of them had to endure. Tuu’luq says in her story, “I am going to recount a story that I am sure I have told over and over again in the past” (Pg. 86). This repetition of the story shows the cultural impact of storytelling in the Aborigine community. This story truly does control Tuu’luq’s life, because she retells it in order to remember all that she had to face within her childhood in order to survive. The story is both a source of entertainment, and a source of historical prevalence in Tuu’luq’s life. Although, it was a horrid experience, she learns to cope with it and tell it in a way where the listener takes away the importance of remembering Native Canadian
However, The Netsilik Eskimo was a unique read in the sense that Balicki did much more than just describe their evolution. He achieved his purpose by focusing primarily on the ways of the Netsilik before the introduction of the firearms, imported clothing, or steel tools. Although it could seem outdated to some readers, it was informative in the area of the lifestyle of the Netsilik that the author was focusing on. If a reader wants to learn more about the recent lifestyle of the Netsilik within the last 50 years, this book does not touch on those subjects. Nevertheless, it was fascinating specifically to me because I was looking to learn about how a group of people could survive in such rigid winter conditions for such a long period. They had very little interaction with white people compared to other tribal groups, so the subject is less touched upon in our education system today. Today, when the early education system in our nation focuses on Native North American tribes, the Netsilik is not included because they were not affected by the famous bills and laws passed by the United States
Nationhood and identity are both very slippery and ambiguous terms. As such, the possibilities to which these two concepts can be explored are quite extensive. Within Canadian cinema, there is a tendency towards realism as opposed to escapism, as seen in American/Hollywood cinema. This realist tradition can often be used to critique and explore the flaws of concepts such as nationhood and ‘the national’, while Hollywood cinema is much less critical and has a tendency to depict utopic and universalized places. This tendency towards realism and identifying the flaws of nationhood and identity while simultaneously emphasizing the importance of specific places is explored in the two Canadian short films, Withering Heights (2014) directed by Liz Van Allen Cairns and Luk 'Luk 'i: Mother (2014) directed by Wayne Wapeemukwa. Both films explore the struggles of nationhood and identity through the experiences of forgotten female protagonists whose problems are rooted in financial difficulties and whose narratives are intricately intertwined with the sense of place represented in each film. In Withering Heights, a woman in her 50s, Margot (Gabrielle Rose, best known for her role as Dolores in the 1997 Canadian film The Sweet Hereafter), suffers from a failing marriage leaving her sleepless and shrinking as she loses touch with her memory and sense of personal identity. Meanwhile, Luk 'Luk 'i: Mother documents the struggles of a mother and aboriginal woman, Stoney (Angel Gates), as
The North may sound beautiful from afar but once you hear about this unique adventure into the North you may think twice about how beautiful it really is. Luis Alberto Urrea, the author of Into the Beautiful North shares a unique story about a group of girls who travel into America on a very important journey. This story begins in small town in Mexico known as Tres Camarones, where there are very little men to be found. There is a young girl named Nayeli who works with a man named Tacho that owns a restaurant within this town. She has two best friends named Yolo and Vampi who also live in Tres Camarones. One night Nayeli is inspired to go on a quest into the north to bring her father and other men back to their town. Nayeli gathers her two best friends and Tacho together and convinces them to go with her on this quest. On this adventure into the north they come across many difficult situations; they are caught crossing the border, attacked multiple times by strangers and separated throughout the story. Eventually Nayeli crosses the States and discovers her father despite the troubles she faces. Although the girls and Tacho run into many problems, they were able to gather men on their way through America. Urrea shares this story and creates a relationship with his audience through imagery and diversity. The author constructs this novel on Mexican magic realism, this novel should be read by a high school aged audience and older because of the real life subject told in a way
You just learned about how dissimilar, and the same two tribes can be to each other, and how they are comparable, how the Dene’s style varies, and how the Inuit are distinct. The Dene and the Inuit are similar on caribou, clothing, and location. The Dene is different because of the houses they live in. The Inuit is different because more of their territory is close to water. Think about this; how unlike do you live, than a person your age living in another place, like London, Paris, Moscow, or the
The people of Inuit, Yup’ik, Unangan, and other Native Americans Indians have lived in the harshest environment on Earth from Siberia, across Alaska and Canada, and to the East of Greenland along the coast of the Bering Sea and Arctic Ocean. From Labrador to the interior of Alaska the Athapaskan, Cree, Innu, and other Native’s people lived in the subarctic region of the land. These people had the ability to depend on their years of knowledge of the sky, ice, ocean, land, and animal behaviors in order to survive. Living in the area that was vast and dealing with seasonal dynamic extremes these Native people of the Artic and Subarctic had a honorable endurance for an millennia of exchanged goods, ceremonies, and shared feasts with neighboring goods that has help them throughout the years.
The Canadian Inuit were a domestic, tribal, egalitarian society in the 19th century. And some cultural changes occurred; making the Inuit adapt and become more aware of other resources they could get hold of, for gathering and hunting for food. In the 19th Century, the Europeans discovered the Inuit culture and this provided new resources for the Inuit to gain an easier way to gather and hunt for food. But because of the European influence, the Inuit’s culture changed to adapt with European Individuals living in their land, and European resources that had been made access to them. By this cultural change in the 19th century there was “an increased diversity in the social structure and material culture of the Labrador Inuit society” (Auger, 1993:27). The Labrador Inuit was a significant Inuit Society to have an ethnographical research made to understand a little bit more to; how the Inuit was affected and how the food process was changed. It will also be discussed the significant ideas and techniques that the Inuit used to gather and hunt for resources.
Into the beautiful North, by Luis Alberto Urea, is telling a story of a nineteen year old girl called Nayeli who is encourage by the movie “The Magnificent Seven” to go to the United States with her three best friends. Their mission was to cross the border and recruit seven men to save their town, Tres Camarones, from the bandidos. But she also wanted to bring her dad back home. He and the rest of the men of Tres Camarones went to the United States looking for jobs to sustain their family. The author wants to show how undeveloped Mexican towns such as Tres camarones can cause poverty, lidding to one of the biggest topic now days which is immigration. Immigration is a cruel and hard path caused by
Eventually, survival becomes the primary focus of the Man, who is trying, in vain, to protect himself against the unforgiving force of nature. He fruitlessly tries to warm himself back up, which is a direct contrast to the complete indifference displayed by Yukon. The environment merely remains the same and does not care one way or another as to whether the man survives or not. Jack London also uses numbers to reinforce the harsh realities of the Yukon, such as how fifty degrees below zero is the marker for the danger zone. The use of numbers shows the desperation of the Man’s situation and readers can slowly see his situation deteriorating further and further. Also, the idea of naturalism claims that the world is knowable only through objective science and that hard facts, such as temperature degrees, makes this particular world knowable and present some semblance of familiarity.
Western and Indigenous knowledge systems differ in values, habits of mind and practices; however, there has been productive cross-cultural collaboration that integrates global vision with social and cultural dimensions. Productive collaboration addresses past contradictions in the coevolution of society, science and environment. Ten Canoes is a cross-culturally collaborative film that was meant to portray the Yolngu community in its true representation in an attempt to bridge the black and white Australian cultural divide by sharing its traditions and values with a non-Indigenous audience. Important spiritual and cultural information is shared throughout the passage of the film that frames and contextualizes the cosmology of the Yolngu people (Clothier & Dudek, 2009: p. 85). Dutch-born director Rolf De Heer and Yolngu director Peter Djigirr consolidate to show modern audiences the “community’s cultural continuance and to connect between individuals and the community both past and present” (Clothier & Dudek, 2009: p. 86). Additionally, Ten Canoes is only spoken in the Yolngu’s Indigenous language. For Yolngu audiences, “the use of their own languages in Ten Canoes highlights the vibrancy of a continuing linguistic heritage” (Clothier & Dudek, 2009: p. 87). Simultaneously, audiences that cannot understand the language of the Yolngu people read subtitles that create a critical intimacy to engage in “passion and reason while seeking understanding” (Clothier & Dudek, 2009: p.
When the Europeans first came into contact with the Inuits, they spread diseases which killed many of their kind. As time went by, outsiders changed the Inuits way of life (Santella 35). Airbases and radio stations built in the Arctic changed the Inuit’s nomadic way of life by influencing the creation of permanent settlements near these areas. The creation of schools and health care facilities were also very influential in the change of the Inuit culture (“Inuit Culture, Traditions, and History”). People from other countries had a major impact on the Inuits
Inscribed on the entry-wall at the ancient Greek Temple of Apollo at Delphi are the words “know thyself”. Can a leader be truly effective without knowing one’s self? Although it has roots in previous times Authentic Leadership is a concept that began to emerge in its modern form in the 1960s. It wasn’t until 2003 when Bill George wrote about authentic leadership and its connection to ancient Greece that it became a popular leadership concept (Clark, 2014). Bill George is senior fellow at Harvard Business School, where he has taught leadership since 2004. He is the author of four best-selling books: 7 Lessons for Leading in Crisis, True North, Finding Your True North, and Authentic Leadership, as well True North Groups. His newest book, Discover Your True North, was published in August of 2015 along with its companion workbook, The Discover Your True North Fieldbook. He describes authentic leadership as a style of leading that is consistent with the core values and personality of the leader and one who leads from an honest, ethical and practical perspective. It is through the leaders authentic self, and not just the concept of self but more importantly the actions of the leader and how that is perceived by others that determines whether they believe the leader is authentic. It is through honest relationships and ethical actions that help to maximize the efforts of others in achieving the goal (George, 2016).