Essay on Neoclassical Art Period vs Romanticism Art Period

Romanticism was a noteworthy global development that was compelling in forming present-day perspectives of artistry, writing, and music. Be that as it may, it came later in a few nations, for example, Italy, Spain, and the United States. It happened first in craftsmanship and writing and later in music. To a limited extent, sentimentalism was a response to the creative styles of traditional vestige. These styles had been resuscitated in the 1600's and 1700's as neoclassicism. Neoclassicists set remarkable significance on the force of reason as a method for finding truth. That is the reason the neoclassical period is frequently called the Age of Reason (Wheatley, K.).

Work of art from the Romantic time period shares many similarities with work that is seen in the modern world and today’s audience can relate greatly to art from that time. There is a strong sense of emotion and erotic response in art in the modern age and people react strongly to that. Art from romanticism brings out the same emotion and response.

In 1830 some of poets define romanticism as “liberalism in literature but the end of 18th century it was made cracks to classicism by poet called William Blake. Blake was inspired to write about the ancient thing as like all religions are one, and there is no religion, all their religion was made by people to improve life style. As this period of time all other poet like Wordsworth were writing about the war between France and England and

From 1780 to 1820, a new style emerged. People called it Neoclassicism because it replicated the classical or Roman and Greek style. During this time, artists created magnificent masterpieces of architecture and art. One of these astounding artists was Charles W. Peale.

The classical style of the ancient Athens, derived from Ancient Greece and Ancient Rome in the 15th century, has had a universal impact on many cultures during previous time periods. The classical period reflected traditional forms focused on symmetry and elegance; it flourished during the time of the Renaissance through artist such as Michelangelo, Raphael, and Leonardo De Vinci. The artists’ main goal was to attain the absolute beauty in their art by showing emotion through detail, almost through perfection. Some examples of well-known classical arts during the Renaissance were ‘Belvedere Torso’ and the ‘Medici Venus’. In the 17th century the classical style was revived, now called the neo-classical style. It was born in Rome but its popularity flourished all over Europe. The neo-classical movement clashed with the age of Enlightment and continued through the 19th century. The neo-classical principles were based around the same characteristics as the classical arts such as: balance, proportion, order, simplicity, clarity, and reason. It was strongest in architect, sculpture, and decorative arts. The neo- classical style continued to spread throughout the world and became sought after in the 17th and 18th century in countries such as France and The United States, and it influenced some of the greatest government buildings in America.

The Classical and the 19th century Romantic Period were eras where many of the most famous composers and compositions that we know today were born. The Classical Period brought forth big name composers like Joseph Haydn, Wolfgang Amadeus Mozart, CP Bach, and Ludwig van Beethoven. The 19th century Romantic Period was characterized by composers like Franz Schubert, Felix Mendelssohn, Robert Schumann, and Edvard Grieg. But, what really were these artistic periods? What makes them different from each other? And how did the Classical Period inevitably end and influence the beginning of the Romantic Period? Here we will not only cite in depth research of both the Classical and the 19th Century Romantic Period, but also pull direct characteristics of the classical period from Beethoven’s “Zärtliche

Romanticism was an art movement that developed in the late eighteenth century and lasted for about one hundred years. Romanticism is a rejection of the traditional values of reason, order, and objectivity that characterized Classicism and Enlightenment, in particular Neoclassicism. For the romantic artist, Neoclassical principles hindered the artist’s vision and creativity. Rather, the romantic artist emphasized and valued intuition, juxtaposing emotions, and imagination. Generally, Britain and Germany were seen at the forefront of romanticism. The British Industrial Revolution initiated a disillusionment in rationalism and materialism, consequently rejecting classicism.

As America sought to create their own literary voice following the Revolutionary War, the transition from the Colonial Era to the Romantic Era was a notable one, changing the voice of our country throughout the 19th century. Marked by themes of individualism, idealism, and being in touch with nature, Romanticism altered both the art and writing of the time and has certainly left a lasting impact to this day.

There are few eras with as distinct an artistic evolution as that of the Romantic Era. The style of this time developed between 1775 and 1850. ‘Romanticism,’ as it was called, first came to be in England and Germany, then in the post revolutionary France and North America, “Its leading exponent was a Madame de Staël, whose book entitled De l’Allemagne, was published in Paris in 1814. This literary work was to become a bible for the Romantics. It veered away from classicism (which de Staël viewed as a transplanted literature), towards more indigenous literatures such as those of the Germanic people. She wrote: ‘The word romantic has been lately introduced in

The era known as the Baroque period includes the seventeenth and most of the eighteenth centuries in Europe. The Baroque style was a style in which the art and artists of the time focused upon details and intricate designs. Their art often appeals to the mind by way of the heart. During this time the portraits began to portray modern life, and artists turned their backs on classical tradition. Much of the art shows great energy and feeling, and a dramatic use of light, scale, and balance (Preble 302). Buildings were more elaborate and ornately decorated. These works of art created history and altered the progress of Western Civilization. Architecture such as the palace of Versailles, and artists like

Romanticism brought new ideas and visions for people. Romanticism showed a return to nature and the goodness of humanity. It lead way to many different forms of writings, and made some authors famous, like Emerson, on their thoughts and views of this time period. People loved this idea, because times were changing, and this was somewhat of a gateway for better things to come. Romanticism not only touched literature, but also art and music, where famous composers such as Lizit and Tchaikovsky became well known classical artists, and their works are still played today. The movement of Romanticism helped not only helped people express themselves, but also gave us a new sense of the different forms of

Neoclassical and Romantic movements cover the period of 1750 to 1850. Neoclassicism showed life to be more rational than it really was. The Romantics favoured an interest in nature, picturesque, violent, sublime. Unlike Neo_classicism, which stood for the order, reason, tradition, society, intellect and formal diction, Romanticism allowed people to get away from the constrained rational views of life and concentrate on an emotional and sentimental side of humanity. In this movement the emphasis was on emotion, passion, imagination, individual and natural diction. Resulting in part from the liberation and egalitarian ideals of the French Revolution, the romantic movement had in common only a revolt against the rules of classicism. There are

It is hard to believe that what began during the Renaissance would be followed by what we refer to as the Baroque period beginning in the 1600’s and later the Rococo. The term Baroque was first used in the eighteenth-century by critics in a negative way. “To the eyes of these critics, who favored the restraint and order of Neoclassicism, the works of Bernini, Borromini, and Pietro da Cortona appeared bizarre, absurd, even diseased—in other words, misshapen, like an imperfect pearl” (Camara, E., n.d. para. 12). Stylistic style differs in the Baroque period with the use of interrupted contours, dynamism, and instability. In addition, artists were moving toward a more realistic subject matter and not the idealized portrayals we saw in the Renaissance period.

Romanticism is an artistic revolt that originated in Europe in the 18th century. It rejected the rationalism, logical thinking, and societal norms associated with the Age of Enlightenment. Rather, it embraced ideals that came out of the French Revolution. The works of art focused on promoting free-thinking and provoking feeling from its viewers. To further explain Romanticism, poet and critic Charles Baudelaire once wrote that "romanticism is precisely situated neither in choice of subject nor in exact truth, but in way of feeling." Various paintings throughout the 18th and 19th century helped to define this time in art history. During the Romanticism era, it was through the emphasis on emotion, freedom, and the everyday life that the Romantic principles of the sublime and the picturesque were expressed.

Artists and paintings can have a significant influence over the general attitude of a time period by spreading a certain sentiment throughout their paintings, and overall these artists played a major role in the spread of romanticism during the late eighteenth century. The romantic movement defined Europe by shifting the focus from rationalism and classicism of the Enlightenment towards emphasizing the expression natural human emotions and imagination in art. Romanticism in general can be characterized as a sort of rebellious reaction to the Enlightenment and Neoclassicism, and the movement produced a new aesthetic form of art based around addressing human nature. In this way, romantic works successfully stood as sort of refreshing contrast to the overdone impressions of classicism. In the late eighteenth century, romanticism would continue to emerge as a literary, artistic, and musical movement throughout Europe.