Niccolo Machiavelli 's The Prince, A Secularist And Realist View Of Politics

Niccolo Machiavelli was a unique politician, philosopher, and writer who lived in Florence, Italy during the European Renaissance period of the late 15th and early 16th centuries. He is most famously known for writing his ruthless handbook for rulers, The Prince, during his time in exile in 1513. This contentious piece of literature has been fondly referred to as “the guidebook for tyrants and totalitarians,” according to the documentary, Machiavelli: The Prince by director Jett Rink. However, the document has also been credited with positively paving the way for ethnic and religious toleration, individual rights, and modern democracies all throughout history; and it inevitably set the stage for future governments to come. In this way, it is

Political theorist Niccolò Machiavelli’s, “The Prince”, exemplifies an early depiction of several “modern” ideological principles that would sustain and preserve nations (especially after the separation of the church and state) in the sixteenth century. In this critically acclaimed work, Machiavelli satirically bequeaths a map of qualities that princes should steadfastly uphold and advance. Expressly, the qualities mapped out are frequently criticized as, “crafty, cunning and unscrupulous methods by which a prince can acquire and maintain political power”. One of the most prominent principles that almost served as a catalyst and enchiridion for Machiavelli’s “ethical” behavior as an eminent political figure of Florence, Italy was, “the end

Machiavelli wrote The Prince in 16th-century. His methods of acquiring and maintaining rule over people are not relevant in today’s modern American society. There are many principles that are still true in politics today, but the methods of ruling can no longer be used in American society today.

The Renaissance was a time of classical revival and a turning point from the Middle Ages to the Early Modern period in the course of history. Ancient texts and artifacts became sources of inspiration for intellectuals and artists alike, and the desire to emulate—or even surpass the achievements of the past prompted them to study antiquities closely and saw them as models and guidance. People were consciously distinguishing themselves from the medieval thoughts and using history to make something new for their own era. In the field of political philosophy there’s no exception. Niccolo Machiavelli is perhaps the most representative and groundbreaking figure of this trend in political philosophy. With his erudition in ancient literature, histories and political thoughts, Machiavelli draws various sources from antiquity to critic and response to the political environment of histime. While one may find seemingly discrepancies in The Prince and The Discourse on the First Ten Books of Tius Livy, the use of histories as guide to demonstrate or propose ideal rules is apparent in both works. We should note that synthesizing ancient philosophy or thoughts with contemporary thoughts is nothing new. Thomas Aquinas, for example, reconciled Aristotelianism and Christianity in his work Summa Theologica, using ancient antiquity to back up his Christian beliefs. What is so noteworthy in Machiavelli is his emphasis and

The writings of Nicolo Machiavelli are the single most important example of this new humanist thought. Drawing from ancient Roman writers, Machiavelli developed a worldly concept of politics, and was one of the first in the modern period to discuss the virtues of republican government and a system of checks and balances. He is perhaps most famous for his rejection of Christian idealism in politics. Princes and other leaders, he argued, must view human affairs must as they really are, not as we hope ideally they should be. The rules of worldly power (best understood by the

Desire for power is a fundamental human concern that connects Niccolo Machiavelli’s 16th century speculum principum The Prince, and Shakespeare’s 1599 historical tragedy Julius Caesar, through the contextual barrier.(respond to question) Machiavelli’s Italy has become “beaten, despoiled” by constant infighting whereas Shakespeare’s Elizabethan England is fear ridden with rife possibility of aristocratic war to acquire the throne of heirless Queen Elizabeth I when her reign ends. These contexts of different time period, but filled with the same political tension, shape their criticism of Renaissance humanism’s hubristic depiction of man created “in the image of god” especially through utilisation of historical antiquity, a Renaissance technique, to explore the compromising influence of human desire for power on their moral integrity and state’s stability and glory. Therefore, the comparison of both texts (incl. their given extracts) with different contexts but similar treatment of key human and state values, reveals the impossibility of a perfect human governed state. (respond to question)

Niccolo Machiavelli’s The Prince give the world an insight on his thought about those who rule, virtue, military power, and human nature. He elaborates on his ideal prince who must take power, but also maintain power. The Prince is extremely relevant in modern society and often looked upon as the beginning of modern political thinking. Machiavelli gives this prince an outline of the tools needed to maintain power and reinforces these ideas by giving examples of other leader’s successes and failures. Machiavelli believes that the prince must complete understand the balance between war and government. Understanding this balance and being fluent in both politics and war is crucial for maintaining power. Politicians today still use some of the tactics given by

Machiavelli was one of the first “modern” political thinkers in the late 1400s and early 1500s. He addresses to a government with principalities, in which the power is either inherited or the power is attained through wickedness.

Niccolò di Bernardo dei Machiavelli (1469-1527) is one of history’s most renowned political theorists. Truly a “Renaissance Man”, he excelled in many disciplines and was an avid scholar of the ancients, but his most enduring legacy has been his political theories, particularly those outlined in The Prince. Popular culture, however, has a skewed perception of Machiavelli’s own personal political ideals. Although Machiavelli’s The Prince discusses governance of a principality from the point of view of the prince, his longer work, The Discourses, extolls the virtues of republics and provides a detailed analysis of the republics of Ancient Italy compared to modern Italian republics and more closely

The shift from the medieval era to early modernity in the political sphere is notably exemplified in the writings of Niccolò Machiavelli. Two of Machiavelli’s works, The Prince (1532) and Discourses (1531)

Niccolo Machiavelli is a very pragmatic political theorist. His political theories are directly related to the current bad state of affairs in Italy that is in dire need of a new ruler to help bring order to the country. Some of his philosophies may sound extreme and many people may call him evil, but the truth is that Niccolo Machiavelli’s writings are only aimed at fixing the current corruptions and cruelties that filled the Italian community, and has written what he believed to be the most practical and efficient way to deal with it. Three points that Machiavelli illustrates in his book The Prince is first, that “it is better to be feared then loved,”# the second

Niccolo Machiavelli was the first to clearly decipher politics from ethics by studying politics in such depth and thought. He created the basis of what politics should be and how they are runned for today. His book The Prince is primarily a handbook for all rulers to follow to be the most successful in their reign. His book is considered political realism which means he speaks about only the truth of politics, so it can be used for the practice of governing. Machiavelli’s book is the handbook for obtaining and maintaining power even for today’s modern politics.

Relying on the needs of the society of that time, Machiavelli comes to the conclusion that the most important task is the formation of a single Italian state (Machiavelli 15). Developing his thoughts, the author comes to the following inference: only a prince can become a leader capable of leading people and building a unified state. It is not a concrete historical personality but someone abstract, symbolic, possessing such qualities that in the aggregate are inaccessible to any living ruler. That is why Machiavelli devotes most of his research to the issue of what qualities should the prince possess to fulfill the historical task of developing a new state. The written work is constructed strictly logically and objectively. Even though the image of an ideal prince is abstract, Machiavelli argues that he should be ruthless, deceiving, and selfish.

However, that said, some of his ideas continue to attract philosophical engagements even by the so-called first rank philosophers. This qualifies the incorporation of some of his ideologies into any comprehensive philosophical survey. This paper therefore zeros in on his political ideals that have culminated into what is known as Machiavelli’s political philosophy of ‘Machiavellism’ (Meinecke, 1965). The paper seeks to explore his political ideologies in general. Further, the paper seeks to establish based on any real evidence whether Machiavelli is indeed a ‘break’ in the political philosophy or otherwise. In keeping with the latter

Niccolo Machiavelli is considered the father of modern political science. Living in the late fifteenth and early sixteenth-century's, Machiavelli was a citizen of the city-state of Florence where he served as a secretary to the city council and as a diplomatic envoy for 14 years. The Prince was published five years after his death and is regarded as his most famous work. The Prince is an articulate and precise explanation of the way to use the lesson of history in politics as an example to learn and build ideas from. The Prince can be broken up into four parts. Firstly, Machiavelli explains how a prince gets a state. Secondly, he explains how a prince holds on to a state. Thirdly, he