One Flew Over The Cuckoo's Nest

Ken Kesey's "One Flew Over the Cuckoo's Nest" is a unique fiction novel about oppression and rebellion in an American 1950's Mental Hospital. In this highly distinctive novel, setting definitely refers to the interior, the interiors of the Institution. It also refers to the period this novel this was set in, the 50's, 60's where McCarthyism was dominant. Furthermore, it has great symbolic value, representing issues such as the American struggle of freedom and conformity. This essay shall discuss the ‘setting' & its significance towards Ken Kesey's "One Flew over the Cuckoo's Nest".

Randle McMurphy, the protagonist, is introduced to break down the nurse’s oppressive ways. McMurphy, a con man who was sentenced to a work farm, was diagnosed as a psychopath and sent to the mental hospital, which he much preferred. Serving as a savior figure to the patients of the ward who have already been battered by the Big Nurse, McMurphy causes interference to the nurse’s control. He supports the men as they are ridiculed in meetings and supports their attempts to change policy. Although he does help other patients, he first looks out for himself. He cons the patients out of their money and then follows the nurse’s rules for awhile because of the threat of being kept on the

Second in a discussion of power are the women associated with the patients. The supervisor at the hospital is associated with the patients by controlling who is employed to take care of the patients. Nurse Ratched and the supervisor served in the Army together as nurses. They are still very close and have a good relationship. Because of this relationship, Nurse Ratched’s employment is secured and others won’t stand up to her for fear of losing their own jobs. Harding states “In this hospital, the doctor doesn’t hold the power of hiring and firing. That power goes to the supervisor and the supervisor is a woman, a dear old friend of Miss Ratched’s” (61). The receptionist on the ward is Nurse Ratched’s neighbor

Nurse Ratched (also known as Big Nurse) was used to being forceful to get what she wanted. She stopped at no end to have complete oversight over the men in the ward. When the men were in the nurse’s presence they were either saying what they knew she wanted to hear or cleaning something that she ordered them to clean. They knew not to speak out against her and to not say something that would make you stand out too much. Ratched’s tactics to get them to be fit for society were normally some kind of procedure on the man

As soon as McMurphy arrives on the ward, he challenges Nurse Ratched’s abusive regime in hopes of restoring humanity and the rights of the individual. It didn’t take long

As a man who pretends to be deaf and mute, Bromden is considered to be a relatively unbiased character, yet he even displays strong feelings of hatred towards Nurse Ratched, proving just how evil she is. As Nurse Ratched enters the novel for the first time, she brings with her a noticeably ominous atmospheric change with, “A gust of cold,” (4) that represents her complete control over every aspect of the mental ward, even the weather. At the pinnacle of Kesey’s totalitarian society, Nurse Ratched represents the tendencies of an oppressive government or what Bromden calls, The Combine. For example, she suppresses the patients’ free will because regardless of the patients actual sanity, she is undeniably in control of their fates at the hospital. Besides McMurphy, the majority of the patients could leave on their own, but Nurse Ratched has been able to brainwash them into thinking that they are not suited to assimilate with others outside of the ward. Billy Bibbit says to McMurphy when he asks why they do not leave, “You think I wuh-wuh-wuh-want to stay in here? You think I wouldn’t like a con-convertible and a guh-guh-girl friend? But did you ever have people l-l-laughing at you? No, because you’re so b-big and so tough!” (162-163). Just like an oppressive government, Nurse Ratched convinces its people that they are worthless so they never feel powerful enough to retaliate. Like an alcoholic, Nurse Ratched needs her fix of power that makes her drunk and

There are many situations in which Nurse Ratched exhibits control over her patients, by treating them as subordinates, humiliating them and de-masculinizing them without concern for their well-being. She uses control to withhold simple privileges, such as being able to watch a baseball game on the television, tub privileges and their right to have possession of cigarettes. It seems she actually derives satisfaction from this through hints of smiles, which are so seldom seen. This only brings about anger and hostility in the patients because of the way she treats them: like children instead of men. This is put best when one patient, Charlie Cheswick (Sydney Lassick) says, “Rules? Piss on your fucking rules, Miss Ratched! ... I ain’t no little kid! When you’re gonna have cigarettes kept from me like

Regarding Miss Ratched, she seems to show signs of passive-aggressive behavior throughout the book. This behavior adds to her manipulative ways and contributed to the decrease of the patients’ progress (mental/physical state). Passive-aggressive behavior is used to maintain control and power because it’s a way for her to not display any signs of weakness. Miss Ratched, also known as the Big Nurse to the patients, fights hard to remain as the top authority figure in the Ward due to her thirst for power. To maintain the control over the men, she emasculates them, stripping them of their masculinity, in various ways to prevent the chance of an uproar against her. For instance, after a group meeting regarding Harding’s problem with his wife’s breasts, the patients attack Harding. In response, McMurphy provides an analogy of a pecking party to the current

The suppression that the male patients face traces back to the suppression of American society. McMurphy refuses to be another robot following orders aimlessly, he fights to maintain his individuality and to spread that individuality to the other patients. Just as the novel, society in America is very mechanical, citizens follow mundane orders like machines and when a unique individual breaks through and expresses themselves, they are eliminated. The power that Nurse Ratched feels against the male patients is similar to the power that Society holds on their people, order and control is essential. Both entities fear individuals whom have original thought, those people cause a threat since they can influence others to think the way they do--control is then lost.

One of the biggest oppositions in the novel is between McMurphy and Nurse Ratched. The Nurse is first seen when she enters the hospital, “I hear her rubber heels hit the tile and the stuff in her wicker bag clash with the jar of her walking as she passes me in the hall…. Her face is smooth, calculated,

   In 1962, when One Flew Over the Cuckoo's Nest (the Nest), was published, America was at the start of decade that would be characterized by turmoil. Involvement in Vietnam was increasing, civil rights marches were taking place in the south and a new era of sexual promiscuity and drug use was about to come into full swing. Young Americans formed a subgroup in American society that historians termed the “counterculture”. The Nest is a product of time when it was written. It is anti-authoritarian and tells the tale of a man's rebelling against the establishment. Kesey used metaphor to make a social commentary on the America of the sixties. In this paper I will

Ken Kesey’s “One Flew Over the Cuckoo’s Nest” is a unique fiction novel about oppression and rebellion in an American 1950’s Mental Hospital. In this highly distinctive novel, setting definitely refers to the interior, the interiors of the Institution. It also refers to the period this novel this was set in, the 50’s, 60’s where McCarthyism was dominant. Furthermore, it has great symbolic value, representing issues such as the American struggle of freedom and conformity. This essay shall discuss the ‘setting’ & its significance towards Ken Kesey’s “One Flew over the Cuckoo’s Nest”.

In Kesey’s 1950s novel ‘One Flew Over The Cuckoos Nest’ Nurse Ratched’s relationship with male patients is based upon differences they hold about gender and identity. Nurse Ratched is portrayed as a masculine misandrist figure that gains power from emasculation. She carries “no compact or lipstick or woman stuff, she’s got that bag full of a thousand parts she aims to use in her duties” . This implies nothing womanly about her as she prioritises her “duties”, suggesting that she aims to control her male patients by ridding her feminine qualities. In addition, she is shown in robotic with a chilling aura. This is evident when she slid “through the door with a gust of cold and locks the door behind her” . This indicates that as a power figure her only concern is controlling her male patients, making sure they are obedient and abiding by her rules. “Gust of cold” implies that by doing so she wholly ruins her relationship with the males due to her “cold” and callous methods. Daniel J. Vitkus states she is “the Big Nurse, an evil mother who wishes to keep and control her little boys (the men on the ward) under her system of mechanical surveillance and mind control.” Yet, can be argued that she is fulfilling her role of working as a Nurse within a mental institution. However Vitkus’s critique is similar to when McMurphy says “Mother Ratched, a ball-cutter?” McMurphy is a hyper masculine force against Ratched’s emasculating norms. Their relationship is essentially a power

Ken Kesey is against conformity and societies oppressive rules under Eisenhower and he illustrates this by creating a character that is in constant conflict with Nurse Ratched and the Rules of the ward. In One Flew over the Cuckoo’s nest, Ken Kesey

Time passes and McMurphy continues to rebel. As he does so, many of the other patients follow. They break the Nurse’s Station window a couple times, start a basketball team,and even go on a fishing trip. When they return from the trip, the staff says they need to be cleaned so they are sent for “special showers.” A fight breaks out and McMurphy and Chief are sent to the Disturbed ward. Up in the Disturbed ward, McMurphy is given many “treatments” of electroshock therapy. The only way to stop the therapy is to admit that he was wrong. He refuses to admit this and continues to get the electroshock. When Chief says he should just play along, McMurphy says, “‘When I get out of here the first woman that takes on ol’ Red McMurphy the ten-thousand-watt psychopath, she’s gonna light up like a pinball machine and pay off in silver dollars! No, I ain’t scared of their little battery-charger’” (Kesey, 250). Though he is going through torture, McMurphy continues to resist Nurse Ratched’s methods of conforming him. He is persistent in not giving in to the society. McMurphy continues to fight, even when everyone knows it’s a losing battle.