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One Flew Over The Cuckoo's Nest Analysis

Decent Essays

Comparative Essay: One Flew Over the Cuckoo’s Nest & American Beauty A composer’s authorial intent is reflective of the contextual concerns of their time, a paradigmatic shift can alter the way in which individuals perceive and respond to their environment. This is shown through a comparative analysis of Kesey’s novel One Flew Over the Cuckoo’s Nest (1962) and Mendes’ film American Beauty (1999) as both texts display similar messages of oppression and rebellion amidst their contextual framework. Both writers critique the American Dream by depicting oppression as a means to tarnish human qualities as well as exploring the sacrificial, yet inherent rebellious nature of the human condition due to the deprivation of freedom. The oppressive nature of our environment inevitably degrades inherent human qualities. One Flew Over the Cuckoo’s Nest was influenced by Kesey’s paradigm of the 1960’s and representative of a generation which believed they could alter the consciousness of themselves and their nation through drugs, sex and rebellion against societal regulations. Kesey portrays the mental ward as a metaphorical microcosm of an oppressed society and thus critiques this notion. Through the rendition of Dale Harding’s mannerism in the metaphor “We'd be rabbits wherever we were—we're all in here because we can't adjust to our rabbithood”, Kesey is able to symbolise the destruction of the human quality; self-awareness. The negative connotation of the rabbit portrays the

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