Othello's Jealousy

341-345). Othello wants everyone to think of him as a man so bewildered that he didn't know what he was doing when he accused his wife of disloyalty and killed her. He also doesn't want to be remembered as a man who became so easily jealous because he knows that how much destruction he has brought on himself and the ones he loves most. Othello self destruction caused himself to become another man entirely, a man fueled by the poison that is jealousy. In all, Othello spirals down a path of jealousy that ruins his life by becoming irrational and ravaging

Shakespeare often has common themes throughout all of his poems which include love, death, and betrayal. When talking about Othello, all of these major themes are presented. Although, the major theme is jealousy. Throughout the play, jealousy is shown in each character in some way and drives the decisions that they make. The beginning starts with Rodrigo being covetous of Othello for being with Desdemona, and at the end where Othello is envious because he believes Desdemona is having an affair with Cassio. Iago is an important character throughout all of this because he makes up lies and misleads characters into believing things that are untrue. From the beginning, he is envious of Cassio and has hatred towards Othello because Othello

Iago warns Othello that “[Desdemona] did deceive her father, marrying [Othello], and when she seemed to shake, and fear your looks, she loved them most.” (Shakespeare 3.3.207-210). We can see that Iago is trying to make Othello jealous by pointing out that Desdemona has already betrayed someone that she loved so what would prevent her from doing it again. Iago manipulates Othello by claiming that Desdemona gave Othello’s handkerchief away “yours by this hand! And to see how [Cassio] prizes the foolish woman, your wife! She gave it to him, and he hath given it to his whore” (Shakespeare 4.1.170-173). The final blow to manipulating Othello, Iago tells him that Desdemona gave Cassio her handkerchief confirming her betrayal. This is the end to behaving rationally for Othello. Mark Rose insist that Iago is “playing his victim [Cassio] with wine has robbed [Cassio of his reputation]. The presentation of Cassio as a decent man changed into a drunken madman foreshadows the actions of Othello to come” (Rose 285). This displays the idea that Iago is manipulating anyone in any way in order to get to Othello. In this case he is manipulating Cassio’s reputation so that later in the play Iago can use Cassio against Othello to make him jealous of his wife cheating on him with Cassio. Iago is easily able to set this in motion because he damaged Cassio’s reputation so much that Othello doesn’t trust him, or want him

Othello is an easy target in this drama, because Iago already knows that he is a very insecure person. With that stated, it will be easy for Iago to use Othello’s jealousy to trick him into thinking that Desdemona is an unfaithful wife. Iago will manipulate the way Othello sees things in order to convince him that what he sees is innocent acts between Desdemona and Casillo. Iago’s starts to plant the idea in Othello’s head of an affair after Othello sees Casillo rush leaving Desdemona in a manner that looked as though he is guilty (1223). Alone with Othello, Iago begins to make Othello feel threatened by Casillo and Desdemona’s apparent relationship by bringing up the fact that Casillo served as Desdemona’s and Othello’s go-between during the time of their courtship. The conversation ends with Iago asking Othello to watch carefully of Desdemona and Casillo, and Iago exits giving Othello time to question the accusation of Iago (1225-1228).

Shakespeare’s Othello is a play consistently based on jealously and the way it can destroy lives. One is quick to think this jealously is based on Othello’s lack of belief in Desdemona’s faithfulness to him or his suspensions over Desdemona’s affair with Cassio, Othello’s honorable lieutenant. Upon closer inspection of the jealously that exists throughout the play it becomes clear that his jealously is not the sole start and reason for all of the destruction that occurs. Iago, a good friend of Othello, is not who he appears to be. Iago’s own jealously of those around him pushes him over the edge. He begins to deceive all those who believe he is a true, honorable, and faithful man. Throughout Othello, Iago incites his own jealously in

In Iago’s soliloquy, he explains that Cassio trusts him, which he can use to his advantage. Because Cassio is naturally charming, Iago knows that if he concocts a scheme where Cassio has lured Desdemona away from Othello, it will be plausible for Othello to believe it. (1.3.433-441) As previously mentioned, he knows his friends very well due to being analytical and simply being close friends with them, which is part of what made his malicious schemes so grand. Also, Iago divulges to himself and the audience that he believes that Desdemona loves Cassio, but not in the way he will make it appear. He knows that Othello is “of a constant, loving, noble nature,” and that he’ll prove to be “A most dear husband.” (2.1.308-313) Iago briefly scrutinizes Cassio, Desdemona, and Othello. Due to years of friendship, he knows all of them well. In this scene, Iago is not exposing his manipulative, cunning ways so much as he is merely analyzing his “friends.” This will prove to be useful to him later in the

In the play Othello, jealousy is shown to be very evident through the actions of the characters. Jealousy is an emotion that everyone shares, and it is ultimately responsible for the tragic ending of the play. Everyone feels jealous at certain times of their lives, and this feeling can cause people to do irrational things. This human emotion also shows people to be weak in the sense that they are never happy with what they have. Shakespeare shows through Othello, Iago, Roderigo, and Brabantio that jealousy is the most corrupt and destructive emotion.

In this manner, Iago manipulates the men through their wives by providing innuendos to create jealousy among the husbands. Iago plants the seed in the mind of Othello, concerning Desdemona, as Iago states “Did Michael Cassio, When you woo'd my lady, know of your love?”, which draws Othello’s attention as to why Iago desires to know this question (Bevington, 2014, p. 631, Act: 3 Scene 1, Line 103). Iago then begins to draw Othello in further until he finally confesses “I speak not yet of proof. Look to your wife; observe her well with Cassio” (Bevington, 2014, p. 633, Act: 3 Scene 1, Lines 210-211). While Iago has no reason to assume that there has been any infidelity between Cassio and Desdemona, he only offers the suggestion that Othello watch the two of them, and this creates an immediate form of jealousy in the heart and mind of Othello.

Jealousy out of all human emotions is the most common to cause detriment. When an individual becomes consumed by its nature it ultimately leads to their worst self. Jealousy is a major theme in Othello and it is what drives Othello to commit his heinous deed of killing his wife. Through Shakespeare’s exploration of how Othello becomes corrupted the underlying question of whether human nature when challenged reveals an inner demon. A monstrous, violent green eyed monster. The corruption of Othello is provoked by Iago, Iago is aware of his insecurities and therefore uses this knowledge to his advantage. As stated “Oh, Beware, My lord of jealousy!/ It is the green eyed monster which doth mocks/ that meat feeds on” this metaphor used by Iago is a warning to Othello of the dangers associated with Jealousy, that it has an appetite for its victims. It is ironic that Iago preaches his own diagnosis. Jealousy is what fuelled his anger and unloyal behaviours towards his colleague. Through the juxtaposition of Othello's gullible nature and Iago's noxious villainy, the picture of envy is genuinely exemplified as an all-expending "green-eyed monster". Othello is not seen as a

Iago finds the opportunity to make an undermining comment — "Ha, I like not that" — that rankles in Othello's mind. Iago further insinuates that Cassio was not just leaving, but that he was "steal[ing] away so guilty-like". Iago's words here are filled with forceful insinuation, and as he pretends to be a man who cannot believe what he sees, he introduces jealousy into Othello's mind. Iago also urges Othello to recall that Desdemona deceived her own father by marrying Othello. To Brabantio, Desdemona pretended to be afraid of Othello's dark looks; she pretended to shake and tremble at Othello's exotic demeanor, yet "she lov'd them [Othello's features] most".The implication is clear; Iago does not have to state it: If Desdemona deceived her own flesh and blood, she might just as naturally deceive her husband. ‘Look to her, Moor, if thou hast eyes to see, She has deceived her father, and may thee’.(Act I,

Jealousy is a powerful drug. When someone is jealous, one can only imagine how far someone would go because of it. In the play Othello by William Shakespeare, there were several characters that went through different ways of processing their jealousy. Iago’s jealousy provokes his idea to get back at the people he felt was not deserving enough of the things they had or their happiness. His plans succeeds but by the end, no one wins. Iago’s jealousy forms at the beginning of the play which causes Othello’s jealousy towards the end and because of it, it results in people hurt mentally and physically.

Jealousy is described as someone who is feeling or showing envy of someone because of their achievements and advantages. Jealousy plays a major role in Shakespeare’s play Othello. There are many instances throughout the play that show jealousy between the characters. Throughout the play, jealousy is used for destructive purposes only. I believe that Iago longed to get revenge on Othello for previous issues. This only results in a long line of accusations and disputes between the characters in Othello.

Othello, not knowing that Cassio was in fact speaking with Desdemona in hopes of being reinstated as Lieutenant, mistakenly believes that the two are having an affair and that Desdemona has lost her chastity. Iago skillfully capitalizes on the situation by developing his attack further: "She did deceive her father, marrying you" (3.3.220). Othello begins to see Iago's reasoning: if she could deceive her father, she could just as easily deceive her new husband. Once Othello's bliss has been decimated, Iago concentrates on weakening Othello's perception of himself; Iago very carefully and very tactfully chooses words and metaphors that subconsciously pit Othello against the Venetians. Othello begins to perceive himself as an outsider in his own country, "a malignant and turbaned Turk" (5.2.365). A fruitful marriage with a Venetian woman becomes out of the question in Othello's mind. Iago's successful manipulation takes a self-confidant man and reduces him to one at ends with himself and with the woman he loved.

In the story of Othello, all of the conflict, violence, and harm that occured was a result of jealousy. Iago, one of the victims of jealousy, made a hypocritical statement to Othello where he called jealousy a green-eyed monster. This monster known as jealousy not only consumes the people that it hates, but also consumes the person itself. Jealousy is the culprit for any character that had died in the story. Jealousy fueled each scene to the next in Othello and the more that is added, the more damage it does as seen with its effects on Roderigo, Iago, and Othello.

Lily B. Campbell in Shakespeare’s Tragic Heroes definitively categorizes Othello as a “study in jealousy”: