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Pan's Place In The Fairy World

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Escaping this constant tension, she enters the fairy world, although sinister, here she is more in control (Zipes 2008). She is, as Pan tells her, a princess and her objectives are clear, she is not passive as she is in the real world. Although some characters are still comparatively larger than her the fairy world seems made for her. The small tunnels she crawls along are only child size as is the door she creates by drawing with chalk. Low down a miniature it is a portal to the other world only she can traverse. The color palette also changes between the two worlds. The dark and gloomy house in blacks and greys is contrasted with the deep green and golden light of the fairy world (Huppert 2010). The fairy world offers hope for the future whereas the grim reality of the house is only desolation and death. …show more content…

The creatures are del Toro’s own design while also influenced by the illustrations of Arthur Rackham (Fielding 2013). As with the ghost boy Santi the monsters she encounters combine the sinister with a delicate beauty and fragility. Pan with his deep voice, greyish skin and scraggly hair is a threatening presence especially when we first meet him lit with a ghostly blue light from above. Yet there is an arcane beauty in the patterning of his skin and the elegance of his form. This world is dangerous, but it is still preferable to the grim reality. The tension is intensified throughout the film through the motif of time. Captain Vidal’s pocket watch represents his rigidly controlled world of order. The smashing of this object near the end represents the captain’s destruction and prefigures the fall of fascism (Zipes 2008). Even the fairies seek to put pressure on Ofelia through the use of an hourglass used to time her tasks. However, it is only through transgression and disobedience that Ofelia achieves her goals (Zipes

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