Perfection In The Birthmark

She knows that her husband is only looking at her birthmark. In the text, it says “It needed but a glance with a peculiar expression that his face often wore to change the roses of her cheek into a deathlike paleness, amid which the crimson hand was brought strongly out, like a bass-relief of ruby on the whitest marble” (2). Georgiana knows that her husband is judging her and she’s getting so self-conscious that she stops caring for what she wants and just wants to please her husband. Georgiana loved her birthmark but due to the constant staring, she began to hate it because it made her uncomfortable. This can be seen on page 5 when Georgiana tells Aylmer, “Oh! spare me...Pray do not look at it again. I never can forget that convulsive shudder.” She went from loving her birthmark to hating it and wanting to get rid of it. All thanks to her husband. If he truly loved her, he would love her birthmark too because that’s what makes her unique. The removal of the birthmark causes Georgiana her life. “The fatal hand had grappled with the mystery of life and was the bond by which an angelic spirit kept itself in union with a mortal frame. As the last crimson tint of birthmark that sole taken of human imperfection faded from her cheek, the parting breath of the now perfect woman passed into the atmosphere…” (11) Georgiana died because she tried to run away from the

Georgiana knows the strain this is putting their marriage. Georgiana begun to contemplate the removal of the birth-mark as well, "Aylmer," resumed Georgiana, solemnly, "I know not what may be the cost to both of us to rid me of this fatal birthmark. Perhaps its removal may cause cureless deformity; or it may be the stain goes as deep as life itself. Again: do we know that there is a possibility, on any terms, of unclasping the firm gripe of this little hand which was laid upon me before I came into the world?" Aylmer assured her "Dearest Georgiana, I have spent much thought upon the subject," hastily interrupted Aylmer. "I am convinced of the perfect practicability of its

It somehow contains the concept of beauty, and in the story it's easy to notice that many man found this birthmark attractive, and so did Georgiana, but looking at her husband, who obviously hates this mark, she starts to believe that it's ugly. The beauty is very subjective; it was created by people, and can be changed by them. Thus, it is impossible to be perfect for there always will be those who can find flaws in any creature. Moreover, it is known that 'Perfection leaves no room for improvement". Thus, flaws are part of human beings, and the desire to go against it is

In “The Birthmark” we first learn about the main character named Aylmer. He is fascinated with science. “He has devoted himself, however, too unreservedly to scientific studies ever to be weaned from them by any second passion” (Hawthorne 952) He eventually finds love with his wife Georgianna, but there is something about her he just will not seem to take much longer. Georgianna has a red birthmark on her cheek which is the shape of a small hand. While she thinks it is beautiful, the most important person in her life doesn’t feel the same way. In fact, Aylmer is truly disgusted and in shock by her mark, claiming it is a “visible mark of earthly imperfection” (Hawthorne 953). Finally telling his wife how he feels, Georgianna is in disbelief. She is upset, hurt, and confused, even questioning their marriage as she tells him “You cannot love what shocks you!” (Hawthorne 953). The last thing she would have thought is that the person she planned to spend the rest of her life with doesn’t see her beauty mark the way she does.

Georgiana had always lived with the birthmark, and was quite fond of its charm. Many people in the town believe it was a fairy’s handprint left to sway all hearts; to them the mark only magnified her appeal. The mark’s charm had rarely been questioned by anyone other than the jealous women of the town, and its peculiar nature had once intrigued Aylmer and amplified his attraction to Georgiana. He begged for her hand in marriage, but soon after they were wed, he queried whether Georgiana had ever considered having the birthmark removed. She was hurt by the implication that the mark depreciated her and grew upset with her husband. As time passed, Aylmer continued to stare at the mark, unable to keep his eyes from wandering to it. This continued until Georgiana was no longer able to ignore the way his eyes were always fixated on this sole imperfection, the crimson hand that kept him up at night and plagued his dreams. She asked Aylmer to remove the mark, or take her life because she no longer wanted to live if she had to live with the mark. She preferred death to the harsh scrutiny from her husband.

By looking at symbolism in The Birthmark, the reader can interpret that the birthmark is a symbol for imperfection and mortality which is not obvious to most people. This is important because it turns the birthmark into something all readers can relate to since no one is perfect. Georgiana’s birthmark was “the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on all her productions” (Hawthorne 12). As stated before, nothing is perfect, Nature has a flaw on everything and Georgiana’s was her birthmark. Her husband, Aylmer, notices the birthmark and also sees it as an imperfection even though other men would often tell her it was a charm. “No, dearest Georgiana, you came so nearly perfect from the hand of Nature that this slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection” (Hawthorne 11). Aylmer at first is the only one, other from jealous women, to point out her birthmark as an imperfection but his constant talk began to make her believe she was in fact flawed. This is important because it ultimately leads to the death of Georgiana.

For instance, when Aylmer felt miserable, she felt miserable too. Nevertheless, it can be seen that then she demonstrated a total opposite attitude, a strong woman who challenges his husband to go ahead with his experiments. A girl with no fear at all. Far from being the typical woman in her house, she is educated and intelligent, and she is able to read and understand the intricate experiments that her husband documents in his diaries. With them she understands how his husband's love for her is, and she accepts it, and that Aylmer's lofty ideals condemn him to permanent dissatisfaction. She also knows that her husband's attempts to erase the birthmark will not succeed. In spite of this, she voluntarily takes the concoction he offers. The drink finishes with the birthmark, yes, but also with her, who says goodbye to her husband making him know that his search for divine perfection has made him despise the best the earth could offer. Therefore, with all those decisions it can be seen that she has the will to do it and she can make her own decisions. She is completely different from Aylmer. She understood and was aware about what happened to the birthmark, and why she died.

simple birthmark where the obsession is because he perceives it in a more symbolic way. Georgiana has often been told that the mark on her cheek is a “charm” but Aylmer does not think so where he said, “No, dearest Georgiana, you came so nearly perfect from the hand of Nature, that this slightest possible defect, which

Aylmer began to become bothered by Georgiana’s mark and brought it up to her to see if she felt the same, “. . . has it never occurred to you that the mark upon your cheek might be removed (340)?” Georgiana has always thought of it as more of a charm, but her husband made her feel insecure about the birthmark. The theme of this story can be easily be applied to modern society because people are so often judged by others. Some people judge others about marks on their body and point them out to them or others. There are people that try so hard to become perfect such as reconstructing their bodies. When Aylmer pointed the mark out to his wife he called it an imperfection. Georgiana quickly becomes offended by his remark and defends herself, “. . . then why did you take me from my mother’s side? You cannot love what shocks you (340)!”

     Alymer is an older scientist who marries a beautiful woman much younger then himself. Even though Alymer finds his young bride beautiful, he still says that she is “marked.” Upon Georgiana’s left cheek is a birthmark. The birthmark is small, red, and in the shape of a hand. Alymer believes that this mark takes away from her beauty;

Hawthorne achieves this same task in the character of Georgiana in "The Birthmark." Georgiana, too, is presented as an ideal specimen of womanhood. She is beautiful, intelligent, and devoted to her husband, the alchemist, Aylmer. She would be absolute perfection, except for one flaw: a birthmark in the shape of a fairy-sized handprint on her left cheek. While those who love Georgiana attest that the mark is a symbol of the "magic endowments that were to give her such sway over all hearts," Aylmer and her detractors regard it as a "bloody hand" that belies "his wifeâs liability to sin, sorrow, decay, and death" (Hawthorne, "The Birthmark" 119-20). Hawthorne continues to impart Aylmerâs inner feelings of shock and horror over Georgianaâs single physical flaw, gradually leading his audience to share his disgust for the dreadful

The topic of nature and its mysteries come back to fruition as he attempts to obtain perfection by removing his love’s imperfection. In this passage, Aylmer confirms the belief that the birthmark is a symbol of earthly imperfection rather than a charm. He states the prominence of the mark on Georgiana’s face and the utter shock that he undergoes due to the mere presence of the symbol. Aylmer is obsessed with nature’s mysteries and hopes to control entities that are surely out of his reach. When referring to the birthmark he states, “Ah, upon another face it might (be a charm), but never on yours”

Aylmer is so repulsed by the birthmark that he is willing to put his newly wife’s live in danger to remove the mark. Even though the experiments he intends to use on his wife fail, he is too determined to remove the mark. Willing to make her husband happy, Georgiana decides to let him removed the mark from her. As stated in the story, “The Birth-Mark,” “But Georgiana had no sooner touched the flower than the whole plant suffered a blight, its leaves turning coal-black, as if by the agency of fire.” After Aylmer was able to remove to mark from Georgiana’s cheek, she slowly died as the mark faded away.

Soon after Aylmer tells his spouse that the mark on her face bothers him, she practically begs him to remove it. Aylmer is more than happy to remove the birthmark and has no doubt that he can do so. While discussing the removal on page 316, he tells Georgiana that he “feels fully competent” to “render [Georgiana’s] cheek as faultless as its fellow.” He goes on to describe the sense of triumph he will feel when it is finally corrected. He only cares about the removal of the birthmark and not what may happen to his wife. Even though the mark bothers him, he reveals to Georgiana that “even [he] rejoices in this simple imperfection, since it will be such a rapture to remove it” (Hawthorne 318). This shows that Georgiana is not the love of Aylmer’s life, but rather science. He puts all of his faith directly into it. Barbara Eckstein states that “Aylmer’s study of minute details becomes a system of belief for Aylmer” (517). Even after Georgiana faints on page 317, Aylmer is “without alarm; for he was confident in his science, and felt that he could draw a magic circle round her within which no evil might intrude” (Hawthorne). This seems ludicrous to most people, but Aylmer had absolute faith in

Portrayed as spiritual and intellectual in contrast with his crude laboratory assistant Aminadab, Aylmer becomes disturbingly obsessed with a birthmark on his wife’s countenance. The plot of the short story revolves around the man’s attempt in removing the mark, which results in the death of Georgiana. In the very beginning of the story, the audience discovers through the narration that Aylmer views his wife’s birthmark as more than a congenital, benign irregularity on the skin. In reality, the primary reason why he becomes severely obsessed with the birthmark is because in his eyes, the mark symbolizes something. Aylmer proceeds to further clarify his inner thoughts by replying to his wife, “This slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection” (Mays 340). Although Georgiana is initially mortified and even goes as far to question the existence of the marriage between them, the narration later sheds light and explains that the precise reason why Aylmer is excessively bothered with the birthmark is because he regards Georgiana as virtually the embodiment of perfection. As a consequence, perceiving a flaw on his wife’s image that clashes with the concept of her beauty inevitably leads him to feel aggrieved and begin to judge the birthmark as a dangerous blemish residing on her skin.