Perry In Cold Blood Quotes

Although Perry commits a ghastly offense he still contains another compassionate side to him, Capote’s importance is to tell readers Perry can be sweet too, therefore; he contends even though a person commits a crime doesn’t mean they are inferior.

Besides using anecdotes and stories from his childhood, Capote also used analogies to invoke a sense of sympathy for Perry, thus further using the means of pathos. In specific, a constant ‘comparison’ or analogy coupled with Perry is typically his ‘childish’ like structure. Short legs, small feet. This analogy is used constantly, including the hanging scene, where it is said Dewey had “open his eyes [and] saw the same childish feet, tilted, dangling”(Capote 341). This comparison is seen often when describing Perry and seems to give the man a childlike presence, making him come across as more innocent and understandable. This connection to Perry takes away from the ‘severity’ of his actions and instead reminds readers of his childhood and how it has affected him all through life. Using pathos to soften the personality of a killer and bring to life his struggles helped Capote to better exemplify the ‘makings’ of a murderer. When creating this book, Capote wanted to analyze how a murder came to be and thus how a murderer came to exist - in particular, Perry. The use of pathos in correlation to one of the main characters helped break down the hostile killer into a damaged, young, sensible young man who simply had a tough go at life. The device allowed for connection and personalization.

By using this example, Capote is able to strengthen his argument by implicitly claiming Perry was made to be a murderer because environment shapes person’s nature especially when they are young; therefore, it evokes feelings of pity within readers toward Perry’s criminal record. It seems that his criminal record was an extension of godforsaken environments which he had to grow up. Furthermore, Capote shows Perry’s internal emotion he was murdering the Clutter family. “I didn’t want to harm the man. I thought he was a very nice gentleman.

Aren’t we all a bit crazy at times? In Truman Capote’s rhetorical masterpiece, In Cold Blood, is about a murder that actually occurred in a small town in Kansas. Richard Hickock and Perry Smith, also known as Dick and Perry, are the criminal minds behind the murder. Capote’s work is regarded to as a masterpiece because he uses many rhetorical devices to convey his message. He uses rhetorical devices such as diction, imagery and pathos. Capote’s purpose for writing the book is to show the insights of what goes on in these two’s criminal minds and to humanize Perry.

We see two heartless, cold blooded killers that slain the innocent family of the Clutters with the intent to leave no witnesses and to rob them of their hard earned money but Capote deceives the reader's emotions throughout the entirety of the book to humanize straight killers and make them likable. We often see a murderer as a psychopath without any emotion but it is hard to label Smith and Hickock one because Capote brings the reader into their lives in a way that we would feel sorry and have pity for them. Capote makes the reader relate to Smith and Hickock by describing their families and showing insight into the killers’ dreams and aspirations so we could perceive them as people and forget that they ended the future of the Clutters. Perry was a lonely child growing up and had a drunkard mother that forced him into foster care where he was abused and bullied

The most dominant strategy that Capote utilizes in order to achieve his purpose is pathos, as he plays on our emotions to get us to feel true sympathy for Perry Smith. This is strategy is overall the most effective one because it allows the viewers to perceive Perry differently. Capote mentions Perry’s abusive and neglectful childhood several times throughout the story’s course in order to make the readers feel empathic, and pitiful towards him. In one instance of the novel, Capote makes out Perry as a hero in a way. He sets up a picture of the killers at the beach, and he mentions how uncomfortable Perry is when he sees Dick talking to a young girl. He describes another instance like this when he says, “Hadn’t they almost got in a fight when quite recently he had prevented Dick from raping a terrified girl” (Capote 202). Perry is willing to stand up to his partner when he comes to situations like this. Readers can’t help but view Perry as a hero in his own way as he protects the young girls from Dick’s pedophilic mind. Capote plays on the assumption that everyone hates child predators, which is almost always true. In a way, Capote makes us feel admiration for Perry’s heroic effort in protecting the innocent, as he “prevented Dick” from doing something horrible. As Perry confesses his crime to Dewey and Duntz, he admits, “But I hoped we could do it without violence” (234). This is one of several moments where the readers get a sense of reluctance from Perry to commit the crime. Although Perry did eventually

On November 15, 1959, in the small town of Holcomb, Kansas, a family of four was brutally murdered by shotgun blasts only a few inches from their faces. The protagonist of the story, Perry Smith, a man with a troubled past, is the one responsible for committing these murders. In framing the question nature versus nurture, Capote’s powerfully written account of the Clutter family killings asks whether a man alone can be held responsible for his actions when his environment has relentlessly neglected him; Perry Smith is a prime example. He is an intelligent, talented, and sensitive human being, who has been warped and rejected by society and his environment, and therefore cannot be held

Truman Capote forms a close relationship with convicted murderer, Perry Smith, and allows his own personal perception of Perry to influence his story. Capote repeatedly puts emphasis on the fact that Perry comes from a troubled background and

Capote uses Perry as a sympathetic character; asking the reader if Perry’s life had been easier growing up, would he have committed the murders? A point often overlooked is Capote’s detailed exploration into Perry’s childhood and life

Truman Capote includes finite details such as Perry’s middle name, and goes down to even the name of the county that Perry was born and grew up in to appeal to his audience’s logic. By giving more detail to Perry’s past life, the audience is able to better grasp the image of Perry, which humanizes the murderer, and is more likely to create an emotion of sympathy towards the criminal and alter the audience’s view on capital punishment. This information is irrelevant to the plot, however, is very strong in supporting Capote’s argument.

Early on, Capote makes Smith seem a more sympathetic character, “Yes, and he had told Dick was true… Sierra Madre?” (Capote, 17). Capote makes Perry seem almost childlike as he describes Perry’s naive plan to search for gold in the Sierra Madre, which causes the reader to wrongly assume Smith is innocent, or at least more so than Hickock. While describing the murder of the Clutter family, Perry states, “And I thought… So I went back upstairs,” (277). Truman Capote deliberately includes Perry’s feeling that “It was like [he] wasn’t a part of it. More as though [he] was reading a story,” to show the level of dissociation Perry experiences. Even after Smith is found guilty of murder, the reader still feels some sympathy for Perry as Capote hints that Perry cannot be held accountable for his own actions. Just before he is hanged, Smith remarks, “It would be meaningless to apologize for what I did. Even inappropriate. But I do. I apologize,” (392-393). Capote includes Perry’s last words, which carry significant emotional weight, to evoke a final sympathetic reaction in the reader. Through Perry Smith, Capote creates pathos to demonstrate the harsh nature of capital punishment and cause the reader to wonder if it is the right

What the readers know of Dick’s past is very little, as Capote works to characterize him through flashbacks the readers know it was his plan to kill the Clutters and he does have some family “there were those Dick claimed to love: three sons, a mother, a father, a brother—persons he hadn’t dare confide his plan to(Capote 106).” But Capote characterizes Dick more so through descriptions of his habits than through his memories. “Inez was a prostitute…she was eighteen and Dick had promised to marry her. But he had also promised to marry Maria, a women of fifty who was a widow of a very rich banker(Capote 118-119)” Dick is shown throughout the book as someone who uses people to get what he wants, he calls on Perry to help him with his plan, he uses women for sex and money while making promises he never intends to keep. “If he knew Dick, and he did—now he did—would spend the money right away on vodka and women(Capote 119). Capote does not draw any sympathy from the readers, Dick is perceived as an emotionless man who pretends to believe in people and want the same

He verbally demands to be removed from the conversation. He also subtly bullies Perry by calling him a baby for mentioning his worries. Dick finds Perry’s confusion and commentary rather irritating because it is a reminder of the murder.

Although Dick and Perry may both be killers, Capote uses language to portray Perry as a victim of Dick;therefore, Perry is seen through the eyes of the reader as an innocent man who was simply taken advantage of and molded into a killer by Dick.

Capote use three layers of trauma to completely develop the character of Perry Smith. Capote describes Perry’s childhood, mental state, describes why he does certain things