Beyond Empiricism and Transcendentalism in House of Usher
When Edgar Allan Poe wrote "The Fall of the House of Usher," two factors greatly influenced his writing. A first influence was John Locke's idea of Empiricism, which was the idea that all knowledge was gained by experiences, exclusively through the senses. A second vital influence was Transcendentalism, which was a reaction to Empiricism. While John Locke believed that reality or truth was constituted by the material world and by the senses, Transcendentalists believed that reality and truth exist within the spiritual or ideal world. They believed that the external world was dependent solely on the conscious. Beverly Voloshin suggests that "Poe presents transcendental
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The idea of the senses controlling all that we are able to learn and understand became the backbone for the Romantic writers of the 19th century. Certainly, Edgar Allan Poe was part of the intellectual elite who considered Locke's theory of Empiricism and the idea of the senses controlling all knowledge when contemplating the creation of his own works.
Indeed, the introduction John Locke's Empiricism changed the way in which man viewed himself, as well as the very ideas behind how knowledge was acquired. As Bevery Voloshin states, these beliefs were obvious, "especially in Locke's denial of innate ideas and his conception that all knowledge is built up from atomistic sensations through the mind's power of reflection" (18). Innate ideas were introduced by Descartes' earlier in the 16th century, and Locke was quick to disagree with the Cartesian doctrine of innate ideas - "the doctrine that man is born with clear and undeniably true ideas" (Sahakian 21). Locke thought that only through reflection could knowledge be gained, and that human beings were not equipped with certain inborn knowledge. "Locke felt that for people to be receptive toward his empiricism, it was necessary to eliminate the stronghold of innate ideas" (Sahakian 36). Only through our experiences (which are driven by our senses) and
While most of the primary characters in the American Gothic cannon are members of the aristocracy, their societally dominant position does not guarantee them satisfying lives. The focus of this analysis will be the portrayal of the individual as it relates to his or her economic status: does having wealth mean that upper class characters are more likely to lead fulfilling lives than middle/lower class characters? Through a close reading of Edgar Allen Poe’s “The Fall of the House of Usher,” Nathaniel Hawthorne’s The House of the Seven Gables, Kate Chopin’s “Désirée’s Baby,” and Edith Wharton’s Ethan Frome, readers can clearly see a pattern of social commentary in which the members of the aristocracy are—in general—the most restricted,
Edgar Allan Poe used fear to attract his readers into his gothic world. Poe realized that fear intrigues as well as frightens, and sew it as a perfect motif for many of his stories, particularly The Fall of the House of Usher. Poe emphasized the mysterious, desolate, and gloomy surroundings throughout the story to set up the fear that got the reader involved. Then he extended the fear to the characters in order to reveal the importance of facing and overcoming fear. Poe suggested in the story that the denial of fears can lead to madness and insanity. This has clearly shown through the weakening of Roderick Usher's mind and the resulting impact on the narrator of the story.
The human imagination is a powerful tool that sometimes is very hard to control, if it can be controlled at all. In The Fall of the House of Usher, Edgar Allan Poe uses imagination as a key tool to make the story come to life.
The Fall Of the House Of Usher is a short story written by Edgar Allen Poe in 1839. The short story is complexly written, with challenging themes such as identity and fear. Poe utilises many elements of the Gothic Tradition such as setting and supernatural elements to create a more mysterious story, and uses language to his advantage, employing adjective filled descriptions of literal elements that also serve as metaphors for other parts of the story.
The empiricist following throughout Western philosophy was started by John Locke. In spreading this new idea of learning, he saw his mission as clearing away the metaphysical rubbish left by rationalists which was hindering the path to knowledge. Locke rejected many of the ideas which Descartes fought for. Rationalists claimed there to be two fundamental innate ideas, the logical principles of identity and non-contradiction. Locke argued that for any innate ideas to exist they must be approved by everyone. He decided that a test should be created, thus determining if these ideas reside in the minds of everyone regardless of age or education. In his study he found that these principles, as he suspected, failed to be universally assented.
John Locke's theory of knowledge stated that all knowledge is derived from the senses, that are converted into impressions, that are then made into ideas, either simple or complex. Simple ideas are ones that involve only one sense, whereas complex ideas consist of multiple simple ideas being combined to create a vivid one. Ideas have two qualities, primary qualities, and secondary qualities. Primary qualities are things that are perceived the same for everyone, and secondary qualities are the individual perceptions of
A Sense of Tension in The Fall of the House of Usher by Edgar Allan Poe
As with many of Edgar Allan Poe's pieces, "The Fall of the House of Usher" falls within the definition of American Gothic Literature. According to Prentice Hall Literature, American Gothic Literature is characterized by a bleak or remote setting, macabre or violent incidents, characters being in psychological or physical torment, or a supernatural or otherworldly involvement (311). A story containing these attributes can result in a very frightening or morbid read. In all probability, the reason Poe's stories were written in this fashion is that his personal life was fraught with depression, internal agony, and despair. Evidently this is reflected in "The Fall of the House of Usher." Conjointly, Edgar Allan Poe's "The
In the story, “The Fall of The House of Usher”, there are many mysterious happenings that go on throughout the story between the characters Roderick Usher and the narrator. Throughout the story, Edgar Allan Poe uses themes such as madness and insanity to connect the house back to Roderick Usher. In the “Fall of The House of Usher”, the narrator goes through many different experiences when arriving to the house. The narrator’s experiences start out as almost unnoticeable in the beginning, turn into bigger ones right before his eyes, and end up becoming problems that cause deterioration of the mind and the house before the narrator even decides to do anything helpful for Roderick and his mental illness. In “The Fall of The
Locke’s states that “All knowledge comes from the senses through experience” interpreted when Locke’s “blank slate” idea to when we are kids we know nothing. Our brains have to make connections to things and these connections are gained through experience and continues
Poe’s exploration of the darker side of human nature in The Black Cat, Hop-Forg and Fall of the House of Usher
Towards the middle of the nineteenth century, the Transcendentalism movement became a seminal force in literature. Originating in the New England region of America, transcendentalism emphasized the spiritual over the corporeal, and the power of individual intuition over organized doctrine as a means of attaining true spirituality. But one of the most notable writers of this period, Edgar Allan Poe, made no secret of his disdain for the tenets of transcendentalism. He mocked transcendentalist ideals by clearly expressing anti-transcendentalist themes in one of his most well known works, “The Fall of the House of Usher”. Although this work openly exhibits Poe's contempt for transcendentalism as a literary movement, it was nonetheless
Locke feels that we do not have any innate ideas. Then the question arises of
John Locke (1632-1704) was the first of the classical British empiricists. (Empiricists believed that all knowledge derives from experience. These philosophers were hostile to rationalistic metaphysics, particularly to its unbridled use of speculation, its grandiose claims, and its epistemology grounded in innate ideas) If Locke could account of all human knowledge without making reference to innate ideas, then his theory would be simpler, hence better, than that of Descartes. He wrote, “Let us then suppose the mind to be, as we say, white paper, void of all characters, without any ideas: How comes it to be furnished? To his I answer, in one word, from EXPERIENCE.” (Donald Palmer, p.165)
Rene Descartes was a rationalist who believed that knowledge of the world can be gained by the exercise of pure reason, while empiricist like Locke believed that knowledge of the world came through senses. Descartes from his meditations deduced from intuitive first principles the existence of self, of God, of the mind as a thinking substance and the extended body as a material substance whereas Locke, asserts that knowledge is acquired through perception, direct sensory of the world, reflections, the mental processes of breaking down complex impressions into simple ones and comparing them, conceptualizing them and recommending them to form new philosophies.