Pomegranate Poem Analysis

The poem “Mother Who Gave Me Life”, written by Gwen Harwood explores the extremely personal relationship between a daughter and her mother. It focus’ on the universal role of women as mothers and nurturers throughout time. It explores the intimate moments and memories between a daughter and her mother, and gives us as the reader an insight into the relationship between the two.

She says that the "child" had been by her side until "snatched from thence by friends, less wise than true" (line 3). Basically she is saying a trusted person “snatched” her work from her without permission to take them to England to be printed. Had it not been for her brother-in-law taking her work back to England and getting them printed they may have never been known. The intimacy and feeling she shares with her work is like that of a mother and child and that bond was infringed upon when her work was "exposed to public view" (line 4). The intrusion of her brother-in-law getting her work printed is the cause of feeling that follow. Ironically the next thing she talks is the shame she has been thrust upon her by not being able to perfect the work before it was published. This is illustrated in line five where she writes, “Made thee in rags,” as to say her work is like a child dressed in rags.

Lorna Dee Cervantes' poem, “Poema para los Californios Muertos” (“Poem for the Dead Californios”), is a commentary on what happened to the original inhabitants of California when California was still Mexico, and an address to the speaker's dead ancestors. Utilizing a unique dynamic, consistently alternating between Spanish and English, Cervantes accurately represents the fear, hatred, and humility experienced by the “Californios” through rhythm, arrangement, tone, and most importantly, through use of language.

The confessional mode of poetry delves into the inner struggles of the persona as she seeks creative independence, free from the constraints of her role as mother and daughter. The juxtaposition between the two settings, “the lit house and the town,” symbolises the persona’s desire for isolation as she contemplates her filial responsibilities relative to an innate desire for solitude, “wanting to be myself alone.” Dobson’s biblical allusion to Peter’s betrayal of Jesus in “Three times I took that lonely stretch,/ Three times the dark trees closed me round” utilises anaphora to indicate her prolonged attempts to embrace her creative potential. Writing in a period of social and gender re-evaluation during the 1960s, Dobson gives us insight into the way women were struggling to balance career against the patriarchal expectations of motherhood. The night, free from daily pressures metaphorically “absolves me of my bonds” creating a lighter sense of being, which is reinforced in the synecdoche “only my footsteps held the ground.” However, the use of conduplicatio in “One life behind and one before” represents her feeling of entrapment, as he remains in a conflicted state. The emotive language in “cut off… from love that grows about the bone” captures the confronting nature of her discovery by examining the

The poem “Persimmons” by Li- Young Lee tells the story about the poet’s life, flashing back to his early childhood and adulthood having trouble adjusting to the English language. English was not his first language, which caused more confusion than understanding of new words. Persimmons shows how words can mean different things, but also how when someone truly loves you, some opposite words can have the same meaning. The poet is bashed by his sixth-grade teacher Mrs. Walker, but with the help of his mother and father he can overcome English boundaries and gain knowledge through their love.

Sylvia Plath and Gwen Harwood tell two very different stories of parental relationships, Mother Who Gave Me Life praising Harwood’s mother and speaking with love and affection, whereas Plath’s Daddy is full of hate for her father. These reflections on the poet’s parental relationships are made using imagery, symbolism and tone.

Few relationships are as deep as those between child and parent. While circumstance and biology can shape the exact nature of the bond, a child’s caretaker is the first to introduce them to the world. And as they grow and begin to branch out, children look to their parents as a model for how to interact with the various new situations. Through allusion, potent imagery, and nostalgic diction, Natasha Trethewey constructs an idolized image of a father guiding their child through life’s challenges only to convey the speaker’s despair when they are faced with their father’s mortality in “Mythmaker.”

The early learning processes of the young are potrayed more adequately in the poem Father and Child where an older child, this time a girl at a rebellious age, experiments with the constraints of authority in an attempt to seek control for herself. This experimentation leads to an important discovery in her life; death is real and unclean. Just like The Glass Jar, the allusions to nature show the certainly of change and setting the tone for the events.

I chose the poem Oranges by Gary Soto because it seemed simple but at the same time seemed profound. When I first read this poem it was easy to follow but I realized there was a deeper meaning behind the simplicity and I was intrigued. To find this poem, I searched on the internet for poems that were recommended for students in grade 11. I was looking for a poem that was somewhat long so I could write quite a bit about it. I was also looking for a poem that did not contain any allusions or ornate language. While I was reading through my choices, I briefly analyzed them, after this process I chose the one that I understood the most. The word ‘oranges” caught my eye, because it is rare to see a poem with such a simple name, but I felt that

In the music video/song “Strange Fruit”, the phrase strange fruit doesn’t really refer to a fruit that is strange. It actually refers to people being lynched and hanging from trees. More specifically, the term strange fruit applies to the lynching of African Americans. This song was performed by Billie Holiday in 1939 at the Cafe Society in New York. The music video was actually a recorded performance from 1959. The song was written and performed because the purpose of was to raise awareness and fight against African American lynching because during that time, African Americans were being discriminated and abused. Billie Holiday in the music video/song “Strange Fruit” displays logos through context and imagery, pathos through her sorrowful tone and facial expressions, and lastly, ethos because she won many awards during her career in singing, and Strange Fruit is one of them.

Duality occasionally results as the cause for suffering, while it is a product of the mind, it can often revolve around condemnation and the fear of judgement. Sylvia Plath’s poem, “Two Sisters of Persephone” illuminates the idea of the duality that exists within a woman’s personality. The title “Two Sisters of Persephone” suggests that there are two sisters being described in this poem, when in reality, Plath allures the reader by revealing that the two designated qualities actually deal with the two lives that Persephone endured as the Goddess of the Spring and the Queen of the Underworld. Plath conveys the concept of dualism through the purposeful use of structure, and depicting imagery to illustrate the contrasting lives of the renowned deity, Persephone.

"You think because I am her mother I have a key, or that in some way you could use me as a key? She has lived for nineteen years. Over and over, we are told of the limitations on choice--"it was the only way"; "They persuaded me" and verbs of necessity recur for descriptions of both the mother's and Emily's behavior. " In such statements as "my wisdom ! came too late," the story verges on becoming an analysis of parental guilt. With the narrator, we construct an image of the mother's own development: her difficulties as a young mother alone with her daughter and barely surviving during the early years of the depression; her painful months of enforced separation from her daughter; her gradual and partial relaxation in response to a new husband and a new family as more children follow; her increasingly complex anxieties about her first child; and finally her sense of family balance which surrounds but does not quite include the early memories of herself and Emily in the grips of survival needs. In doing so she has neither trivialized nor romanticized the experience of motherhood; she has indicated the wealth of experience yet to be explored in the story’s possibilities of experiences, like motherhood, which have rarely been granted serious literary consideration. Rather she is searching for

Slaves did not have maps or gps to guide them to the freedom. Freedom for them was making it to New York. Many of the slaves wanted to go as far as upstate New York and Canada. Every slaves dream was making it to the North because in the North slavery was abolished. Most of them did not attend school to have knowledge of which way the north was. Most slaves tried to leave and escape but was often caught by their masters and was beaten or worse - killed. So Older slaves came up with a way to help other slaves make it out and know which way to go. They came up with a song called Follow the Drinking Gourd. The song was created by a man who was the conductor of the Underground Railroad named Peg Leg Joe.

Pablo through the poem speaks his mind of experiences in Latin America by using the company of the United Fruits to describe the injustices to the locals vividly. Throughout the poem, Pablo uses a great deal of symbolism, metaphors, and connotations to relate the situation in Chile. The evidence of the setting as Chile is described in line 8 and 9 where the poet describes it as ‘…coast of my world….waist of America.’ Through the use of the word mu in the 8th line, it is evident that the persona in the poem is Pablo hence recounting events experienced in a colonial error marred by killings and social injustices against Latin Americans. There are multiple perpetrators such as Coca-Cola who

In this stylistic analysis of the lost baby poem written by Lucille Clifton I will deal mainly with two aspects of stylistic: derivation and parallelism features present in the poem. However I will first give a general interpretation of the poem to link more easily the stylistic features with the meaning of the poem itself.