Psycho-Sexual Reading of The Fall of the House of Usher Essay

Most readers of Edgar Allan Poe’s short story, “The Fall of the House of Usher”, will notice some obvious changes in Roger Corman’s movie, The Fall of the House of Usher. In the film, Philip Winthrop traveled to the House of Usher, a grim mansion surrounded by a tarn, for his fiancée Madeline Usher. Madeline's brother Roderick opposed Philip's intentions of getting married to Madeline and taking her back to Boston with him. He told Phillip that the Usher family is afflicted by a cursed bloodline which made all their ancestors mad, criminals, etc. He did not want the evils to spread through Madeline and Phillips “future children”. Philip felt that he could not see Madeline and himself endure much more, so he finally convinced Madeline

In “The Fall of the House of Usher,” Rodrick Usher’s twin sister Madeline, is a major, yet flat character. While there is no recorded dialog with Madeline, there is still a vivid description of her outward presentation which characterizes her as an ill, pale, woman, who is “wasting away” (Usher 5). However, Madeline is more than Rodrick’s diseased sister and her imminent death makes Rodrick nervous. Rodrick does not want loose his “soul companion” and find himself the “last of the ancient race of Ushers” (Usher 5). This applies to the theme of the fear of death, as Madeline’s impending fate makes Rodrick increasingly afraid as both the story and Madeline’s disease

The Fall Of the House Of Usher is a short story written by Edgar Allen Poe in 1839. The short story is complexly written, with challenging themes such as identity and fear. Poe utilises many elements of the Gothic Tradition such as setting and supernatural elements to create a more mysterious story, and uses language to his advantage, employing adjective filled descriptions of literal elements that also serve as metaphors for other parts of the story.

     One of the central themes underlying the short story, The Fall of the House of Usher, is that of the nature of the house. The way it is described and the way it is so mysterious. Another central theme about this story is the nature of the people that live in the house. They are portrayed very much in the same manner throughout the story. Thus, they have several similarities with each other. All of which are of a bad feeling, showing how bad things are for the people and the house. These similarities are very well laid out in the story and are, I believe, meant to be something to be considered when reading it.

The Fall of the House of Usher, a 19th century Gothic short story indirectly deals with the theme of incest between the protagonist Roderick Usher and his twin sister Madeline. The author takes the utmost care not to mention the term anywhere in the text but rather conveys it through the description of the extraordinary nature of their family.

As with many of Edgar Allan Poe's pieces, "The Fall of the House of Usher" falls within the definition of American Gothic Literature. According to Prentice Hall Literature, American Gothic Literature is characterized by a bleak or remote setting, macabre or violent incidents, characters being in psychological or physical torment, or a supernatural or otherworldly involvement (311). A story containing these attributes can result in a very frightening or morbid read. In all probability, the reason Poe's stories were written in this fashion is that his personal life was fraught with depression, internal agony, and despair. Evidently this is reflected in "The Fall of the House of Usher." Conjointly, Edgar Allan Poe's "The

Usher represents the inner self of Edgar A. Poe, he is the personality for which Poe knew, and possibly became. Poe quite possibly became Usher but he did not realize it until he re visited his inner self and mind. “Its proprietor, Roderick Usher, had been one of my boon companions in boyhood; but many years had elapsed since our last meeting” (236). Roderick Usher can represent Poe’s madness, Poe knew him in the past but finally along his journey he is coming to terms with his insanity. Edgar is excepting his madness although he still is frightened by the truth. “The writer spoke of acute bodily illness-of a mental disorder which oppressed him-and of an earnest desire to see me, as his best, and indeed his only personal friend” (236). Poe realized that his insanity did exist but he needed to address it and come to terms with it.

The narrator of the story “The Fall of the House of Usher” is a interesting character. Throughout the story the narrator interacts with Roderick and Madeline and witnesses their mental illnesses and Rodericks physical illness and how the incest between their ancestors have caused major problems in the family. What the narrator witnesses in the story is traumatic and in certain ways very life changing or altering. As a result of the events that occur in the Usher family home the narrator becomes unreliable as a narrator. The narrator is unreliable as a narrator because of the traumatic events that occur in the Usher family house and how they could have compromised the narrator's credibility as a narrator by changing or traumatizing him, and the events that occurred right before the Usher family house collapsed.

The narrator comes to the House to aid his dying friend, Roderick Usher. As he arrives at the House he comes upon an “aura of vacancy and decay… creating a pathologically depressive mood” (Cook). The state of the House is daunting to the narrator – he describes it with such features as “bleak walls”, “eye-like windows”, “rank sedges”, “decayed trees”, and “an utter depression of the soul”. These images foreshadow a less than pleasant future for the narrator and his dear friend Roderick. Poe continues to foreshadow the narrators turn of events with a description of the House’s “dark” and “comfortless” furniture. The House becomes a living hell for the narrator as he watches Roderick’s condition evolve and struggles to understand the mystery tying unfortunate events together. However, as the narrator gradually becomes more enveloped in Roderick and the House’s malady, he seems to develop a malady of his own. While the narrator’s illness is less prominent than that of Roderick and his sister Lady Madeline, the sicknesses are one in the same.

In the story “ The Fall of the House of Usher” by Edgar Allan Poe, has an American romanticism with its characters. Edgar Allan Poe is considered a Dark Romanticism because of the way he writes his poems and short stories centered around the concept of evil human nature, darkness, and death. Roderick and Madeline Usher were said to be related during the middle of the story; they were twins. It explained how they were sick, Roderick had a mental disorder and Madeline was physically sick. As the narrator enters the desolate house, he finds both Roderick and his sister in a severe state of depression and they both appear sick like. The narrator tries to make Roderick feel better, but Roderick wouldn’t budge. Roderick thinks that the house is making him sick and making him to appear crazy.

“The Fall of the House of Usher” follows a similar symbolic storyline. Throughout the story, the narrator uncovers significant details regarding the mysterious childhood friend of his and many of the important elements are revealed. Specifically, Poe designed the plot in such a way that the Usher siblings represent two sides of the same individual; Madeline and Roderick as the body and the mind respectively (Miller par 32). Since the twins are the first in their family, it shows the separation from original unity (genetically) and foreshadows that the twins must die in order for the restoration of peace. The House of Usher also has a significant symbolic value in the story; it represents Roderick’s psychological state of mind and is described by the narrator as having disturbing realistic qualities (Poe 893). Nevertheless, toward the end of the story, the epitome of the symbolic nature of this story is revealed and is concluded by an epic turn of events. Madeline collapses on Roderick as the narrator rushes to leave the house; the siblings death at the end symbolize the destruction of the physical world as shown by Madeline and the destruction of the spiritual world as displayed by Roderick’s immediate death

Symbolism and incest are both very apparent themes throughout the story of "The Fall of the House of Usher", by Edgar Allan Poe, and helps us to better understand the events that occur. Poe uses his symbolism to reveal character traits, foreshadow future events and helps his reader to understand the events that occur throughout the story. Throughout the story we realize that the relationship between brother and sister is not a normal sibling bond. We also see that the siblings themselves are not normal in all the aspects of a human being.

Edgar Allan Poe is undoubtedly one of American Literature's legendary and prolific writers, and it is normal to say that his works touched on many aspects of the human psyche and personality. While he was no psychologist, he wrote about things that could evoke the reasons behind every person's character, whether flawed or not. Some would say his works are of the horror genre, succeeding in frightening his audience into trying to finish reading the book in one sitting, but making them think beyond the story and analyze it through imagery. The "Fall of the House of Usher" is one such tale that uses such frightening imagery that one can only sigh in relief that it is just a work of fiction. However, based on the biography of Poe, events

“The Fall of the House of Usher (1939)”, arguably Edgar Allan Poe’s most famous short story, is a tale centered around the mysterious House of Usher and its equally indiscernible inhabitants. These subjects are plagued with physical and mental degradation – the Usher siblings suffer from various abnormal ailments and unexplained fears, while the house itself seems to be tethering on the edge of collapse. The gothic elements in the story are distributed generously, and the plot is increasingly ridden with the supernatural as it progresses.

The purpose of psychoanalytic criticism is to offer the reader a better understanding of a literary piece by the analysis and interpretation of certain aspects through psychoanalytical theory. The aim, as is the case with all critical approaches, is to go beyond the surface structure and into the deep structure of a text, this time through the study of the psyche and by looking for patterns which are significant and convey meaning. The focus of such an approach is either the author, the intricate mechanisms of his own mind, which explain how and why the text came into being, or, in some cases, the characters, whose psyches can shed further light on the content.