The definition of “pussy power” is power exercised by women; specifically a woman's use of her femininity in order to exert influence over men. This frequently used feminist slogan applies to Jane Eyre’s twisted and passionate relationship with Mr. Rochester in Jane Eyre by Charlotte Brontë. Through their power struggle for equality, despite their differences in social status, age, and gender, they find a shared position as outcasts: hardly fitting the Victorian era stereotypes of propriety. Beaten down by social rules, Mr. Rochester and Jane test each other with their argumentative dialogue, but they are comforted by each other’s bluntness. Both Rochester and Jane cross the line in the complex power play of their relationship. The effects of Mr. Rochester’s psychological repression from his dark past contribute to his moody and controlling behavior toward Jane; their power dynamic is reversed once they are engaged, and the effects of Jane’s psychological repression from being oppressed as an impoverished, young governess contribute to her fickle behavior toward Rochester to ensure equality between them.
As the very wealthy and respected master of Thornfield Hall, Mr. Rochester suppresses his dark side--his passionate nature--from his hired help until Jane Eyre enters his life. Before Thornfield, Mr. Rochester was tricked by his family into marrying an insane woman for money and also cheated by a Parisian opera singer he loved, Céline Varens. He first reveals his emotional side to Jane when he explains how Varens abandoned her daughter, Adèle, into his care. Jane describes him in a vulnerable state:
Pain, shame, ire, impatience, disgust, detestation, seemed momentarily to hold a quivering conflict in the large pupil dilating under his ebon eyebrow.
Wild was the wrestle which should be paramount; but another feeling rose and triumphed: something hard and cynical: self-willed and resolute: it settled his passion and petrified his countenance (381).
Mr. Rochester’s expression of “pain, shame, ire, impatience, disgust, [and] detestation” expose his visible torment from remembering his painful past. He quickly recovers from this momentary emotional convulsion; “something hard and cynical” forces him to control
The Victorian era in England marked a period of unprecedented technological, scientific, political, and economic advancement. By the 1840s, the English had witnessed remarkable industrial achievements including the advent of the railways and the photographic negative. They had witnessed the expansion of the Empire, and, as a result, were living in a time of great economic stability. Yet they had also seen thousands of people starving-and dying-due to the Irish potato famine and poor conditions and benefits in British factories and witnessed the entire order of society questioned as the working classes began to demand representation in Parliament. The English also experienced biological
So, Rochester showed the brother (Richard), the priest, and Jane his wife. He explained how Bertha had lit his bed on fire, stabbed Richard, and destroyed Jane’s wedding veil's; she was more a monster than a wife. Heartbroken by learning of this marriage, Jane fled to her room where she stayed for hours upon hours. "Jane Eyre, who had been an ardent expectant woman - almost a bride - was a cold, solitary girl again: her life was pale; her prospects were desolate (341)." When she finally emerged, Rochester tried to convince her to stay with him. “I have for the first time found what I can truly love–I have found you. You are my sympathy–my better self–my good angel–I am bound to you with a strong attachment (363).” This was not something she could not do; as Rochester said, "...[It would] strip you of honour and rob you of self-respect (346)..." The next morning, Jane left Thornfield Hall with some money and few possessions. She did not say goodbye to
When Jane enters Thornfield she thinks she is going to work for a woman named Mrs. Fairfax, but she does not. She works for a mysterious man name Mr. Rochester. This man is going to be an import aspect of Jane’s life. Jane works as a governess to a young girl named Adele. Jane encounters Mr. Rochester when she goes for a walk and runs into Rochester, whose horse is injured. After the encounter Jane and Rochester start to gain interest into each other. Mr. Rochester is a man with a large amount of money and Jane is a woman with very little money, the fact that she works for Mr. Rochester defies their unprofessional relationship. “Like governesses, these marriages between older men and younger women were viewed with great ambivalence during the Victorian period”(Godfrey). Both characters develop strong feelings for one another and become close to getting married but a discovery of a secret puts the marriage to a halt. After
Throughout the Victorian Age, male dominance deprived women from freedom of choice. In Charlotte Brontë’s novel, Jane Eyre, Jane Eyre repeatedly struggles to become an independent young lady due to the troublesome men in the story. There are several male characters who control, humiliate, and abuse their power over Jane. The author manages to depict patriarchal dominance through the characterization of John Reed, Mr. Brocklehurst, and Mr. Rochester.
Though Jane is well educated and possesses the etiquette and training of a person in upper class society, social prejudices limit her because she is simply a paid servant, in their eyes. While at Thornfield, Jane falls desperately in love with the owner of Thornfield Hall, Mr. Rochester. Jane is Mr. Rochester’s intellectual contemporary, but her social status prevents her from being his true equal. In the novel, Jane proclaims, “Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!—I have as much soul as you,—and full as much heart!” (Bronte 637). After Mr. Rochester finally proposes, Jane is hesitant to marry him because she feels as if he would be lowering himself to marry her. This feeling greatly increases after Jane discovers he is married to Bertha Mason, and that he keeps her locked away in Thornfield’s attic due to her insanity. Mr. Rochester proposes that Jane becomes his mistress, which, according to Victorian society, would be more fitting since Jane is a plain governess. Jane realizes that she can never compromise her morals that way and leaves Thornfield. While on her own, Jane still strives to gain independence, discovers new kin, and learns she has a wealthy uncle who has left her a large inheritance. After her loneliness and longing for Mr. Rochester becomes too great, she returns to Thornfield. Jane is
Charlotte Bronte created one of the first feminist novels--Jane Eyre--of her time period when she created the unique and feminist female heroine, Jane Eyre. Throughout the novel, Jane becomes stronger as she speaks out against antagonists. She presses to find happiness whether she is single or married and disregards society’s rules. The novel begins as Jane is a small, orphan child living with her aunt and cousins due to the death of her parents and her uncle. Jane 's aunt--Mrs. Reed--degrades her as she favors her biological children. Jane 's aunt--Mrs. Reed--degrades her as she favors her biological children. Her cousin--John Reed--hits her and then Mrs. Reed chooses to punish her instead and sends her to the room in which her uncle
Charlotte Bronte’s novel Jane Eyre embraces many feminist views in opposition to the Victorian feminine ideal. Charlotte Bronte herself was among the first feminist writers of her time, and wrote this book in order to send the message of feminism to a Victorian-Age Society in which women were looked upon as inferior and repressed by the society in which they lived. This novel embodies the ideology of equality between a man and woman in marriage, as well as in society at large. As a feminist writer, Charlotte Bronte created this novel to support and spread the idea of an independent woman who works for herself, thinks for herself, and acts of her own accord.
Throughout Jane Eyre Charlotte Brontë uses the character Jane as a tool to comment on the oppression that women were forced to endure at the time. Jane can be seen as representative of the women who suffered from repression during the Victorian period, a time when patriarchy was commonplace. Brontë herself was affected by the time period, because according to Wolfe, she was deprived “experience and intercourse and travel.” (70) Thus Jane offers a unique perspective as a woman who is both keenly aware of her position and yet trapped by it despite repeated attempts to elevate herself and escape the burden placed on by her different suitors. Although superficially it seems that Jane wants to break away from the relationships that further
The goal of every writer is to manipulate the reader into creating an image in there own mind with the words that the author puts on the page. This manipulation changes simple ink and paper into an entire new world of imagination and wonder. If the writer forces the reader to think, what forces the writer to think? This question comes up a lot and Jane Eyre, by Charlotte Bronte, Is a great book to examine to find this answer. Jane Eyre is a great insight into the mind of Charlotte Bronte because she used her own life as inspiration to write this story.
Bronte’s feminist ideas radiated throughout her novel Jane Eyre. There were many strong and clear examples of these ideas in Bronte’s protagonist, Jane, her personality, actions, thoughts and beliefs. From the beginning of the book, Jane’s strong personality and her lack of following social expectations were quiet clear. “Women of the Victorian era were not part of a man’s world, as they were considered below them.”(VanTassel-Baska, 4) The class divisions between a man and a woman were very distinctive. Jane however ignored this. When Jane first met Rochester, the whole scene presented a feminist portrait of Jane. A women walking alone in that era should never address a man, but Jane went out of her way to help Rochester stating that “if you are hurt, I can help” (Bronte, 98), Jane even let him place a hand on her shoulder. Jane believed that “women were supposed to be very calm generally, but women felt just as men felt” (Bronte, 116), which showed her perseverance and persistence in being independent and proving that men should be equal to that of women. This was of
Also, even though Rochester and Jane were of different classes, Charlotte Bronte presents him as an intelligent person. Both Edward and Jane enjoy conversations with each other. However, Jane does not express her feelings as clearly as Rochester does. So he dresses up as a gypsy and tries to find out what she thinks of the marriage, which everyone assumes that he will with Blanche. Although, both Jane Eyre and Rochester have are fond of each other, Edward was deceitful to Jane. For example, when Jane found out about Mr Rochester’s first wife, he first says that they can run away as ‘brother and sister’. However Jane refuses. Rochester tries another tactic and asks her to be his mistress. But Jane was too virtuous to accept the offer and had no other alternative but to leave Thornfield.
Through the Victorian Age, male dominance deprived women from a certain freedom. In Charlotte Brontë’s novel, Jane Eyre, Jane Eyre repeatedly struggles to become an independent young lady due to the troublesome men in the story. John Reed controls Jane, Mr. Brocklehurst humiliates Jane, and Mr. Rochester sees women, in general, as objects. The author manages to depict patriarchal dominance through the characterization of John Reed, Mr. Brocklehurst, and Mr. Rochester.
Jane Eyre was written in a time where the Bildungsroman was a common form of literature. The importance was that the mid-nineteenth century was, "the age in which women were, for the first time, ranked equally with men as writers within a major genre" (Sussman 1). In many of these novels, the themes were the same; the protagonist dealt with the same issues, "search for autonomy and selfhood in opposition to the social constraints placed upon the female, including the demand for marriage" (Sussman). Jane Eyre fits this mould perfectly. Throughout the novel, the reader follows Jane Eyre on a journey of development from adolescence to maturity to show that a desire for freedom and change motivates people to search for their own identity.
Moreover, Jane is dominant, assertive and lives according to her values. Though Jane is nothing more than an impoverished governess, she can retort to her haughty employer Rochester: "Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? - You think wrong!" And there are no deceit between Jane and Mr. Rochester; rather they converse as almost equals even though they are of different classes and Mr. Rochester is over twenty years Jane's superior in age. In many ways, Mr. Rochester speaks to Jane rudely and sharply; he is commanding in nature and often very diminutive toward her although never in a nasty manner. She criticizes him though, that he is no superior for age or experience but rather because she is a paided governess in his charge. When asked if she feels he is handsome, she blurts without even thinking
A feminist is a person whose beliefs and behavior are based on feminism (belief in the social, political, and economic equality of the sexes). Jane Eyre is clearly a critique of assumptions about both gender and social class. It contains a strong feminist stance; it speaks to deep, timeless human urges and fears, using the principles of literature to chart the mind?s recesses. Thus, Jane Eyre is an epitome of femininity - a young independent individual steadfast in her morals and has strong Christian virtues, dominant, assertive and principled. That itself is no small feat.