I write to follow up our recent conversation regarding New Leaf Custom Homes’ (“New Leaf’s”) infringement of Eddie Maestri’s copyright in the architectural design of the Maestri – Moore Residence. In response to your inquiry, Mr. Maestri is the owner of the United States Copyright, Registration Number VAU001139864, issued April 24, 2013. Registration includes first story and second story floor plans, as well as two elevations, the totality of which provide full disclosure of the overall form as well as the arrangement and composition of spaces and elements of the Maestri – Moore Residence. While the Maestri – Moore Residence may serve as a novel archetype from which New Leaf seeks to illegally derive the Fox Residence, there is clearly …show more content…
See 17 U.S.C. §410(c). Second, the evidence will show that both your client and the Foxes themselves directly reached out to inquire about specific and unique details of the Maestri – Moore Residence, a house located a mere block from the site of the future Fox Residence. Third, as even your letter appears to concede, the Fox residence most closely resembles the Maestri – Moore Residence in its externally visible elements and overall composition; the minor deviations are reserved for those internal spots that New Leaf could not quite so easily copy. These facts would have been different if the Maestri – Moore Residence were less distinctive or if had only trivially departed from the standard modern farmhouse form. In the Fifth Circuit, courts will look to proof of your client’ access to my client’s design, then focus on the whether there is substantial similarity between the residences by reference to the eyeball test of the average juror, not the academic distinctions of experts. See Positive Black Talk, Inc. v. Cash Money Records, Inc., 394 F.3d 357, 367–68 (5th Cir. 2004); Peel & Co. v. Rug Mkt., 238 F.3d 391, 395 (5th Cir. 2001); Computer Mgmt. Assistance Co. v. Robert F. DeCastro, Inc., 220 F.3d 396 (5th Cir. 2000). The bottom line remains that the residences were, both before and
The focal subject is misdirection. The landowner has all the earmarks of being a decent soul, kind-hearted, mindful, liberal and, most-of-all, deciveing, after all the definition of misdirection is the action or process of directing someone to the wrong place or in the wrong direction. A good example of this in The Landlady is, after a specific point in the story Roald Dahl holds the peruser's enthusiasm with hinting. Yet, in the early part he holds the peruser's advantage just by depicting a scene of immaculate effortlessness and serenity. What could be more protected and pure than a warm quaint little inn foundation in a stodgy town like Bath? The landlord is a normal sweet minimal old woman who continues everything flawless and clean and likes to talk with
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A review of the house itself suggests that an architectural hierarchy of privacy increases level by level. At first, the house seems to foster romantic sensibilities; intrigued by its architectural connotations, the narrator embarks upon its description immediately--it is the house that she wants to "talk about" (Gilman 11). Together with its landscape, the house is a "most beautiful place" that stands "quite alone . . . well back from the road, quite three miles from the village" (Gilman 11). The estate's grounds, moreover, consist of "hedges and walls and gates that lock" (Gilman 11). As such, the house and its grounds are markedly depicted as mechanisms of confinement--ancestral places situated within a legacy of control and
Thomas D. Mears had this structure built in 1859 on the former site of Governor Benjamin Smith’s summer home which was demolished to accommodate this new building. The H-shaped layout has the two long sides sitting parallel to Bay Street. An entry lobby separates two large parlors on the side and opens into a room with a circular opening in the ceiling to allow for a chandelier to extend downward from the second story. The two front parlors show the influence of Italianate architecture with plaster cornice, robust moulding and fine mantels.
The reading passage, suggests some theories about the use of the Chaco Canyon great houses in New Mexico, but the lecturer says unfortunately none of this theories is convincing enough.
Joe looked on to his burning house as a tear fell from his face. This was his home.His shoulders sagged and he heard footsteps behind him, but as he turned he saw it was Mr. Fox, the most wealthy and popular animal within thousands of miles. Mr. Fox snorted with disdain as he saw our burning house and the trail of our goods leading to the forest.
The prairie mutts are being butchered off by planners in formed shoots delineated in sickening purpose of intrigue. These harrowing scenes are contrasted and the step by step diary of Williams' sightings and seeing of the animals.
A third of my life was spent in a family home in Elk Grove, California called Shadowbrook. More accurately, Shadowbrook is the name of the model of one of the cookie cutter homes by DR Horton, home construction company. This two-story and approximately 2,450 square feet single family home has four bedrooms and three bathrooms featuring a central heating and cooling system, fireplace, and tandem three car garage. Shadowbrook was built in 2003 where my family was fortunately the first owner of this structure housing my parents, myself, and my two sisters. Since Shadowbrook is a fairly new house, little transformation has been done to the home; most transformation of the house was applied to the landscaping of the lot of the house. One of the most memorable part of my life was the feeling and the process of moving into an actual house as I had lived in apartments for the better part of my life. Unfortunately, I gave very little thoughts about the house itself since any family house we would have moved in would still had made me delighted for it would still be a new change or an “upgrade” from my previous family residence. After a stumble of curiosity, I wanted to know what expectation I had when moving into this family home and does it follow a particular trend of the time.
Facts: This is a case about trespassing. Two hunters, Post (P) and Pierson (D), were chasing the same fox. The land they were hunting on belonged to someone else. P had trapped the fox, but then D came in and killed it and took it as his own. P claimed he had control over the fox at the time D killed it and therefore had title to the fox. D argued the opposite. D appealed as P won the case.
Sniffing around the woods the Fox was starving, he doesn't have enough strength to move properly and is willing to eat anything he can get his dirty little paws on. Fox runs into the bush, going pass all the colossal brown trees but he came past a scent he hasn’t smelt before.
The mystery of big great house that built in twelfth century A.D.Still valued now days even there are some existing theores that try to explain the purpose of building such big houses in New mexico.
I am standing outside the Wolcott House and it is 30 degrees out. A cold breeze runs through my coat. The Wolcott House is a late Federal early Greek Revival style home built around 1830. The home remained in the Wolcott’s family possession until 1959 when it was then turned over to the public. It was built in Maumee during the pioneer days; the home is a magnificent white two story, fourteen-room mansion. The house overlooks the Maumee River, a perfect location for James Wolcott. He was a shipbuilder, architect, politician and judge, it was crucial for him to have easy access to the river. It has been documented that this historical home is haunted. There have been visions and the feeling of super natural presence in the rooms of the home. I try to imagine myself back in time, in the late nineteenth century. Instead of the roar of cars, I would hear the boats on the Maumee River. The sound of wood being chopped would be heard in the distance, one of the Wolcott children doing some of their daily chores. The Wolcott boys, all five of them, would be responsible for supplying the wood and kindling for the fireplaces.
A deep understanding of architectural heritage and aesthetics allows Tom to maintain a balance between existing traditional architecture and the new contemporary additions. He has some prestigious and
“Human houses should not be like boxes, blazing in the sun, nor should we outrage the Machine by trying to make dwelling places too complementary to Machinery. Any building for humane purposes should be an elemental, sympathetic feature of the ground, complementary to its nature-environment, belonging by kinship to the terrain.”
The Manor house to the north seen in Fig.1 is now inhabited by estate staff and the grounds are now used for grazing, and undergo maintenance