Paris Blass
Mrs. Malovich
English II Honors, Period 7
2 May 2016
Racism in Elizabethan and Modern Societies
Modern day society hinders racial diversity, even if it doesn’t quite seem like it. Generations today are more open to ethnic assortment, but yet still are stuck to racial stereotypes. Everyone who is racially diverse is quietly but surely judged based on their different dialect and skin color. Many people today undermine any other race, making their opinions based off of stereotypical theories. Society today obtains high standards of unity. When something is different from the normal, it threatens the unity. This threat often produces fear, leading to the attempt to push out the diversity from the united culture. This judgement also affects the racially diverse, making them of a timorous and cautious nature. The act of being singled out creates a self confidence decline, pushing doubt and insecurity into the mind of the divergent. In result of these racial insecurities, the planting of uncertainty in the mind of Othello was simply facilitated. Through a racial lense, Shakespeare conveys the quintessence of racism through his vivid racial insecurity and the manner in which Iago and other characters speak about the different race of Othello. This is showcased by the vulnerability Othello presented when confronted with doubt. Connecting to modern society, many people still judge on race, creating a barrier of insecurity between the racially different and conventional
The issue of race is one filled with controversy and passion, even today in the twenty-first centaury. In today’s day and age it is more shuttle and underground then it was in its most recent ‘hay-day’. In our time today we see it as more of a shameful, offensive and intolerant thing, but it was the norm in the early 15th and 16th century. Today those people that are outwardly racist are seen as outcasts. In this essay I will tempt to show how even though it was the norm in Victorian England, Shakespeare already had another mind set, and was trying in this creative way that the mind set of the people was not correct even for that time. How and why did Shakespeare purposely portray Othello the Moor as a tragic hero, like Hamlet or King
• A fear of foreigners during Elizabethan times fostered misogynistic and racist values, which is evident in the way Othello’s blackness becomes a symbol of alienation to which all characters in the play must respond.
Othello or The Moor of Venice by William Shakespeare is a tragedy of race. Shakespeare creates a hero who does not fall under a racist stereotype, Othello is a nobleman, a decorated soldier, very well respected by his men (with the exception of Iago). One of the few characteristics that harms, rather than helps him, is that he is dark-skinned in a society utterly dominated by men prejudiced against those with dark skin. At the start of the play, he appears confident that, "My parts, my title, and my perfect soul / Shall manifest me rightly." (Shakespeare, 1, 2, 36-37) But Iago makes sure to use Othello's race against him as much as possible. As a brave soldier from Africa and recently instated supreme commander of the Venetian army, Shakespeare still allows Othello to succumb to the subtle racism that surrounds him. Most of it comes forward through the dialog, and is directed toward Othello. Shakespeare makes no effort to hide this colorful language, nearly every character uses a racial slur to insult Othello at some point in the play. Even Emilia, who doesn’t trust her own husband, sinks to the level of insulting Othello based on the color of his skin. Though the main character to make racist remarks in Othello is Iago, making him a representation of white supremacy. The effect of racism on Othello is quite evident and is one of the main causes of his insecurity about his marriage. These black stereotypes show up in the play and lead to the problem with trying to produce
Although Othello is set in Venice and Cyprus, the attitudes and values shared in the text are probably reflective of the attitudes and values of Shakespeare's own society. It is difficult to assess the attitudes and values of people in sixteenth-century Britain to the relatively few blacks living amongst them. We are given an insight into those attitudes and values through the representation of race and
Othello by William Shakespeare raises the issue of how rampant beliefs and attitudes in a society can cause a person to question their sense of self. In a society where racial equality is near non-existent, Othello, a black skinned foreigner in the Venetian society, is constantly reminded of his status as an outsider. Othello, however, is not depicted in a stereotypical manner and despite occupying a highly respected position he is often confronted with blatant racism throughout the play. The prevailing attitudes and beliefs of Venetian society towards Othello are exploited by Iago in order to manipulate Othello’s self confidence and emotional state.
In Millicent Bell’s “Othello’s Jealousy”, she explores the idea that Othello’s downfall is ultimately caused by his distrust for and apprehensiveness towards society due to him being a racial outsider. He knows not only does he not fit in to this strict European society, but he probably never will. Bell argues Othello’s racial weariness was used and molded by Iago into sexual jealousy, a jealousy Othello was never able to recover from, as Iago accused Othello’s venetian wife Desdemona of cheating and ultimately convinced Othello of such to his demise. I argue, that Shakespeare made a point to exemplify not only the racial discord in society in 1604, but just how deep that disgust for racial outsiders ran, and how it could easily sway the individual to begin to feel the same way about themselves, along with the sometimes fatal consequences that can accompany those beliefs and insecurities.
“Othello” is a tragic play of jealousy, racism and struggle for power. Right from the beginning, Shakespeare has created vigorous dialogue and conflicting situations. There is a direct contrast between black and white in this play, with black meaning something negative and evil and white meaning pure and fairness. The clash between these two colours leads to severe hatred and enmity between a few people.
Racism is a theme that is prominently evident throughout Shakespeare's Othello. Through this theme, there are several perceptions of an individual's race which are exhibited to establish the
The issue of race in Othello has only become important in modern times. It has no real relevance in its original context. Shakespeare’s ‘Othello’ is set against a backdrop of societal tensions, from the regulations of aristocracy that Desdemona breaks ‘free’ of, to the rebellion of defying the church, and the gradual integration of different cultures. Racism has thrived for thousands of years, and although there was not a name for it during Shakespeare’s time, racism is threaded through ‘Othello’.
The play, Othello, is certainly, in part, the tragedy of racism. Examples of racism are common throughout the dialog. This racism is directed toward Othello, a brave soldier from Africa and currently supreme commander of the Venetian army. Nearly every character uses a racial slur to insult Othello at one point in the play. Even Emilia sinks to the level of insulting Othello based on the color of his skin. The character that most commonly makes racist remarks in Othello is Iago. It is very apparent that Iago uses racism as a scapegoat to hate and blame Othello. Societal racism takes its toll on its victims. The effect of racism on Othello is quite evident and is one of the main causes for
Throughout time, writing has evolved such that gender, race and creed have taken on a more pivotal role in fiction. Some people argue that race in William Shakespeare’s tragedy, “Othello,” is hardly an issue. However, to many people, race is everything in “Othello. The challenges that Othello, the lead character, faces are directly attributed to his “Moor” complexion and if he were of a different nationality, the outcome of his situation would have been drastically different. These claims are supported by the articles of “Othello’s Alienation” by Edward Berry and “Race Mattered: Othello in Late Eighteenth-Century England” by Virginia Mason Vaughan that argue that race is a major element in “Othello.”
Racism seems to be a big concern in Shakespeare’s tragic play, Othello. Because the hero of the play is an outsider, a Moor, we have an idea how blacks were regarded in England, in Elizabethan times. There are many references that bring about the issue of racism from the very beginning to the end. In the tragedy, where Othello is coming from is not mentioned, yet through the descriptions the reader is informed that he belongs to one of the Eastern nationalities such as African, Ottoman Turk or Arab. In this paper I am going to analyze some episodes involving a prejudicial, racist attitude and try to discuss whether Shakespeare was a racist or not. Even though the play is full of offensive definitions of black
Prejudice is an act of dehumanization. Throughout the Shakespearean play The Tragedy of Othello the theme of prejudice dominates the society in which the characters are restrained to. For the duration of the play the character Othello encounters various verbal slanders of racism and slurs leading to his spiral and demise. To the extent in which it contributes to him murdering his wife out of jealousy and, later, executing himself. The discrimination present in the play casts an influence on his character, consequently leading to pivotal downfalls. The act of prejudice is evident through Iago’s promotion of racial bias, the prevalence of racial attitudes, and the exemplification of Othello as an outcast in their society. Thus, the story becoming a tragedy for the existence of racial bias. Allocating that the influence of prejudice can obstruct one’s mindset, ultimately leading to the disintegration of one’s character.
Racial conflict is an evident theme in Shakespeare’s Othello. Throughout the play, Othello faces adversity from his community, his superiors and his friend, Iago. The entirety of the play is based around the suffering of Othello. Simplifying the hate directed at Othello as racism, Shakespeare conveys Othello’s adversity in a relatable way. By using the universal theme of racism, Shakespeare creates unlikeable characters and makes Othello’s fall from grace all the more tragic.
Critics have debated the significance of Othello’s race in terms of portraying his identity for a long time. The negative connotations of “blackness” have led to the creation of many racial constructs associated with the “Moor”; this denigration has infused the opinions of many critics, such as Albert Gerard, proposing that Othello’s “negroid physiognomy” reaches down to the “deepest levels of personality” and that he is a “barbarian”. However, many other critics like Edward Berry and Martin Orkin believe that colour is merely a “surface indicator” compared to the outward virtue of beneficence, defining identity. Beneficence could be defined by the will to practice good acts, in conjunction with the aversion of practicing evil, and the prevention and removal of evil.