Rape Fantasies By Margaret Atwood Analysis

This essay will examine the social and cultural conditions, within the macro-diachronic and micro-synchronic theoretical models , that intensify or perpetuate sexual assault. I have chosen only one concept from each model because these are the only concepts that I feel that I can use to most accurately and comprehensively depict causes and reasons for why sexual assault is deeply entrenched in our social structure. I will thus explore, from these ideological viewpoints, some of the motivations and circumstances which lead offenders to sexual assault. I will also fuse some of the historical attitudes from which today's concepts have evolved to our contemporary understanding of this social

1.Based on Serono’s ideas rape culture is something that cannot be solved with “single-tact solutions”. The “men-as-predator/sexual aggressor assumption” (Serano 422) allows women to believe that the man is always a predator, and therefore leads to men being aggressive leading to the cycle of rape culture. Overall to change rape culture we must change this assumption that currently dominates out thinking.

Researchers have come up with various explanations trying to explain the sexual abuse cases in the globe. Some of these explanations form a basis on psychological perspectives, biological perspectives, and criminal perspectives. Despite these differences, rape cases are considered a violation of an individual right and the traumatizing effects are reported to be similar. The paper will focus mainly on the criminological approach to rape cases (Grooth & Jean, 1979). Various criminologists’ literature will be reviewed in association to rape as an offense against the law.

In “Riding the Bull at Gilleys,” Scully and Marolla depict the psychopathological and the socio-cultural models of rape. The psychopathological model is a representation of what psychotherapist have used for years to explain the reasoning behind rape. With this model, rape is the result of an eccentric mental dysfunction, which symptoms include involuntary and uncontrollable sexual impulses. These sexual impulses may be temporary, repetitive, long lasting or brief. This model also implies that male sexual aggression is abnormal, therefore; psychologists do not seek any other rational explanation. Mainly, the psychopathological model ignores any correlational factors linking male sexual aggression to learned social behavior.

“Before the rape I felt good. My life was in order. I was getting ready to get married. Afterward everything changed. I kind of lost who I was as a person…

On September 27th, 2017, we watched a documentary made by Priyanka Boghani called, Rape on the Night Shift, which was made June 23rd, 2015. This document discusses the issues with a large number of women getting raped while doing their jobs, more specifically janitors, who aren’t protected by the company that they work for in the way that they should be. The documentary also goes over how rape is one of the most common crimes to go unreported, and unprosecuted. These rapes still occur because when a rape is reported, companies are taking very little to no action in making their workplace a safer environment and don’t give each employee the necessary education and tools to allow them to stay safe should they ever be in a rough situation. The investigators interview and reach out to many women who have been raped and sexually abused allowing them to tell their stories, including Maria Bojorquez, Maria Magaña, Erika Morales, Leticia Zuniga, and many more.

“There were stories in the newspapers, of course, corpses in ditches or the woods… but they were about other women, and men who did such things were other men. None of them were the men we knew. The newspaper stories were like dreams to us, bad dreams dreamt by other. How awful, we would say, and they were, but they were awful without being believable. They were too melodramatic, they had a dimension that was not the dimension of our lives” (57).

Date rape is one of the most common types of rape within the United States, especially on college campuses. According to the State of Florida, date rape can be defined as “forced sexual content during a voluntary social engagement.” Camille Paglia wrote “Rape: A Bigger Danger Than Feminist Know,” to focus on the dangers of date rape from a feminist’s standpoint. In response to Paglia’s work, Susan Jacoby wrote “Common Decency,” this text was written as an attempt to break down Paglia’s argument. Although Paglia does present some logical fallacies throughout her text, she displays a more effective argument than Jacoby because of her usage of the rhetorical appeals; logos, ethos, and pathos. In comparison, Jacoby’s text “Common Decency” does not contain logical fallacies but lacks the rhetorical appeals; logos, ethos, pathos, which is causing the ineffectiveness in her argument.

Sexuality has an inherent connection to human nature. Yet, even in regards to something so natural, societies throughout times have imposed expectations and gender roles upon it. Ultimately, these come to oppress women, and confine them within the limits that the world has set for them. However, society is constantly evolving, and within the past 200 years, the role of women has changed. These changes in society can be seen within the intricacies of literature in each era. Specifically, through analyzing The Scarlet Letter by Nathaniel Hawthorne and The Bell Jar by Sylvia Plath, one can observe the dynamics of society in regards to the role of women through the lens of the theme of sexuality. In both novels, the confinement and oppression of women can be visibly seen as a result of these gender roles. Yet, from the time The Scarlet Letter was published to the time The Bell Jar was written, the place of women in society ultimately changed as well. Hence when evaluating the gender roles that are derived from sexuality, the difference between the portrayals of women’s oppression in each novel becomes apparent, and shows how the subjugation of women has evolved. The guiding question of this investigation is to what extent does the theme of sexuality reflect the expectations for women in society at the time each novel was written. The essay will explore how the literary elements that form each novel demonstrate each author’s independent vision which questions the

On the article On Date Rape, Paglia discussed what contemporary women should think about rape risk. She believes that even though women already won the freedoms, they still need to be aware about rape risks constantly, and keep themselves be safe. Because she thinks today males still are dominant on sex. This is a thought-provoking article. However, even though the author is an authoritative professor, there are still some fallacies and weakness in this article.

Psychologists usually agree that the teenage years are among the most difficult periods in one’s life. Most teens are trying to figure out who they are, what they believe, and how they fit into the world around them. Beginning in the late 1970’s, a whole genre of fiction, referred to as coming-of-age literature, emerged and serves, at least for many teens, as believable presentations of young people learning to navigate the difficulties of their lives, often fraught with feelings of rejection, seemingly unresolvable personal turmoil, social problems, school and family issues, etc. Indeed one value of reading is to see and better understand some aspect of ourselves through studying others. The reading of SPEAK, a somewhat controversial book

Kurt Vonnegut is known for his dark humor, wit, and imagination. He is consistently listed among the great American authors of the later twentieth century and his novel’s such as Cat’s Cradle and Slaughterhouse Five are considered modern classics. In this essay, I will focus on two of Vonnegut’s short stories “Welcome to the Monkey House” (1968) which takes place in a dystopian future where everyone is required to take pills that take all the pleasure out of sex and “Miss Temptation” (1959) which takes place in a small east coast town by looking at them through a feminist lense. Both stories come to the same ultimate conclusion that over-moralization of human

Patricia Lockwood’s The Rape Joke is a risky composition- not because it discloses information about Lockwood’s personal rape experience, but because it does so from a comedic stance, ridiculing the unfortunate event and the events leading up to and after it. While the creation of the poem was prompted due to the sexual assault she experienced, the content and subject are not centered around the incident or the assaulter but around rape culture and the sociological concept of victim blaming, from both society and oneself. There is no such thing as a rape joke-the joke is the incredulous ways society has guided people to respond to it.

The main debate amongst the explanation is the key motivation that drives the offender to commit rape. Previously, majority of social scientists’ perspective of rape is seen as a sexually motivated crime; for instance, males are given the opportunity to fulfil their sexual desires that cannot be met legally, thus

Rape is an experience which shakes the foundations of the lives of the victims. For many its effect is long term, impairing their capacity for personal relationships, altering their behaviour and values and generating fear, Temkin (1986:17).