Essay Raphael's Portrait Leo X with Cardinals Guilio de' Medici

The document shows Leonardo da Vinci's Mona Lisa which is believed to be a portrait of Lisa Gheradini, The wife of a wealthy Florentine merchant. The art in the Renaissance was detailed and beautiful. '' One begins to know the names of the artist… feel stronger emotions in the subjects… see well-defines landscapes, natural folds in drapery, and three-dimensional figures.'' Because the art in the Renaissance had symbolic representation, it was easier to understand the

The two main characters in the painting display elegant mannered poses and all the figures appear arranged in rather unnatural poses. There is a small scene at the foot of the Saint Catherine and Christ figures. This is thought to be the Christ child with the Virgin Mary and grandmother, Saint Anne. Below these two scenes are three smaller bordered scenes. The central one depicts two enemies reconciled by an archangel and the outer ones show Saints Michael and Margaret fighting demons. All these images show the triumph of good over evil, with the middle characters shedding their weapons and embracing. All these small pictures support that the painting was commissioned by Arigoi di Nero Arighetti to celebrate the end of a feud.

Many think that his wife is pregnant, but she is not. She is just holding up her full-skirted dress in a contemporary fashion. Arnolfini came from family of merchants from Lucca living in Bruges. The couple are shown in a nice environment that looks pretty expensive and seem to be wearing nice clothes, which makes them appear to be wealthy. The work is known to be one of the most impressive paintings during the Northern Renaissance because of how detailed it is. Some of the details noticed by many are the little hairs sticking out of the dog, the type of cloth on their clothing, and the material of the clogs in the bottom left-hand corner. There are a lot of questions surrounding the Arnolfini Portrait because Jan van Eyck wrote on the portrait himself that it was made in 1434, but if the portrait was supposed to be of him and his wife, that didn’t make sense. Many believed that this painting may have symbolized that he had moved on and had a new woman in his life to love because his wife had died in

The work features a satirical take on the Catholic order of Rome. The satirized depiction of the Pope in Cranach’s etching is relevant to the cultural, religious, and political environment that sixteenth-century Europe was experiencing at the time. Criticism of the church appears in Cranach’s etching: he depicts the Pope with three separate heads and a snake tail. The environment in North Europe was well on its way to disturbance, change, and separation.

It is a famous example of Renaissance art showing portraiture, realism, and some perspective. In this painting there are four distinct characters. Each has a different expression that shows how they are feeling. There is also more detail in the faces then in any other parts of the painting. Another technique it demonstrates is heightened realism. Whereas before the Renaissance the figures may have been painted simply and in only enough detail to get the general idea across, these figures are shown more realistically. Lastly there is the technique of perspective as shown in the background of the painting. The sea stretches out into the sky and the land in the background is shown how it would look if the viewer was actually

It is speculated that her betrothed Luigi Niccolini to whom she was married to in 1474 commissioned this portrait. It is unknown who actually did commission the portrait as Ginevra was known to have had several admirers who composed poetry in her honor and entreated her to share own verse with them. Among them was Lorenzo de’Medici, whose elite family was known for its patronage of the arts. It may have been he who commissioned her portrait to celebrate, or even substitute for, the object of his admiration and esteem. Many portrait subjects of the Renaissance were from a wealthy family, and educated. Ginevra was well known as a poet and learned conversationalist within her community. She, like many young women of the time were expected to comport themselves with dignity and modesty. Virtue was prized and guarded, and a girl’s beauty was thought to be a sign of goodness. Therefore, her flawless chalk-white skin, porcelain-fine features, and a reserved, somewhat impenetrable expression reflect her education, virtue and obvious beauty. Her simplistic lack of obvious finery, however, is somewhat surprising. Women in elaborate dresses adorned with jewels and luxurious brocades displayed a family’s wealth in most portraits of the time. This lack of adornment and the three quarter pose reveal young Leonardo as an innovator. Additionally, Ginevra de’ Benci is one of the first known three-quarter-view portraits in Italian art. Leonardo placed her

By comparison to the identified paintings of Raphael, discrepancies can be spotted from both clothing of Virgin Mary

It is even speculated that he may have went so far as to use a magnifying glass when working on these small details to ensure that they were as accurate as possible. This attention to detail has not only brought the painting to life, but from a researchers point it illustrated just how important this painting was for van Eyck to paint, and important the Arnolfini wedding may have been to him.

The painting depicts real people doing everyday things, like studying. Classical Antiquity was greatly displayed through another painting it depicts a normal person holding a balance. In the Middle Ages this would have been frowned upon because they discouraged the making of realistic paintings (Follett software). Realistic paintings would not have been introduced to the Renaissance without the humanists studying classical antiquity.

If you want a painted dome that will impress the Pope himself, why don’t you choose a person who already does impress the Pope? One of Raphael’s patrons included a Pope, Leo X. Raphael also painted a very famous portrait of Pope Julius II. Would you really choose someone to paint a church that has not been friends with the Pope himself? If so, shame on you. In 1514, Raphael was appointed chief architect of the Vatican, a title not all artists get. Imagine all of the Vatican skills he could bring to Florence! The possibilities are endless! In 1515, Raphael became director of all excavations in Rome or that related to it. So, not only is Raphael a skilled religious painter, but he is leading expeditions that agree with the ideas of the Renaissance.

This paper will compare the themes found in the paintings "Madonna and Child with St. John the Baptist and an Angel" by Domenico di Bartolomeo Ubaldini (Puligo) and "Madonna Enthroned" by Giotto. Both paintings deal with fables from the Christian faith but were executed during different periods in art. The Giotto painting was created around 1310 and the Puglio painting was executed between 1518 – 1520. Here, these two paintings have similar themes both at the extreme beginnings and endings of the Italian Renaissance, and as such they serve to present an exceptional example of the developments in art that occurred within that time. This paper shall compare

Leonardo da Vinci was one of the stunning craftsmen back in the 1500's. He was a painter, stone carver, planner, builder, and a researcher. Amid the Renaissance, the depictions that he drew were colossal. He drew works of art like the Mona Lisa and the Last Dinner. He went to different spots to influence his fantasy to work out as expected. Leonardo began off as a collaborator, yet transformed into a pioneer and a craftsman later in his life. After Leonardo turned 15, his dad chose to take him to a renowned craftsman named Andrea del Verrocchio. A significant number of the painted assembling of Verrocchio's workshop wound up noticeably executed by method for his faculty. Concurring with Vasari, Leonardo cooperated with Verrocchio on his sanctification of Christ, demonstrating the more youthful holy messenger holding Jesus' robe in a way that was to date better than his lord's that Verrocchio put down his brush and not the slightest bit painted once more. This is most likely an exaggeration. On close exam, the show tells about a decent arrangement that has been painted or touched up finished the gum based paint the utilization of the new strategy for oil paint, the wide perspective of a nature scene, the stones that might be seen through the dark colored mountain stream and a significant part of the observing of Jesus demonstrating the veracity of the hand of Leonardo. Leonardo himself can likewise have been the form for 2 works by Verrocchio, which incorporate the bronze statue of David inside the Bargello and the Most elevated amount holy messenger Michael in Tobias and the Heavenly attendant. By the age of twenty, Leonardo confirmed as an ace inside the association of individuals of St Luke, the craftsmen and specialists of prescription, yet even after his dad set him up in his own workshop, his connection to Verrocchio turned out to be to such an extent that he kept on cooperating with him. Leonardo's soonest perceived dated depictions is an attracting pen and ink of the Arno valley, drawn on August 5,1473. Leonardo da Vinci is altogether different from alternate figures in World History. Leonardo da Vinci was an exclusive tyke until the point that he was mature enough to work for Andrea del Verrocchio. He

One of the most celebrated paintings in the Robert Lehman Collection, this jewel-like representation of the Annunciation is set in an architectural interior constructed according to a rigorous system of one-point perspective. The panel was almost certainly commissioned as a private devotional image, not as part of a larger structure. While the identity of the patron is not known, the work was in the famed Barberini collection in Rome in the seventeenth century.

This painting is divided into three equal parts by the arches in the background and the characters correspond to each of these arches (TV12). The father is in the middle portion of the painting. The lines of perspective created by the tiled floor, draws our attention to the swords that the father is holding and the vanishing point lies just behind the handles of the sword. Our angle of vision is such that we are looking directly at the main figures groups, particularly the father. A single light source from the left of the picture illuminates the characters and also focuses our attention to the father holding the sword. This creates a ‘theatrical’ effect. The background is simple and stark so our attention is focussed on the figure groups in the painting. The painting has a wide tonal range that makes the composition logical and balanced. The colours used in this

The Mona Lisa has to be one of my favorite paintings of all time and has lead me to use this specific painting as a topic for this paper. Not to mention the love I have for Leonardo da Vinci. I, myself have always been drawn to da Vinci’s paintings and all of his other achievements that he has given us during his life. I, like Leonardo da Vinci love art and science just as much as it seems he did. He shares a love of art and a fondness for science. It also seems that he loves a good mystery, and the Mona Lisa just happens to be one clouded in mystery. And I too love a good mystery.