Rappaccini’s Daughter by Nathaniel Hawthorne

The children In Nathaniel Hawthorne’s The Scarlet Letter play a major role in the Puritan society. With their honest opinions of Hester and Pearl, the children are presented as more perceptive and more honest than adults. Due to their innocence, children are capable of expressing themselves without constraints; there are no laws or regulations that they are bounded by. As an adolescent go through the stages of life and grow older, they begin to be more conscious of the how they act as they are more aware of society and the things that are occurring in the world, creating a filter for their actions. When they remain as the children, on the other hand, are adventurous; they are still exploring the universe that seems to fill with mysteries that are bound to be solved. They tend to attach to the truth and they are not afraid to speak it freely. Children differ from adults in their potential for expressing these perceptions. With their obliviousness to the things that are actually going on around the town, children therefore react differently compared to the adults, who are more knowledgeable. Perceived to be immature, young children are presented as more perceptive and more honest than adults due to their innocence, how they are unaware of the reality and the crimes that are presented in society by the adults enables them to be blithe and not afraid of saying what they feel like. Due to their naivety, when they express what they perceive to be true, they do not get punished,

Shakespeare’s Romeo and Juliet – popularly considered by many to be the quintessential love story of all time – is a play that we are all familiar with in one way or another. Whether it be through the plethora of portrayals, adaptations and performances that exist or through your own reading of the play, chances are you have been acquainted with this tale of “tragic love” at some point in your life. Through this universal familiarity an odd occurrence can be noted, one of almost canonical reverence for the themes commonly believed to be central to the plot. The most widely believed theme of Romeo and Juliet is that of the ideal love unable to exist under the harsh social and political strains of this world. Out of this idea emerge two

Nathaniel Hawthorne is one of the greatest American authors of the nineteenth century. He published his first novel Fanshawe, in 1828. However, he is widely known for his novels The Scarlet Letter and The House of Seven Gables. His novel, The Scarlet Letter, can be analyzed from historical, psychological and feminist critical perspectives by examining his life from the past, as well as his reflections while writing The Scarlet Letter. In order to understand the book properly, it’s necessary to use these three perspectives.

Juliet’s tragic pursuit to continue her passion-filled young love challenges the rigid, prevailing values of Verona’s adult world. While the tragic ending does not offer the defiance of

    In Nathaniel Hawthorne's classic The Scarlet Letter, nature plays a very important and symbolic role.  Hawthorne uses nature to convey the mood of a scene, to describe characters, and to link the natural elements with human nature.  Many of the passages that have to do with nature accomplish more than one of these ideas.  All throughout the book, nature is incorporated into the story line. The deep symbolism conveyed by certain aspects of nature helps the reader gain a deeper understanding of the plight and inner emotions of the characters in the novel.

Hawthorne is known for being a Romantic writer with a Romantic subject: a rebel who refuses to conform to society's code. Most

    In Nathaniel Hawthorne's work, The Scarlet Letter, nature plays a very symbolic role. Throughout the book, nature is incorporated into the story line. One example of this is with the character of Pearl. Pearl is very different than all the other characters due to her special relationship with Nature. Hawthorne personifies Nature as sympathetic towards sins against the puritan way of life. Hester's sin causes Nature to accept Pearl.

Each man only saw what he wanted to see regarding Beatrice, and for Giovanni, it was most complex. Her father probably had good intentions when he caused his daughter to be poisonous. He did it as a means of protection, but this backfired, because the tendency of others to misunderstand Beatrice's complex makeup led them to unintentionally kill her. Each of the three men in Rappaccinni's Daughter wanted to mold Beatrice into something and each had his own idea of her identity, yet none of them looked at her subjectively. This is pointed out by Luedtke on page 188. "When he (Giovanni) was unable to bring Beatrice 'rigidly and systematically' within the realm of his own experience, and unwilling to risk a closer knowledge, Giovanni left the poison-damsel to die in her own pleasure-place." It is interesting to note Luedtke's use of the words "pleasure-place". This suggests that the poisonous garden was not the real problem or prison for Beatrice. An interesting point is revealed by Luedtke as he states, "The author makes a late attempt to intertwine her poison and her purity, but the demonic and the angelic continue to occupy their separate spheres, the former of the body, the latter of the soul. As Baglioni's antidote takes effect, eradicating the poison from Beatrice's system, her physical life is consumed. The soul might be innocent but it has no resting place."(181) If Beatrice's soul had no

First of all, these three short stores deal with nature and science, but when one delves deeper into the stories, it becomes apparent that Hawthorne actually explores relationships among family members. These three works of writing portray Hawthorne’s thematic writing

     In Hawthorne's revered novel The Scarlet Letter, the use of Romanticism plays an important role in the development of his characters. He effectively demonstrates individualism in Hester to further our understanding of the difficulties of living in the stern, joyless world of Puritan New England.  It is all gloom and doom.  If the sun ever shines, one could hardly notice.  The entire place seems to be shrouded in black.  The people of this society were stern, and repressed natural human impulses and emotions than any society before or since.  But for this reason specifically, emotions began bubbling and eventually boiled over, passions a novelist

But, if her any shifting emotion caused her to turn pale, there was the mark again..." (Hawthorne, "The Birth Mark" 640). Hawthorne description of Georgiana's birthmark and Rappaccini's plants are vague and frequent, yet they fulfill Hawthorn's promise to "bring out or mellow the lights and deepen enrich the shadows of the picture" (T.H.O.S.G., preface). The examples stated above show that Hawthorne does say true to his definition of romanticism, more specifically his self-proclaimed right to depart from reality.

" The Wife and Children of Nathaniel Hawthorne: Introduction. N.p., n.d. Web. 19 Jan.

Baglioni realizes that Giovanni is in love and gives him an antidote to cure Beatrice, which in the end kills her (963-81). Hawthorne uses symbols to advance the underlying meaning of corruption throughout the story. The overall theme or underlying message of “Rappaccini’s Daughter” is corruption. Corruption can be found throughout the story in the form of evil and decay.

Hawthorne frequently uses words like "imagine", "seemed", or "appeared to " to cast a doubt upon the validity of what Giovanni thinks he sees. Even Giovanni himself rationalizes the situation and convinces himself that what he thought he saw did not happen. This is because in Giovanni's mind, it is impossible to separate the physical from the spiritual. For him, if Beatrice's body is poisonous, then so is her spirit. Giovanni is unable to see the possibilities for good and bad to be simultaneously within someone. This problem is at the heart of this story and is what ultimately causes Beatrice's death. Since Giovanni allows himself to disbelieve what he had seen earlier in the garden, he is able to fall for Beatrice. Giovanni is drawn to Beatrice not because of the "glamor" of science, but an interest in the unknown. He knows that all is not right in Rappaccini's garden and he is fascinated with the mystery. As Giovanni and Beatrice get to know each other, they develop a strong bond. However, for Giovanni this is not true love. Hawthorne provides the reader with clues that question the integrity of Giovanni. For example, Hawthorne writes, "Guasconti had not a deep heart or at all events, its depths are not sounded now-but he had a quick fancy, and an ardent southern temperament, which rose every instant to higher fever-pitch" (Hawthorne 614). Not only is Giovanni passionate in his lust for Beatrice, but he also

Nathaniel Hawthorne, an American novelist, whose works show a deep consciousness of the ethical problems of sin and punishment. In “Rappaccini’s Daughter," Hawthorne uses science and symbols to narrate the story of a student called Giovanni Guasconti, who falls in love with Beatrice. Beatrice is a beautiful and mysterious young woman whose touch and breath becomes poisonous by the experiments of her father, the scientist Giacomo Rappaccini, and is unable to be a normal young woman. Through a series of experiments, Hawthorne uses science to drive the entire story and show the boundaries of ethics and morals in science by the use of literary devices of mood and symbolism to create an association with the tale of Adam and Eve in the Garden of