Realism In The Alchemist

Social isolation is a social issue where people avoid contact with one society. They are commonly seen nowadays preventing people from interacting with another as well as creating reliable relations, abating any chances for one to realize their destiny. This negative spiral immensely affects the opportunity for people holding a feeling of love and community toward others.

“You can always turn a bad kisser into a good one,” Laura Prepon. Santiago, the main character of Paulo Coelho’s The Alchemist leads a modest and ordinary life as a shepherd. Santiago travelled constantly, exploring the Andalusian terrain. In his travels, Santiago met a woman who interpreted his dreams, and told him his treasure would lie in Egypt at the pyramids. However, Santiago believed that the dream interpreter was a phony, and he continued to herd his sheep. Soon after, he exchanged words with the King of Salem, and Santiago was once again told to venture to Egypt in order to find his treasure. After careful consideration, Santiago sells his precious sheep and begins his journey. An alchemist, somebody who turns lead

Paulo Coelho uses allusions throughout The Alchemist to relate the story to biblical figures. What is currently occurring in The alchemist is, that a strange man named Melchizedek is asking Santiago to give him one tenth of his heard and he will tell him how he has to get to the pyramids. Melchizedek told Santiago many ideals of following your dream in life, and he guided him and explained to him why it is always so important to follow your dream in life. Santiago gives him the sheep and Melchizedek tells him how to get to the treasure and then the book reads “Melchizedek… He would never again see the boy, just as he had never seen Abraham again after having charged him his one-tenth fee…That was his work” (Coelho 21). This alludes to the biblical story the biblical figure Melchizedek. Melchizedek was the King of Salem, and it is said that when Abraham was returning after a battle Melchizedek met him, blessed him, and brought him bread and wine. In return,

The Alchemist is a novel first published in 1988 by Brazilian-born author Paulo Coehlo. It has sold more than 65 million copies worldwide, making it one of the best selling books of all time, and has been translated in over 60 languages. The book follows an adventurous shepherd boy named Santiago who has recurring dream leads him on a journey to find hidden treasure. The book begins Santiago has the same troubling recurring dream, when sleeping under a sycamore that grows out of the ruins of a church, of a child telling him to seek treasure at the base of the Egyptian pyramids. After a gypsy tells him to go to Egypt once hearing his dream, a strange old man appears, claiming to be the King of Salem, tells him it is his

- When Santiago was in the pyramids then he was robbed again by the thieves that brought him to a near death experience.

The Choral Poem called The Alchemist, have a comparable theme as the book The Alchemist, as a whole because they both reflect the importance of taking something and make it not better but the best version of itself. Turning lead into gold. Transforming something useless into something indispensable.

Throughout The Alchemist novel, there are several themes. Love is one of the themes that Santiago comes across throughout the novel. In his journey to find his personal legend, he comes across lust and love.

“The Alchemist” is a novel written by Paulo Coelho in 1988. Regarded as Coelho’s best novel, it captures the elixir of life through the view of a sanguine Spanish Shepard. Set in a forsaken church in Spain at night; the young Shepard Santiago tastes the exquisite sensation of a compelling dream. He dreams that a young lad tells him about a hidden treasure nigh the Egyptian pyramids. After the dream relapses more than once, Santiago opts to confer an old man and an old woman who tell him that his dream is oracular and that he must abide by its directions. Santiago then decides to pursue his vision and sets off on the venture of a lifetime with a set purpose of locating the fortune hidden near the Egyptian pyramids. In the course of his quest, he meets several people who act as figures that succor him and elevate his experience. As well, he comes into contact with the diversity of human emotions, as he experiences sorrow, pain, elation, agitation and love. In addition, he learns about the mechanism of the universe and the earth’s way of sending

Santiago must be tested before he can fulfill his Personal Legend. Only then can he comprehend the Language of the World. A person’s goals are never achieved unless that person is willing to face their fears. As the alchemist tells him, "No one fails to suffer the consequences of everything under the sun." Even though Santiago had already encountered many other obstacles, the first time his life was truly in danger was during the tribal wars. He is told that in order to achieve his Personal Legend a person must be willing to risk everything they have. At the end of the story the alchemist leaves Santiago alone to complete his journey because the alchemist knows that to realize his Personal Legend, Santiago must take those last steps himself:

In the beginning of his journey, the merchants unwillingness showed Santiago that he did not need an exterior force to push him towards his dreams, just his self-belief. Then, the Englishman taught him that as long as he had determination and wanted something, the Soul of the World would guide him to it. While crossing the desert, Santiago’s attention to all the components instilled the message to notice all details in life. Fatima’s leniency towards Santiago leaving showed that no matter how far a couple is, true love prevails, as Santiago eventually returned to Fatima at the end. The final lesson Santiago learned from turning into the wind and circling back to his beginning, was that no matter how impossible a dream or task seems, if you have faith and drive it will lead you to success. The combination of Santiago’s newfound confidence, faith, and focus made him a wiser, more mature person that differs from the young, uncertain boy he was

The Alchemist is a journey of exploration and self-discovery as we follow the main character, Santiago, a young shepherd who lives in Spain, on a journey to fulfill his personal legend. The novel shows us wisdoms and gentle reminders of how to change our lives from what they may be today into the life we have always dreamed of.

There are many obstacles in everyday life, but none as detrimental to ones future as fear. Fear can cause people to not only avoid achieving their goals in life but it also forces them to think about it throughout every day. Paulo Coelho’s The Alchemist shows that those who wallow in fear will never achieve their personal legend, and those who conquer fear will achieve anything they strive for. Paulo Coelho’s The Alchemist is a commonly analyzed and criticized piece of literature. One of these articles is Rejendra Kumar Dash’s “Alchemy of the Soul: A Comparative Study of Hermann Hesse’s Siddhartha and Paulo Coelho’s The Alchemist”. Dash’s article is a literary criticism of the different parts of the character’s journey in The Alchemist.

The Alchemist, a novel written by Paulo Coelho teaches us about the importance of self-discovery and exploration by taking us through the journey of a young Andalusian shepherd, Santiago. Paulo Coelho was born in Rio de Janeiro, Brazil, on August 24th 1947, to Pedro Quiema Coelho de Souza, an engineer, and his wife, Lygia, a homemaker. Paulo early on had dreamed of an artistic career and then after his surroundings in Jesuit school, he discovered his true vocation was to be a writer (Coelho 195). Upon telling his mom, she told him that his father was an engineer, a reasonable and logical man and had a clear view of the world. At the age of 16, Paulo’s opposition against following a traditional path led to his parents committing him into a mental institution (Paulo Coelho). To satisfy his parents, he enrolled in law school. However, it led him to mental illness and failing his career. After many years, he gave a shot at his dream profession and started to write. Paulo wrote The Pilgrimage: Diary of Magus which described his experiences and his discovery that the extraordinary occurs in the lives of ordinary people. He was the recipient of numerous international awards, amongst them the Crystal Award by the World Economic Forum. The Pilgrimage was published in 1987 and The Alchemist was published in 1988, a year after. Both novels appeared on the best sellers list but The Alchemist continued to sell more copies than any other book in Brazilian literary history. The Alchemist,

People grow both mentally and physically in their lifetimes; however, the unique ways in which people grow and develop create the wonder of diverse human life. Paulo Coelho contradicts this idea in his novel The Alchemist when he states, “And my heart and soul is your heart and soul” (IX). This underlines Coelho’s whole idea all of humanity’s stories are the same. Coelho shares this idea as he attempts to describe what he believes this shared story is through a boy named Santiago. However, while the humanity and Santiago may share the same goals, the way that Santiago achieves them is unrealistic compared to most of society. Santiago begins innocent and unknowledgeable of the world, and goes out on a mission to find his Personal Legend.

Paulo Coelho’s The Alchemist, first published in Portuguese in 1988 and then translated into English in 1993, follows the travels of a lone shepherd boy, simply named Santiago, in search of his treasure, which is revealed to him through his recurring dreams, and with the help of a gypsy woman, his dream is deciphered and he is given a destination. Along the way, he meets King Melchizedek of Salem, the Englishman, the Alchemist, and many other characters, each of whom play a role in helping him in reaching his Personal Legend. The tale itself is also filled with many fantastical and magical elements that have been integrated into the characters’ reality in believable ways, qualifying The Alchemist to belong under magic realism, despite the fact