Rewriting the Concept of Hell in Dante's Inferno Essay

The next three rings and sub-rings of Hell are composed of violent crimes against both ones self and others. The sixth ring is reserved for the heretics who are engulfed in flames. This symbolizes the problems that they tried to create by challenging the Christian church and its practices. The seventh ring has three sub-categories consisting of violence against people and property, suicide, and those against god, nature, and order. The sinners that were violent against people and property are punished by being immersed in boiling blood, which is equivalent to the level of violent crimes they committed. The punishment for suicide is being planted and growing as a tree, when a branch is torn off the person feels the equivalent pain of having an arm or leg taken off. This is a fitting punishment because in their life the only relief from suffering was through killing themselves and in hell they live with that agony similarly to the way people on earth are suffering over the deceased. The third and final sub-ring of the seventh circle holds those against god, nature, and order. They are punished by either walking, sitting or lying on flaming sand while hot ashes fall from above. Their position is based on their lack of respect for what they offended. The last ring in this group of violent

"Its shoulders glowed already with the sweet rays of that planet/ whose virtue leads men straight on every road,. (I 16-18) The Inferno is one-third of Dante Alighieri's Divine Comedy. This fictional poem is a narrative. In the poem Alighieri made his own character symbolic to the Human soul and his idol, Virgil, symbolic to human reason. Together they journey through the Nine Circles of hell. Dante is able to complete his journey through hell because Virgil helps him through.

Dante's Inferno explores the nature of human suffering through a precautionary light. As Dante and Virgil move through the Inferno, Dante sees what has become of people who overindulged in things such as, lust, gluttony, violence, and bribery. Few of the punishments described in the Inferno have a direct correlation to the sin that the souls committed while they were living. Rather, they are a representation of what happens when we commit those crimes against ourselves and others. We create hells for not only ourselves, but those who we have sinned against. These hells are almost impossible to come back from as most of these sins cannot be taken back or undone. Some of the punishments that were clear representations were the punishments of

Dante’s purpose for writing Inferno using the language that he did was to warn others about their actions so they would not fall into Hell. Dante describes Hell in a wicked manner to emphasize that Hell is not fun nor beautiful. Gustav Doré gives us an accurate visual of how Dante describes the journey through the nine circles of Hell. The story states, “I saw myriad flocks of naked souls, / All weeping wretchedly… / Flat on their backs, some spread out on the ground; / Some squatted down, all hunched up in a crouch; / And others walked about interminably. / More numerous were those who roamed around; / Fewer were those stretched out for the torture, / But looser were their tongues to tell their hurt.”

Though it is not technically a level of Hell, I could not help but think of myself when Dante and Virgil traveled through the Vestibule. This antechamber is the eternal home to "the opportunists." Here, these souls are condemned to forever chase after a banner, punishment for leading their lives only following themselves without ever taking the side of good or evil. They are constantly being stung by hornets, representing their guilty consciences that always swarm them.

Robert Herrick, an English poet, once said, “Hell is no other but a soundlesse pit, where no one beame of comfort peeps in it.” Picture any type of Hell with relief, happiness, or even the smallest crack of a smile. There is no place. In fact, one can only think of the complete opposite, whether it is a Hell filled with neglect, pain, disgust, or a never-ending life of horror. This is the place created by Dante Alighieri; The Inferno is exactly the type of Hell where no person would want to be. Even those who acted upon the lightest of sins suffered greatly. While each realm contained a different sinner, the punishment that each were forced to face was cruel, repulsive, and sometimes rather disgusting. Through grieving tears without an

Hell has been described in many different texts, all explaining how Hell may be organized. There have been many examples in the Bible, myths, folktales, and music through out time. One example in particular is in Dante's, The Inferno, where hell is described as having many layers, which are categorized by individual sins, such as thievery, and are punished for an eternity. In Dante's model, more sin centered, a soul would be sent to a certain layer of hell for one sin that he had committed. However, perhaps a more personalized Hell, sinner-centered, that deals with each sinner individually for each sin committed and its severity, would allow for people to be punished more effectively.

In Canto 11 of the Inferno Virgil explains to Dante that violent sins, sins of violence, takes three forms other people, ones self, and God (28-33). The people who commit crimes against other are punishes in the first ring of the seventh circle, a river of blood (Inferno 12) Those people who commit suicide, those who commit crimes unto themselves are punished in a horrid forest (Inferno 13). The ring for the people who commit crimes against God, the third ring is a barren places all of sand ignited by flakes of fire. To break this circle down more, there are those who offend God directly(blasphemers), those who violate nature(sodomites) and those who are users(Inferno 14-17).

Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The

As demonstrated would be the second circle of hell which consists of the lustful. As their punishment for their unholy desires, they are being blown violently back and forth by strong winds which prevents them from getting rest in comparison to a higher level such as the fifth circle which contain the wrathful who live in the mud river and is constantly fighting and hurting each other because they could not manage their anger in life. The punishment reflects the type of sin committed during their lifetime. All of this organized based on the severity of the sin. Dante teaches us that whatever you do will always come back regardless. Justice is considered one of the most important theme and concept that it comes with. The term “right of law” means that a person does what is “just” or “ morally right” and for things to be overall fair which ties in with the concept that involves people getting what they had coming for them.

The inferno by Dante is a story of faith, religious and moral beliefs with various elements, symbols and themes. Through this journey Dante is guided through hell and back by Virgil a symbolism of his teacher and a comrade philosopher like him. The three elements through out this story that seemed to stand out the most are the perfection of God's justice, evil as a contradiction to God's will, and the style of language.

Imagination is defined as, “the act or power of forming a mental image of something not present to the senses or never before wholly perceived by reality”(Merriam-Webster). In The Inferno Hell is just that, a creation of Dante’s imagination. By reading the epic a mental image of Hell is formed, but it can be viewed in various ways due to Hell never being wholly perceived by reality. The whole novel is never seen as less than real, but many of the events that occur are not life like. Having suicidal souls trapped in trees with Harpies eating them until they bleed is far from reality (Alighieri, 101). With an example of Dante’s imagination comes the concepts of art.

Around 1314, Dante Alighieri completed the Inferno, the first section of what would make up The Divine Comedy, a collection of three poems reflecting Dante’s imaginative journey through Hell, Purgatory, and Heaven. In these poems, Dante the poet describes the pilgrimage that Dante the pilgrim must complete to attain salvation. With the Roman poet Virgil as his guide, Dante the pilgrim must purge himself of his own sinful nature, which can only be achieved by observing and learning from those that have landed themselves in either Hell, Purgatory, or Heaven. Described in Inferno, his excursion begins in Hell where Dante learns about the stories and the sufferings of many sinners. As Dante the pilgrim progresses through Hell it is clear that he assumes different personas. In some instances, Dante the pilgrim is portrayed as an empathetic man who pities the sinners while on other occasions, Dante the pilgrim is portrayed as a callous and indignant being in regard to the sinners. While Dante the pilgrim is depicted in these two completely different ways, it is the insensitive portrayal that more precisely depicts Dante the pilgrim, as that is his true identity when he leaves Hell. His journey affected him so greatly that by the end of his pilgrimage, Dante the pilgrim has transformed from a compassionate man into an impervious and even cruel individual.

In Dante’s Inferno, we followed Dante as he narrates his decent and observations of hell. A wonderful part of that depiction is his descriptions of the creative yet cruel punishments that each of the different sinners receive. This story is an integral part of literary history, and even if I were to have the imagination and ability of Dante Alighieri, I don’t believe I would change this tried and true version known universally.

As Dante travels deeper into the pit of hell he finds much more horrific places which climaxes in the fourth ring of the ninth circle, Judecca the lowest part, of hell were people go who betrayed their benefactors. These people spend eternity completely