Rhetorical Devices In The Fall Of The House Of Usher

One of Roderick's fears was death. He was from a well-known and honored family, and he and his sister were the last of the long line of Usher descendants. His sister, Madeline, had been fighting a severe and long-continued illness for quite some time, which had added to much of Roderick's gloom. " Her decease, would leave him the last of the ancient race of the Ushers." Roderick seemed not only to fear the death of his sister and ultimately of himself, but also the uncertainty of the future. "I dread the events of the future, not only in themselves, but in their results. I shudder at the thought of any, even the most trivial incident, which may operate upon this intolerable agitation of soul."

The Usher mansion is slowly deteriorating, just like Roderick Usher himself. The “sombre tapestries,” “ebon blackness,” and “phantasmagoric armorial trophies” did not just start showing in the house; these elements have had time to develop and is now represented as a never ending darkness, which is just like Roderick Usher’s mental illness. Not only does Poe create an image of the house, he also uses lucid details describing the Usher’s mansion and the rooms inside the home to show that Roderick’s mental illness has physically and mentally trapped him. Roderick is a gloomy and mysterious character who looks as if he is dead. Poe describes Roderick’s appearance as one to not easily be forgotten (Poe 152). In Roderick’s mind, he feels as if he has no escape from this illness, which terrifies him. His biggest fear is fear himself. The evil that has overcame his body will take a toll on his life and he is aware of it because he says “I shudder at the thought of any, even the most trivial, incident, which may operate upon this intolerable agitation of soul. I have, indeed no abhorrence of danger, except in it absolute effect-in terror” (Poe 153). As described in the story, the Usher house has rooms that create a somber life and with this creation, Poe is able to portray the kind of life that Roderick Usher is living and will live. Not only is this technique used in “The Fall of the House of

Edgar Allen Poe is a critic of short stories and poetry, and often puts his own theories into his writing. Edgar Allen Poe’s, “The Fall of the House of Usher,” falls into this category in the idea of the single effect. The short story starts with the Narrator going to visit his old friend, Roderick Usher because of a letter Roderick writes to him. The Narrator goes to the house and spends time with Usher, but all starts to go array when Roderick thinks his sister is dead and buries her. She comes out of her tomb and jumps at Usher and the House of Usher falls and Roderick dies. Poe argues that all short stories should have a single effect; a feeling the author should make the reader feel. The single effect of “The Fall of the House of Usher” is terror. Poe creates the single effect of terror through the settings, characters, and elements of the story. He does this through the setting of Usher’s room and Madeline’s tomb; through the characters of Roderick and Madeline Usher; and through the element of the Haunted Palace.

Another theme that Poe explores in The Fall Of The House Of Usher is fear. It is fear that drives the story, fear that traps the narrator, and eventually fear that kills Roderick Usher. Poe foreshadows the paradox of Roderick’s fear early in the story: “There can be no doubt that the consciousness of the rapid increase of my superstition…is the paradoxical law of all sentiments having terror as a basis.” Roderick Usher is quoted as saying “I have, indeed, no abhorrence of danger, except in its absolute effect--in terror." This means that he is not afraid of death, but of fear itself. And it is this fear of fear that eventually leads to his death, when Madeline ‘returns from the dead’ and scares him to death.

All these things put together and a few others help to connect the house to Roderick and Lady Madeline. When the narrator first sees Roderick after a long period of time, he thinks that he resembles that of a corpse. Then Roderick tells him the reason for his appearance, why he looks so bad. He said he had an illness that was a “morbid acuteness of the senses.” The word morbid, when used anywhere, has very strong meaning and it is of the negative type. He uses the word tortured when he is describing his eyesight and says that even the slightest sound is almost unbearable. Thinking about having all of these symptoms put together is a very bad picture to paint in your mind. His condition, in this case, is very comparable to that of the condition of the house.

Violent or macabre incidents are often used in American Gothic Literature to present imposing, though quite unsettling, portraits of the human experience by way of terror. Poe accomplishes this in “The Fall of the House of Usher” at what time Madeline Usher reappears at the end of the story, covered in blood and kills Roderick Usher. “There was blood upon her white robes, and the evidence of some bitter struggle upon every portion of her emaciated frame. For a moment she remained trembling and reeling to and fro upon the threshold—then, with a low moaning cry, fell heavily inward upon the person of her brother, and in her violent and now final death agonies, bore him to the floor a corpse, and a victim to

In the story, “The Fall of The House of Usher”, there are many mysterious happenings that go on throughout the story between the characters Roderick Usher and the narrator. Throughout the story, Edgar Allan Poe uses themes such as madness and insanity to connect the house back to Roderick Usher. In the “Fall of The House of Usher”, the narrator goes through many different experiences when arriving to the house. The narrator’s experiences start out as almost unnoticeable in the beginning, turn into bigger ones right before his eyes, and end up becoming problems that cause deterioration of the mind and the house before the narrator even decides to do anything helpful for Roderick and his mental illness. In “The Fall of The

The Fall Of The House of Usher is a terrifying tale of the demise of the Usher family, whose inevitable doom is mirrored in the diseased and evil aura of the house and grounds. Poe uses elements of the gothic tale to create an atmosphere of terror. The decaying house is a metaphor for Roderick Usher’s mind, as well as his family line. The dreary landscape also reflects his personality. Poe also uses play on words to engage the reader to make predictions, or provide information. Poe has also set the story up to be intentionally ambiguous so that the reader is continually suspended between the real and the fantastic.

Edgar Allan Poe was a unique man that most people could not understand. Many recognize that he is a talented writer with a very strange and dark style. One of his most well known short stories is “The Fall Of The House Of Usher.” Many argue the different meanings of this story and how it is symbolic to his life. Poe was a very confused individual who needed to express himself, he accomplished this through the short story of “The Fall Of The House Of Usher.” Through this story, Edgar was trying to show the fear he had for him self, he did not understand him self so therefore Poe ran from his own personality and mind. This story enables the reader to take a look at Poe’s mind and

Edgar Allen Poe’s short story, “The Fall of the House of Usher”, sets a tone that is dark, gloomy, and threatening. His inclusion of highly descriptive words and various forms of figurative language enhance the story’s evil nature, giving the house and its inhabitants eerie and “supernatural” qualities. Poe’s effective use of personification, symbolism, foreshadowing, and doubling create a morbid tale leading to, and ultimately causing, the fall of (the house of) Usher.

The narrator comes to the House to aid his dying friend, Roderick Usher. As he arrives at the House he comes upon an “aura of vacancy and decay… creating a pathologically depressive mood” (Cook). The state of the House is daunting to the narrator – he describes it with such features as “bleak walls”, “eye-like windows”, “rank sedges”, “decayed trees”, and “an utter depression of the soul”. These images foreshadow a less than pleasant future for the narrator and his dear friend Roderick. Poe continues to foreshadow the narrators turn of events with a description of the House’s “dark” and “comfortless” furniture. The House becomes a living hell for the narrator as he watches Roderick’s condition evolve and struggles to understand the mystery tying unfortunate events together. However, as the narrator gradually becomes more enveloped in Roderick and the House’s malady, he seems to develop a malady of his own. While the narrator’s illness is less prominent than that of Roderick and his sister Lady Madeline, the sicknesses are one in the same.

In the story “ The Fall of the House of Usher” by Edgar Allan Poe, has an American romanticism with its characters. Edgar Allan Poe is considered a Dark Romanticism because of the way he writes his poems and short stories centered around the concept of evil human nature, darkness, and death. Roderick and Madeline Usher were said to be related during the middle of the story; they were twins. It explained how they were sick, Roderick had a mental disorder and Madeline was physically sick. As the narrator enters the desolate house, he finds both Roderick and his sister in a severe state of depression and they both appear sick like. The narrator tries to make Roderick feel better, but Roderick wouldn’t budge. Roderick thinks that the house is making him sick and making him to appear crazy.

“The Fall of the House of Usher” follows a similar symbolic storyline. Throughout the story, the narrator uncovers significant details regarding the mysterious childhood friend of his and many of the important elements are revealed. Specifically, Poe designed the plot in such a way that the Usher siblings represent two sides of the same individual; Madeline and Roderick as the body and the mind respectively (Miller par 32). Since the twins are the first in their family, it shows the separation from original unity (genetically) and foreshadows that the twins must die in order for the restoration of peace. The House of Usher also has a significant symbolic value in the story; it represents Roderick’s psychological state of mind and is described by the narrator as having disturbing realistic qualities (Poe 893). Nevertheless, toward the end of the story, the epitome of the symbolic nature of this story is revealed and is concluded by an epic turn of events. Madeline collapses on Roderick as the narrator rushes to leave the house; the siblings death at the end symbolize the destruction of the physical world as shown by Madeline and the destruction of the spiritual world as displayed by Roderick’s immediate death

Edgar Allan Poe is undoubtedly one of American Literature's legendary and prolific writers, and it is normal to say that his works touched on many aspects of the human psyche and personality. While he was no psychologist, he wrote about things that could evoke the reasons behind every person's character, whether flawed or not. Some would say his works are of the horror genre, succeeding in frightening his audience into trying to finish reading the book in one sitting, but making them think beyond the story and analyze it through imagery. The "Fall of the House of Usher" is one such tale that uses such frightening imagery that one can only sigh in relief that it is just a work of fiction. However, based on the biography of Poe, events

The Fall of the House of Usher is a story “of sickness, madness, incest, and the danger of unrestrained creativity. This is among Poe's most popular and critically-examined horror stories” (Gordon). For example if you were to close your eyes while someone was reading the story you would see the house “decaying” in your imagination (Poe). From the start of the story the narrator’s strange “insufferable gloom” is introduced. He notes the darkness of his surrounding (Gordon). The stories are very deeply described and felt.