Risk in Hamlet
Risk Is a part of everyday life. It can be present in a small amount like crossing the street or riding a skateboard. It can be present in larger amounts as well such as skydiving or driving a motorcycle. But is Risk good for us? Is it healthy for us to be risky? In a certain amount, yes , but too much will start a downward spiral. Risk is a huge factor in Hamlet and is present in the entire play. By using outside sources we can begin to unravel and understand Hamlet’s predicament and by doing so, our own humanity. The point is this, Risk is needed to drive life forward but be too risky and it will all come crashing down.
Risk is necessary to live your life and keep pushing you forward. It is a sort of call to action. It is a voice in your head that tells you to go for it. Think of risk as a drum beat. The more you put it off the louder the drums get. They get louder and louder until you can’t
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If Hamlet wallowed in pity much longer who knows what would have happened to him. He took a risk, a leap of faith if you will, and believed the ghost of his father and it gave him a sense of purpose. It suddenly gave his life some meaning again. He still felt the loss of his father but he took a risk in thinking he could do something about his father’s murder. One of the biggest risks we take is trust. When we trust somebody or what something says, we take a giant risk that they are being truthful. Hamlet risks everything to avenge his father on a whim because a ghost of all people told him to. There was no real circumstantial evidence that Claudius killed Hamlet’s father. It makes sense of course and is what happened, but to take someone’s words as truth so quickly is a risk that Hamlet took. This risk is what drives the play forward. If Hamlet had not believed the ghost and dismissed what he was told then nothing would have changed and Hamlet would still be sulking around most
This event along with everything else that he is dealing with is the threshold for Hamlet that he must cross. To cross this threshold Hamlet has to make a decision. Dealing with the process of making and actually making this decision lead Hamlet into his manhood. Hamlet has idealized his father and what Hamlet has learned about his father in the ghost scene shakes his fragile equilibrium. He learns all at one time that his uncle has killed his father, and that his father is not the person that he thought he was. This is a blow for any young adult. Hamlet is now having to deal with the fact that everything that he has believed to be true, just is not so.
Hamlet has had to cope with a lot of different things way to fast. In the beginning of the play he sees the ghost of his dead father and is actually able to have a conversation with him. After his father was murdered everyone thought it was an accident but Hamlet knew the truth because the ghost told him it was
Similar to the quest for truth in Oedipus’ case, so does Hamlet lead to his own decease. In the first act of William Shakespeare’s Hamlet, after Hamlet is aware of the tormented ghost of his father walking on the ramparts, he goes to witness it for himself. This immediately exemplifies the theory that Hamlet, like Oedipus, is in search of the truth, until he realizes it is too much to bear. Subsequent to seeing the apparition, he is convinced to avenge his father’s murderer. The ghost tells him, “Revenge his foul and most unnatural murder,” (29). As Hamlet lays the trap for the new King Claudius, he is procrastinating in order to solve his self-doubt. Even after the ghost tells Hamlet how his father was murdered, Hamlet has the players act
Further evidence of Hamlet's tragic flaw can be found in act III, scene 3. At this point, Hamlet is sure of Claudius' guilt, and has even declared that "Now could I drink hot blood and do such bitter business as the day Would quake to look on." (p. 99 lines 406-408) He comes to find King Claudius alone, and recognizes it as an opportunity to act, but almost immediately talks himself out of action on the bases that the King is praying, and will therefore go to heaven. He decides yet again to delay avenging his father's murder, this time until he can kill the King while he is in a vile condition, such as "When he is drunk asleep; or in his rage; Or in the incestuous pleasure of his bed." (p. 103 lines 89-90) Hamlet has failed to act for so long that the Ghost soon comes back to remind him of his duty.
Hamlet soon resolves to take action. He sets up a play to trap Claudius so he can find out if the ghost was telling the truth. This is his intelligence and craft. He will not impulsively commit murder because of the word of a ghost who seemed to be his dead father. When he meets with his mother later, he is very angry and emotional and kills Polonius believing it was Claudius. Hamlet shows himself to be a man of action before thought in this case. He is rather cold that he is not terribly sorry about this accidental death but does show genuine concern for his mother which leads him to fits of intense emotion.
In Shakespeare’s Hamlet, Prince Hamlet serves as one of the most multi-faceted characters in the entire play with critics often deeming his personality “paradoxical”. Ultimately, Hamlet provides the audience with the epitomy of internal contrast and instability by rapidly transitioning through periods of caution and rash action, introversion and extroversion and calculation and spontaneity.
Hamlet seems obsessed with the concept of death. Along with his slipping sanity Hamlet is not able to find any hard evidence making him act rash where he stages a play to make his own evidence. Claudius seems to suspect Hamlet because of Hamlet’s plan to be mad with love and sends two former friends of Hamlet to spy on him. Hamlet believes he is in control though when he tells them, “I do not well understand that. Will you play upon this pipe” (III.ii.313). Hamlet realizes what Guildenstern and Rosencrantz are up to and tells them nothing. Feeling that his uncle s up to him, Hamlet uses the play to judge Claudius’s reaction and proceed from there. This scene could be considered the climax of the play where Hamlet knows for sure Claudius killed the late king and Claudius knows Hamlet knows. This scene might seem like Hamlet’s actions caused the mistake, but Hamlet’s inability to confront his uncle makes Hamlet to act with hesitation. The cause of Hamlet’s losing sanity is the king. Claudius seems to be the origin point for almost all of Hamlet’s problems: his dead father, his faithless mother, and the target for a revenge plan he do seems hesitant on. Even when Hamlet confirms the fact that Claudius killed his father, Hamlet does not act fast with a murder plan. It seems that Hamlet wants to avenge his father, but he does not want to murder for there
Although after Hamlet had crossed paths with his fathers spirit, he doesn’t take immediate action into avenging his fathers death and seeking revenge on Claudius, this critic states that it was because he is uncertain of the ghosts identity, believing that it may be a ‘devil’, Hamlet doesn’t take immediate action due to the external obstacle of uncertainty if the ghost of his father is his true self or that it was a ‘devil’ who is disguised as his fathers soul, Robert R. Reed Jr. analyzes this external obstacle as one of the many factors as to why he had delayed his revenge since Hamlet was unsure about the identity of the
This all sets the stage for Hamlet’s mental state prior to learning that he was killed by somebody in his family. These themes of death and betrayal lead into the end of the first act when Hamlet is tasked by the ghost of his father to seek revenge against Claudius for what he did. Hamlet believes that he was “born to set it right” (1.5.190). The extremes of this line reveal that Hamlet believes that the whole reason for his existence is to avenge his father. This need for revenge drives Hamlet for the rest of the play. He wants justice for his father, but he also wants to punish Claudius for his murder and marrying his mother. He gives in to human nature when he starts striving to avenge his father’s death.
Hamlet went from a mourning Prince of Denmark over the death of his father, to a revenge seeking murderer as the play progresses. This transition in character is evident through Hamlets meaning of life; the desire for justice. After the meeting with the ghost, his worldview completely changed to a craving for revenge. In today’s ever changing world, people who act on revenge are no longer socially acceptable. These people who act on revenge often commit mortal sins and heavy crimes and are set to life in prison. Hamlet is the only person to blame for his death because of his worldview. “A villain kills my father, and for that I, his sole son, do this same villain send to heaven.” (Shakespeare 3.3 76-78) At this point, Hamlet’s worldview is completely based on getting revenge for his father. There is nothing more important in life at the time. Hamlet has just killed Polonius mistaking him as Claudius. Moments later Hamlet is face to face with Claudius, but chooses not to kill him because he wants the worst for him. Hamlet says “ I, his sole son, do this same villain send to
Claudius is only acting out what Hamlet secretly wants to do, take his father’s place as his mother’s lover. This would explain why Hamlet puts off the revenge instead of carrying it out immediately after seeing his father’s ghost. It would also provide a reason for Hamlet’s later insanity.
In Shakespeare's Hamlet, a ghost tells Hamlet that his uncle, Claudius, is responsible for the death of his father. Hamlet is driven to reveal the truth of his father's death and seeks to avenge his murder to achieve justice. In his quest to right the wrongdoing, Hamlet delays acting toward justice for many reasons. The main factor for Hamlet's hesitation is attributed to his self-discipline. He lacks of ability to act on his emotions. Hamlet is an intelligent, moral, and reserved character. He restrains himself to act rationally and not on emotion. This hesitation is a tragic flaw for Hamlet, but in order to resolve the truth, it is necessary.
When Hamlet’s father, the late king of Denmark, comes to him as a ghost and reveals he died at the hands of his brother, Claudius, he demands Hamlet “revenge his foul and most unnatural murder” (1.4.23-25). Without hesitation, Hamlet agrees to avenge his father’s death, saying, “Haste me to know’t, that I with wings as swift / as meditation or the thoughts of love, / May sweep to my revenge” (1.5.29-31). He decides the proper form of justice is to kill Claudius, just as the king killed his own brother, though he has his own motives. Hamlet loathes Claudius for marrying his mother, and learning King Hamlet died at the hands of Claudius only provokes Hamlet more. As the play continues, Hamlet plots his revenge, and he deceives everyone with his apparent insanity. Hamlet eventually succeeds in his search for vengeance and justice, though it kills him as well. He
As the play goes on, Hamlet encounters his father's ghost. Upon discovering that his father's death wasn't natural, he says with much feeling that "Haste me to know't, that I with wings as swift/ As meditation, or the thoughts of love,/ May sweep to my revenge" (1.5.29-31). The ghost tells him that he was murdered by Claudius. His motives were his love for Gertrude, without her knowledge or consent. Hamlet is furious and seething with rage with the news of his father's murder. Knowing the truth makes Hamlet's subconscious realize that killing Claudius would be similar to killing himself. This is so because Hamlet recognizes that Claudius' actions of murdering his brother and marrying Hamlet's mother, mimicked Hamlet's inner unconscious desires. Hamlet's unconscious fantasies have always been closely related to Claudius' conduct. All of Hamlet's once hidden feelings seem to surface in spite of all of the "repressing forces," when he cries out, "Oh my prophetic soul!/ My uncle!" (1.5.40-41). From here, Hamlet's consciousness must deal with the frightful truth (Jones).
The death of Hamlet’s father and his mother remarrying two months after his father’s death are two scenarios that instill revenge into Hamlet’s brain. Throughout the play, the readers see how Hamlet’s personality and mental state evolves while revenge is still on his mind. Hamlet rationally thinks about revenge and the consequences to come by contemplating killing Claudius for a great amount of the play. Ever since Hamlet discovered that Claudius killed his father by pouring poison down his ear, Hamlet became obsessed with the idea of death and revenge. King Hamlet encourages Prince Hamlet to take action immediately against Claudius and ultimately leaves it up to Hamlet to figure out the revenge plan (1.5.7-41). Hamlet solely focuses on getting revenge even if it is the last thing he does. Because King Hamlet left his fate up to his son, Hamlet had to make complicated decisions on his own, which altered his mental state as the play progressed. Shakespeare tactically builds up the beginning of Hamlet, only to have Hamlet question the authenticity later in the play, which is where his paranoia begins. In the article “Revenge and Vengeance in Shakespeare’s Hamlet: A Study of Hamlet’s Pursuit and Procrastination Regarding Revenge,” the author, Haque, states that “Hamlet was actually considered to be an indecisive person who always used to think much but act too little,” meaning that the conversation with the ghost telling him to get revenge would not be the only time Hamlet was indecisive, which delayed his revenge process. The readers see that Hamlet is eager planning the revenge on Claudius, but when the time comes, Hamlet is unable to