Including both Homer’s works, the Odyssey and Iliad, he echoes his cultures conception of women as being either helpers of men or hindrances or restraints to them, however essentially insubstantial in their own right. Yet the only exceptions to this rule are immortals such as Athena, Hera, and Aphrodite, who function by a different set of guidelines because they are goddesses. For instance, they are allowed to have more independence then flesh- and-blood women because they are already symbols of some random abstract virtue or perhaps a principle, or beauty, and therefore they instantly have their own role to fill. As we know Iliad and Odyssey are poems relating adventures surrounding the Trojan War where both poems women are common and …show more content…
However, despite the fact that it was her flight which spawned the Trojan War, she seems to just go with the flow. Hector’s mother Hekabe (in many translations, called Hecuba) is another character whom seems to fit squarely into a socially-acceptable feminine role. She treats those whom her husband and son abhor, fear for her son, and urges or advocates him not to re-enter the battle; he disregards her on purpose, of course, because to have listened to her would have considered as unmanly in his culture. She almost functions in the same capacity as the Chorus in a Greek tragedy where hers is the voice of her culture. In addition, Hector’s wife, Andromache, also appeals with Hector to remain with her; just like Hector himself, she know the Trojan cause was doomed, and she wanted to hang onto her husband and child for the brief time they will have left together. Now, it is clear they really love each other, and the love they share for their little son touching and human. Accordingly, he tells her, “Please go home and tend to your own tasks, the distaff and the loom, and keep the women working hard as well” (Iliad, Book VI, 304-305). Although in Andromache we see a fleeting glimpse of not only a respectful devoted wife but a frightened woman, we still see her only in relation to her husband, and in the end this is how her husband sees her as well.
In the first section of Odyssey, mortal women are presented to us as controlled by the stereotypes and expectations of the culture of the day, and it is only within that context that we can consider the examples Homer provides of women to be admired or despised. He provides us with clear contrasts, between Penelope and Eurycleia on the one hand, and Helen and Clytemnaestra on the other.
Homer's "Odyssey" depicts women as strong subjects-they are real substantive characters. Women in this poem are tough, strong-willed and are treated with the respect and seriousness they deserve. Homer characterizes the women in his poem as the real counterparts of men-they have real feelings, real plans and are able to accomplish them on their own.
Even as his wife Andromache pleads “Pity me, please! Take your stand on the rampart here before you orphan your son and make your wife a widow” (Iliad VI. 511-512) to persuade him to stay at home, he chooses kleos over his family. Hector is described by Helen far differently than she speaks of her own husband. “But come in, rest on this seat with me, dear brother, you are the one hit hardest by the fighting, Hector, you more than all – and all for me, slut that I am, and this blind mad Paris” (Iliad VI. 421-423). Helen embraces Hector for his bravery and honor, and asks even that he rest from battle. Her polar opinion between the two brothers serves as an important facet for dissecting the importance of kleos even within a family. Homer shows Helen’s shame and contempt for her husband as he does nothing to defend her or his home against her love for Hector as he fights so gloriously for Troy.
Hector’s family, his wife and his son, are his other primary motivation in fighting. It is evident that he loves them both very much by the dialogue he shares with his wife, Andromache, before he leaves Troy for the last time. Although she asks him not to leave her widowed and her son orphaned, his pride overshadows her pleas:
Gender inequality has been a controversial topic for numerous religions and cultures throughout history. Women were commonly regarded as the subservient gender, an idea that was no different in Ancient Greece. Throughout Greek mythology, women were considered inferior and troublesome symbols, while men were known for courage, leadership, and strength. While there is no argument of the flagrant sexism that is illustrated in Greek mythology, it can also be claimed that women were given a situated position of freedom, necessity, and power as well. Many popular Greek plays and myths contain several complexes and well described female characters. These goddesses themselves, partook the role of victim, heroine, and villain as it illustrated the diversity of characters in which women were portrayed and seen in both Ancient Greek society and mythology, allowing us to question “Were the women of Ancient Greek mythology equally represented as free and superior?” The creation of the Greek mythological universe, the creation of multi-gendered goddesses or deities, and the free and superior personalities accredited to women in Ancient Greek mythology to answer the question that women were fairly represented as powerful in Ancient Greek mythology.
Throughout history, the roles of women and men have always differed to some degree. In ancient Greece, the traditional roles were clear-cut and defined. Women stayed home to care for children and do housework while men left to work. This system of society was not too far off the hunter gatherer concept where women cared for the house and the men hunted. Intriguingly enough, despite the customary submissive role, women had a more multifaceted role and image in society as juxtaposed with the rather simple role men played. Morals for the two were also different. Men obviously had the upper hand with women being the traditional passive.
For this informative report I will attempt to point out the roles women and how they are viewed in ancient Greece. I will then show how these views are present in Homer’s "The Odyssey." How are women, goddess or mortal, conveyed in "The Odyssey?"
Many people regard Homer’s epics as war stories—stories about men; those people often overlook the important roles that women play in the Odyssey. While there are not many female characters in the Odyssey, the few that there are, play pivotal roles in the story and one can gain a lot of insight by analyzing how those women are portrayed. Homer portrays the females in contradictory ways: the characters of Athena and Eurykleia are given strong, admirable roles while Melantho, the Sirens and Circe are depicted in a much more negative way. Penelope—the central female character—is given both negative and positive attributes.
Does Homer exhibit gender bias in the Odyssey? Is the nature of woman as depicted in the Odyssey in any way revealing? Upon examining the text of the Odyssey for differential treatment on men and women, it becomes necessary to distinguish between three possible conclusions. One, differences in treatment reflect the underlying Homeric thesis that women are "different but equal in nature," Two, different treatment of men and women in the text reflect a thesis that women are "different and unequal in nature" -- arguments about misogyny fall in here but a host of other interpretive possibilities are possible too. Three, the different treatment reflects simple ignorance. How much do we attribute what we discover to male authorship -- or
The women in the city of Troy cannot ignore that lives without their husbands is a possibility. Helen, who some would say is the cause of the great battle, understands that she has a fault in the tragedies the men and woman will suffer: “You are the one hit the hardest by this fighting, Hector/ you more than all – and all for me, slut that I am, /and this blind mad Paris. Oh the two of us!” (VI: 287-289). Hector is valiant, a man of honor, which is the detriment to his fate, an element Andromache cannot help but worry about: “Clung to his hand, urged him, called him: ‘reckless one, / My Hector – your own fiery courage will destroy you!’” Life without a father for their son causes her most worry: “Have you no pity for him, our helpless son? Or me? /and that destiny that weighs me down, your widow, /now so soon. Yes, soon they will kill you off,” (VI: 350-352). Andromache understands that Hector is too proud of a warrior to walk away, but fears his death will cause most harm to their child, and many of her days she worries tremendously. Hector himself is conflicted:
Women form an important part of the folk epic, written by Homer, The Odyssey. Within the story there are three basic types of women: the goddess, the seductress, and the good hostess/wife. Each role adds a different element and is essential to the telling of the story.
Women are important to the plot and overall theme of the Odyssey. In fact, without many of the women there would not be a complex plot to this epic poem. In the narrative and in Greek society women played a variety of roles, as mothers, herons, and many other strong roles yet, they were treated as less significant, and were made to be loyal and submissive to men. The women were required to wait on and sulk for love, as Penelope did for 20 years. In Greek society, the women had very little authority but the little control that they did have was sort of a sexual power, which at times they could use to outwit the men. Obvious examples of this sexual power would be Circe and Calypso. Calypso and Circe however, are not the
This extract from Book 6 of Homer’s The Iliad comes at a point where the Trojans are heavily losing to the Achaeans. Hélenus, son of Priam has instructed Hector to return to the city to gather the elders to tell them to offer prayers to the gods so that goddess Athena may pity Troy. It is interesting that Homer should choose Hector to deliver this message rather than an unimportant character; Homer uses it as a devise to develop Hector and make him a more (if not the most) sympathetic character. He shows his contrasting sides; his family oriented side as opposed to the cruel warrior. The interaction with his child, Astyanax, brings a moment of tenderness and humanises Hector.Hector’s contrasting aspects to his character can be explored through
The Iliad and Odyssey present different ideals of women, and the goddesses, who are presented as ideal women, differ between the two epics. The difference in roles is largely dependent on power, and relations to men, as well as sexual desirability and activity.
The role of women in ancient Greek life was insignificant compared to that of Greek men. A woman's job was to take care of the children and to cook and clean unless she had servants or slaves that would do it for her. Yet, in Greek mythology, women were often written as major characters. Well-known Greek plays contain many well-written, complex, female characters. Female individuals in Greek mythology were often seen as very powerful and fierce and were depicted by “her wits, her beauty, or her bad deeds.”