Roman Abramovich is football’s Gatsby, chasing the ever-receding green light
“Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter—tomorrow we will run faster, stretch out our arms farther. And then one fine morning— So we beat on, boats against the current, borne back ceaselessly into the past.” – Nick Carraway (The Great Gatsby, 1925)
A filthy rich recluse whose personal life is shrouded in secrecy, and whose enormous wealth has been amassed in morally – if not legally – dubious means? A thing for yachts and lavish parties that feature famous people? American novelist F. Scott Fitzgerald gave birth to the iconic fictional character Jay Gatsby when he wrote his
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Chelsea owner Roman Abramovich’s similarities with Gatsby do not end there however. Most saliently, they also have in common their pursuit of a quixotic dream. Gatsby’s is symbolised by a green light on a dock, and is essentially his obsession for Daisy Buchanan, his former lover – a longing for the past.
Abramovich’s dream is a little more nebulous. It seems to be some sort of intoxicating mix of attractive football and long-term stability. The first half of the 2014-2015 season under Jose Mourinho was the physical manifestation of at least part of that dream. What has happened in the months since, however, has left Chelsea Football Club facing an existential crisis.
The deluge of anger and frustration that descended upon Stamford Bridge in the aftermath of Mourinho’s departure was not aimed merely at the players, but also at Abramovich and the board. Although the Portuguese’s dismissal was perhaps an inevitable consequence of how football works in the modern day, the overwhelming majority of Chelsea fans acknowledged that the problems at the club were the consequence of collective failure at almost every level of the
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In other words, Emenalo is the only member of the hierarchy with a genuine football background. Perhaps one of Abramovich’s flaws is that he has always seemed to place too much trust in those close to him, and given the unctuous yes-men that surround billionaires such as him, one wonders if the advice he gets is not just a rehashed version of his own opinions and thoughts about the football operations at the club.
With issues as deep-rooted as this, the notion that Chelsea can lure Pep Guardiola in the summer with a blank cheque is risible. The Spaniard would take one look at the first-choice back five (Courtois included) and their patent inability to play out from the back, and sprint in the opposite direction. It is a sad indictment of the mismanagement higher up at Chelsea that the club that could once lure the best managers and players in the world now seem miles away from being able to do
The past was yesterday, the present is now, and the future will be tomorrow. When people live in the past, they disrupt the flow of life. When the flow of life is disrupted, this can only cause discord and turmoil for the future. In The Great Gatsby, by F. Scott Fitzgerald, the author uses symbolism to represent Daisy’s and Gatsby’s past. When Daisy and Gatsby are trying to relive their past, they end up only hurting their future. The Great Gatsby is a book all about symbols used to foreshadow, and relay the past and the relationships between the characters. These symbols progress within the story. The main symbols of the past are Daisy’s green light, the bay between East and West Egg, and Gatsby’s
Williamson’s play, ‘The Club’, accurately reflects many Australian attitudes of today, even though the play was written many years ago. Some of the attitudes expressed, such as tradition, are still equally relevant in todays society. Tradition plays a very important part in ‘The Club’. The characters have their own ideas thinking that tradition must be changed to achieve success in todays society. For example, Laurie, the coach, blames an old Club tradition for his failure to win a premiership. He states, ‘You and your cronies wouldn’t let me buy players.’ Jock, the vice-president, replies, ‘We were upholding old tradition. It was wrong, but we believed in it.’ They should have believed in their club as tradition often gives us insight into what outcomes
F. Scott Fitzgerald’s The Great Gatsby, published in 1925, is the story of the idiosyncratic millionaire Jay Gatsby. It is narrated by Nick Carraway, a Midwesterner from Long Island who later moves to Manhattan. Gatsby’s life is organized around one desire, Daisy, the woman he loved. This desire leads him on an expedition from poverty to wealth, reuniting with his old love, and his eventual death. In his novel, F. Scott Fitzgerald is able to portray the American Dream where people seek out self-gratification and pleasure. He captures the romance of the roaring twenties with the cars, money, illegal alcohol and the wildest parties one could imagine. Much like the character, Jay Gatsby, F. Scott Fitzgerald (1896-1940), wasn’t born into the upper class. While Gatsby is from the lower class, Fitzgerald from the middle class, both end up becoming exceptionally rich, fall into the wildest and reckless life, and use their fortunes to win the love and approval of the women they once loved.
Tottenham is part of a stable industry where the demand is inelastic due to enormous fan following
To Jay Gatsby, his corrupt American dream is symbolized by Daisy Buchanan, a woman he is so in love with he will do anything to get her back. Gatsby sees wealth as a solution to his problems. Raised from a poor childhood to being a millionaire with servants, a huge house, and dozens of friends, Gatsby exemplifies the idea of self-made success. All of these pieces of the American dream that Gatsby acquired were actually elements that eventually led to his downfall. In chapter one, the reader is first introduced to Gatsby in a very unusual way, “He stretched out his arms toward the dark water in a curious way, and, far as i was from him, I could have sworn he was trembling. Involuntarily I glanced seaward-and distinguished nothing except a single green light, minute and far way, that might have been the end of a dock. When I looked once more for Gatsby he had vanished, and I was alone again in the unique darkness” (Fitzgerald 21). In this first glimpse of Gatsby, he is reaching towards something off in the distance, out of reach. This image of the green light ties in with the American dream that people are always reaching for
Quote: Another quote that supports this interpretation of the green light is “Gatsby believed in the green light” (p
One of the major symbols is part of the extract above: the green light. The color green symbolizes hope. The green light at the end of Daisy’s dock is a significant symbol within the book. To Gatsby, it represents his “dream”, which is Daisy. To attain her would be completing his American Dream. “So we beat on, boats against the current, borne back ceaselessly into the past.” This describes Gatsby’s inability to move on from the past. Everything he does in the novel is to surpass and exhilarate his past. In the metaphor used above which is also the quote from the extract , Gatsby tries to goes against the currents—or time—to reach the green light or his dream. And as in the quote, the green light which represents his dream, ‘recedes’ like waves year by
<br>The character of Jay Gatsby was a wealthy business man, who the author developed as
Jay Gatsby also know as James Gatz has always had a dream for his life and that dream is to be wealthy and well-known. As James Gatz lived a poor and unhappy life; he built a new name for himself, Jay Gatsby. Once Jay Gatsby was well known to the people he found it harder to maintain his image as Jay Gatsby. Fitzgerald shows one of the struggles of deception through conversations between Gatsby and others, “I think he hardly knew what he was saying, for when I asked him what business he was in he answered, ‘That’s my affair,’ before he realized that it wasn’t an appropriate reply”. Through Jay Gatsby’s poor response while talking to Nick Carraway, Fitzgerald is able show the complications while deceiving others. Jay Gatsby is now
“No amount of fire or freshness can challenge what a man will store up in his ghostly heart.” F Scott Fitzgerald brilliantly summarizes Gatsby’s devotion and stubborn tendencies through the use of symbolism to portray the affection between Daisy and Gatsby throughout the novel, especially in his use of the green light at the end of Daisy and Tom Buchanan’s dock. In The Great Gatsby, the green light symbolizes an idealistic future of Gatsby’s, enchanted by desire and nostalgia, which is shown through figurative language, plot, and tone. Fitzgerald uses figurative language strategically throughout the text, metaphors in particular, to compliment some of his main themes, including love, memory, and isolation.
When Gatsby, “stretched out his arms toward the dark water in a curious way,” (Fitzgerald.24) Nick, “distinguished nothing except a single green light, minute and far away, that might have been the end of a dock.” (Fitzgerald.24) This green light, however, wasn’t at the end of just any dock, it was at the edge of Daisy Buchanan’s, the person who Gatsby hoped to be with in the future. This symbolizes the great distance he will have to go in order to obtain what he desires, and the water in between represents the one obstacle he will have to overcome, her husband Tom. Nevertheless, after he met with Daisy, he realized that, “the colossal significance of the light had now vanished forever,” (Fitzgerald.100) meaning that since he now had Daisy in her arms, the green light no longer seemed as far away as it used to because he didn’t have to yearn for her love anymore. While it still had a slight significance, it wasn’t as relevant as before, due to the fact that Gatsby had already acquired what he was longing
In this ethnography I am going to climax on the characteristics that make the Champions club so exclusive and
“But I didn’t call to him for he gave a sudden intimation that he was content to be alone- he stretched out his arms toward the dark water in a curious way... I glanced seaward-and distinguished nothing except a single green light, minute and far away, that might have been the end of the dock” (25-26). In F. Scott Fitzgerald’s, The Great Gatsby, Nick Carraway, the narrator, offers his first observation about Jay Gatsby. Although Carraway did not know him well at the time, his first Gatsby moment truly revealed Gatsby’s purpose-to repeat the past and find his old love, Daisy who loved across the bay near the green light. Despite the geographical differences of East egg and West egg, the roaring twenties made Gatsby shine in a light of his own that others tried to reach for.
“The orgastic future [...] year by year recedes before us” and the past consumes us with its “moments of hope and promise and wonder” (Fitzgerald 180; Parr 76). To be human is to be unfulfilled and to long for the unreachable, but such aspirations often prevent one from fully living in the present. In F. Scott Fitzgerald’s 1925 novel, The Great Gatsby, an obsession with the inaccessible past characterizes the lives of many of those inhabiting a “universe of ineffable gaudiness” (Fitzgerald 99). Using a motif of water, Fitzgerald traces character Jay Gatsby’s relationship with the past, to reveal that those who reside in an acquisitive world and try to escape the past will remain there if they mistake it for a viable future. In the short term, they often recognize and attempt to overcome the shortcomings of their past lives. Should they confuse the past with the future, however, they will cease to make progress on their temporal voyage into the future. Ultimately, these individuals will come to believe in their capability of living in the past, becoming so delusional that they actually end up lingering there forever.
It has been suggested that the UCL is a product of societal evolution. After forty years without change the European Cup had become commercially obsolete to broadcasters and sponsors due to the lack of guaranteed matches involving Europe’s biggest clubs (Ahlstrom, 2002). The knockout format allowed for clubs who would bring in large sums of revenue to be eliminated after merely two games.