Romantic Elements In The Fall Of The House Of Usher

     One of the central themes underlying the short story, The Fall of the House of Usher, is that of the nature of the house. The way it is described and the way it is so mysterious. Another central theme about this story is the nature of the people that live in the house. They are portrayed very much in the same manner throughout the story. Thus, they have several similarities with each other. All of which are of a bad feeling, showing how bad things are for the people and the house. These similarities are very well laid out in the story and are, I believe, meant to be something to be considered when reading it.

The short story “The Fall of the House of Usher” by Edgar Allan Poe is about how a nameless narrator gets invited to come see his childhood friend. Because his childhood friend named Roderick Usher, is feeling emotionally and physically unwell, the narrator rushes to be with his friend. During the narrator’s stay at the house many strange things like noises and death begin to happen. Towards the end of the story the narrator begins to hallucinate being under the power of Roderick Usher and the house.

The Fall Of The House of Usher is a terrifying tale of the demise of the Usher family, whose inevitable doom is mirrored in the diseased and evil aura of the house and grounds. Poe uses elements of the gothic tale to create an atmosphere of terror. The decaying house is a metaphor for Roderick Usher’s mind, as well as his family line. The dreary landscape also reflects his personality. Poe also uses play on words to engage the reader to make predictions, or provide information. Poe has also set the story up to be intentionally ambiguous so that the reader is continually suspended between the real and the fantastic.

The setting of this story takes place in the Usher manor a creepy place located in a “dreary tract of country.” When the narrator first sees the estate he feels “an insufferable gloom” because of the manors horrible state. With its “eye-like windows” and “decayed trees...I can compare to no earthly sensation more properly than to the afterdream of the reveler upon opium.” Poe establishes a Gothic setting through the narrator's point of view just like in “Young Goodman Brown.”

Edgar Allen Poe’s short story, “The Fall of the House of Usher”, sets a tone that is dark, gloomy, and threatening. His inclusion of highly descriptive words and various forms of figurative language enhance the story’s evil nature, giving the house and its inhabitants eerie and “supernatural” qualities. Poe’s effective use of personification, symbolism, foreshadowing, and doubling create a morbid tale leading to, and ultimately causing, the fall of (the house of) Usher.

The narrator comes to the House to aid his dying friend, Roderick Usher. As he arrives at the House he comes upon an “aura of vacancy and decay… creating a pathologically depressive mood” (Cook). The state of the House is daunting to the narrator – he describes it with such features as “bleak walls”, “eye-like windows”, “rank sedges”, “decayed trees”, and “an utter depression of the soul”. These images foreshadow a less than pleasant future for the narrator and his dear friend Roderick. Poe continues to foreshadow the narrators turn of events with a description of the House’s “dark” and “comfortless” furniture. The House becomes a living hell for the narrator as he watches Roderick’s condition evolve and struggles to understand the mystery tying unfortunate events together. However, as the narrator gradually becomes more enveloped in Roderick and the House’s malady, he seems to develop a malady of his own. While the narrator’s illness is less prominent than that of Roderick and his sister Lady Madeline, the sicknesses are one in the same.

In the story “ The Fall of the House of Usher” by Edgar Allan Poe, has an American romanticism with its characters. Edgar Allan Poe is considered a Dark Romanticism because of the way he writes his poems and short stories centered around the concept of evil human nature, darkness, and death. Roderick and Madeline Usher were said to be related during the middle of the story; they were twins. It explained how they were sick, Roderick had a mental disorder and Madeline was physically sick. As the narrator enters the desolate house, he finds both Roderick and his sister in a severe state of depression and they both appear sick like. The narrator tries to make Roderick feel better, but Roderick wouldn’t budge. Roderick thinks that the house is making him sick and making him to appear crazy.

Edgar Allen Poe’s “The Fall of the House of Usher,” Nathaniel Hawthorne’s “The Minister’s Black Veil,” and William Cullen Bryant’s “Thanatopsis” illustrate several Romantic and Transcendentalist (and anti-Transcendentalist) traits. All of these authors are regarded as very important and influential Romantic writers. Their works are renowned all across the entire world. “The Fall of the House of Usher” is a Gothic short story written by Edgar Allen Poe, which focuses on exploring the psychology of the primary character, Roderick. Hawthorne’s “The Minister’s Black Veil” is a grim tale featuring a minister who begins wearing a black veil everywhere he goes - a metaphor for his own internal despair. Bryant’s “Thanatopsis” is a more traditional form of poetry that speaks of nature and death. These works together all share several Romantic themes and together exhibit several traits reflective of the Romantic movement of poetry and art. In particular, these writings all contain darker aspects to them that likely would not have been as appreciated at the time they were written as they are now. It is clear from these writings that Poe, Hawthorne, and Bryant were forefront writers in terms of influence within the Romantic movement.

In fact, the first five paragraphs of "The Fall of the House of Usher" are devoted to creating a gothic atmosphere. An ancient, decaying castle paints an eerie, moldy picture. The surrounding moat seems stagnant and sullen. The time period also ties into this mood. It's autumn and the weather is cool and dreary. How many horrors take place in the daytime? Not many, and this story is no different. It's dark, or at least semi-dark. Immediately Poe entraps the reader. There is a sense of being confined within the walls of the Usher house. Outside a storm is raging and inside there are mysterious rooms where windows suddenly whisk open, blowing out candles. Creaking and moaning sounds fill the air. The wind is whipping, and the landscape is barren. This is gothic writing and these are its trappings. The darkness of everything symbolizes death to come. Upon entering the gothic archway of the deteorating mansion, the narrator is led "through many dark and intricate passages" filled with "somber tapestries" and "ebon blackness". Over everything, Poe drapes his atmosphere of sorrow and irredeemable gloom. He evokes his primary effect, the anticipation that some fearful event will soon transpire.

After evaluating the work of Edgar Allan Poe’s The Fall of the House of Usher, he utilizes with imagery to build up the feeling of terror. First of all, the passage is about an ill man, Roderick Usher, who invites his old friend of his to come meet him. In this passage both him and his sister, Madeline Usher, are the last remaining of the Usher race and is diagnosed with an unnatural illness. The narrator begins to feel terror with the supernatural things going on in the house of Usher and the illness of the Ushers. Although the narrator feels the sense of terror from the moment he entered the house, through the use of imagery, Poe is able to bring emotion to the reader. Throughout the passage, the author continues to build up the sense of terror by asserting the image and setting of both the passage and the atmosphere. For instance, he starts the passage by stating “a dull, dark, and a soundless day...clouds hung oppressively low in the heavens” (Poe 194). In relation to the previous quote, the quote illustrates the image of the atmosphere and the setting of the story. In particular, because Poe expresses the sense of terror by describing the atmosphere as dark, quiet, and gloomy, the reader can get an image of the surroundings and get the feeling of the darkness and horror. In addition, according to Poe, during the first glimpse of the house of Usher, the narrator describes it as gloomy and unpleasant. In particular, Poe states “the shades of the evening drew on… a sense of insufferable gloom” (Poe 194). Additionally, the description of the house adds on to the sense of terror that Poe established in the beginning of the story. Based on the past two quotes stated by the author, the reader can begin to picture a dark and dull day with a gloomy house adding on to the darkness. Lastly, in regards to Edgar Allan Poe, the house of Usher is

Hence, Poe appropriates a setting that seems to contaminate the characters. Just as the atmosphere and landscape seem translated into the characters, the house, as another primary feature of setting, functions as a symbol for the Usher family. The narrator even mentions initially that “House of Usher” had come to represent both family and home. Therefore, the house itself can be seen as an embodiment of the family. Poe emphasizes this symbolism by personifying the house, providing it with the anatomy of humans: “eye-like windows” and clothing: a “veil.” Moreover, the house is deteriorating just as the family is. The Ushers, Roderick and his sister Madeline, have no relatives, only themselves, and both are suffering with unusual illness. Finally, after Roderick and Madeline die, likewise the house completely breaks apart, characterizing the fate of the family.

Edgar Allan Poe became an author that has grasped the importance of language in his short stories to form the perfect mood and the ability to affect his readers emotionally. In the short story, The Fall of the House of Usher, a man decides to go on a trip to reunite with a friend from his childhood, who suffers from an unknown illness. During the visit, bizarre events occur while staying in his friend’s home. This short story allows Poe to use hints of horror and gothic prose to drive the protagonists into constant mental distress and eventually driving them to madness. Poe incorporates horror and gothic prose such as the unsettling description of the setting, demise, and the fear of paranormal slowly will creep fear upon his characters

“The Fall of the House of Usher (1939)”, arguably Edgar Allan Poe’s most famous short story, is a tale centered around the mysterious House of Usher and its equally indiscernible inhabitants. These subjects are plagued with physical and mental degradation – the Usher siblings suffer from various abnormal ailments and unexplained fears, while the house itself seems to be tethering on the edge of collapse. The gothic elements in the story are distributed generously, and the plot is increasingly ridden with the supernatural as it progresses.

The Fall of the House of Usher is a story “of sickness, madness, incest, and the danger of unrestrained creativity. This is among Poe's most popular and critically-examined horror stories” (Gordon). For example if you were to close your eyes while someone was reading the story you would see the house “decaying” in your imagination (Poe). From the start of the story the narrator’s strange “insufferable gloom” is introduced. He notes the darkness of his surrounding (Gordon). The stories are very deeply described and felt.

Faithful to the principles of the author, the first detailed words of description of the setting announce the decadent character of the composition- “All the main lines of action are supported by a systematic elaboration of detail” (Robinson, 79). The Fall of the House of Usher begins with the description of the place where all the facts of the story will develop: “It was a dark and soundless day near the end of the year, and clouds were hanging low in the heavens… through country with little life or beauty; and in the early evening I came within view of the House of Usher” (Poe, 22). At exterior levels, the presence of a crack crosses the whole structure of the house: “a crack making its way from the top down the wall until it became lost in the dark waters of the lake.” (Poe, 23). The dark aspect is present in the obscure interiors of the house: “Dark covering hung upon the walls. The many chairs and tables had been used for a long,