Roy Lichtenstein Whaam !

Attention Getter: The American culture is so engulfed into consumerism that we take every day items and objects for granted we don 't necessarily realize the impact and importance to have on our life and how we live vicariously through them. Today I 'm going to talk about one man that took these concepts into his artistic ability and thereby created a whole new culture in what we see is art today. This man who is considered one of the fathers of pop art goes by the name of Andy Warhol.

Yoram Wolberger, made a life size toy green soldier that is on display at the Museum of Contemporary Art in Chicago. The piece was partly inspired by World War One veteran who placed the toy figures on several sculptures. Wolberger wanted to connect childhood fantasy with adult retrospection. The sculptures "ready to fight stance" also represents the haunting reminder that men and women can be called upon to fight for their country at any time.4 Wolberger did a brilliant job at tying together the seriousness of war, and the simplicity of childhood while still showing respect to veterans. He pokes fun at the institution of war, and not the warrior. Also Wolberger shows the unsettling reality that almost anyone can be called into duty at any time with the stance of the toy figure without manipulating it in anyway. War art is not always paintings of battle scenes or statues of child's toys. Memorials and Remembrances built in honor of those whose lives have fallen, or battles key to the success of a

Roy Lichtenstein’s art ‘investigates modes of representation - the visual properties of style and reproduction’. (Weitman 1999 p.46) Lichtenstein was fixated on advertisements and comic strips. These modes of

World War I was a war that shocked the world and brought about new emotions that created a large wave of “-isms” as well as the “lost generation” of writers. Modern art was catalyzed by World War I and without a thorough study of the various forms of art that resulted from it, modern art and the tremendous effect that World War I had on the people of the world cannot be fully understood. This historical investigation will cover a few aspects of the art that resulted from World War I so that a general idea of the emotions shared by the people of the world can be known. A few paintings that represent specific movements will be studied to understand the artistic movement. A number of museum exhibitions will be studied along with government websites, databases, and museum websites, especially from the Museum of Modern Art.

Wyeth's art has long been controversial. As a representational artist, Wyeth's paintings have sharply contrasted with the prevailing trend of abstraction that gained currency in American art in the middle of the 20th century. Museum exhibitionists of Wyeth's work have set attendance records, but many art critics have derided his paintings. The most common criticisms are that Wyeth's art verges on illustration, and that his predominantly rural subject matter is heavily weighted with sentiment. Admirers of Wyeth's art believe that his paintings, in addition to sometimes displaying overt beauty, contain strong emotional currents, symbolic content and underlying abstraction. Most observers of Wyeth's art agree that he is exceptionally skilled at handling the mediums of watercolor and egg tempera. Except for early

Upon walking in, the first piece seen is a new work created by Murakami called, “Transcendent Attacking a Whirlwind” this 59 foot long work is vibrant, richly colored work with dragons, human figures and swirling winds is inspired by a seven paneled painted screen by the same name by Soga Shohaku. These to prints are facing each other on parallel walls, both depicting a similar narrative of a Asian warrior striking at a beast, the strike is so strong it creates and air current that creates giant waves. Murakami expands the narrative adding two new figures a god like figure and a Japanese death demon or Shinigami. This adds more to the overall narrative showing the two new figures creating and destroying the seascape. Overall both

Ever wonder what opposition to cultural trends can lead someone? Ever question what kind of success can erupt from dislocating and distorting one’s work into a brand unique to no one but yourself? Pablo Picasso and Zaha Hadid were two of the most successful artists within the modernist movement. Both Picasso and Hadid laid the foundation to their success with a strong educational background. While each artist knew that their sheer talent and works would not contribute to their succession alone. Picasso and Hadid sought the importance of defining one’s brand on a global scale. Building a connection between a consumer and their product, both Picasso and Hadid knew that their talent and business practices would allow them to convey

A war won by pure heart and soul. Americans are underdogs in this war but in the end they come out on top. That’s the good news, but the bad is how the war was started. Paul Revere’s painting is extremely influential in starting the war. I feel it shows who the cowards are in this war, how and whose blood was shed in the massacre, and what effect this had on America.

The piece I choose to critic is titled “Buscado por su madre” or “Wanted by his Mother” by Rafael Cauduro, no year. This piece is an Oil on Canvas painting that measured 48”x36” located at the Long Beaches MoLAA. The work is presented as one of a few Mexican artists that share an interest in their painting primarily figurative style, political in nature, that often narrated the history of Mexico or the indigenous culture. The painting is one of the first viewers see as they enter the Museum. It is at eye level and demonstrates a superb use of illusionistic realism that it creates the illusion of being real. The painting is of a old Missing poster of a man on a brick wall. What made it stand out in my eyes was the fact that it looked to be a three dimensional object on what looked like real bricks with the words wanted by mother on the top. Cauduro’s piece, in my eyes looked like he literally took a chunk out of a wall, and placed an old torn missing poster of a man on the front and put it out for display. Cauduro uses texture to represent the look of brick by applying thick strokes of paint creating a body of its own as and mimics the look and shape of brick. He also makes applies the same technique on the wanted poster by implying that it is old and torn by again layering his paint to create the

Wilhelm Heinrich Otto Dix, a known portraitist and realist artist in Germany in the 1920s and 30s, is known for his controversial artworks that focus on taboo subjects surrounding World War I and II. This period evoked a rise in portraiture and a decline in abstraction because “human beings, shattered by wartime experiences and filled with existential fear, suddenly seemed to be worthy subjects” (Rewald 3). When he returned from fighting in the war filled with anger, horror and disgust, Dix was inspired to follow this evolving theme in art in order to express his feelings, which is something he believed could not be done in painting landscape

Some of the colors seem out of place. The variation in color may be a result of the author emphasizing certain areas of the sculpture. Most notably, the artist selects to present the sculpture in three-dimensions, using this technique to accentuate and magnify the combatants and their physical attributes. Certain parts of these dimensions seem to stick right out at you, giving the viewer a good impression of the violence and hatred of war.

In order to discuss pop art I have chosen to examine the work and to some extent lives of Roy Lichtenstein and Andy Warhol who were two of the main forces behind the American movement. I intend to reflect the attitudes of the public and artists in America at this time, while examining the growing popularity of pop art from its rocky, abstract expressionist start in the 1950s through the height of consumer culture in the 60s and 70s to the present day.

Filled with shades of red, the upper part of the painting comes to create a strong opposition with the black area below it, itself encircled by a darker red. This painting consisting of three floating rectangles in various colour combinations, creates a sombre mood conducive to spiritual contemplation. With the use of Rothko's saturated colours the viewers are moved

Whaam! Is a 1963 diptych painting by Roy Lichtenstein. It is based on an image from All American Men of War published by DC comics in 1962. It has been described as one of the most powerful monuments of 1960s Pop Art and remains one of Tate’s most popular works on display (Dunne). Whaam! 1963 is a deceptively simple work of appropriation. The compositional templates were taken from comic-book panel in DC Comic’s All-American Men of War. The piece was drawn directly on to canvas with pencil and painted in layers of oil and the Magna brand of acrylic paint. Layering meant the paint could remain wet during the production process and allowed for manipulations of shape and color. The Benday dots were produced using a scrub brush and handmade metal screen (Dunne). Whaam! imitated the reproduction techniques of a cheap commercial printing (a palate of primary colors, a flat background, heavy black outlines, fields of tiny dots to stimulate tone and shadow). Whaam! is one of the star exhibits of touring retrospectives (Sooke).

Andy Warhol did a lot of paintings, mostly comics of artist or ads. The one that became his favorite one was the Campbell’s soup cans. The idea of him painting this painting came through an ad he saw at a gallery. This painting is different than all the paintings he has done throughout his career because it’s comic-strip painting.